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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
(-) IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Nathan, Hans

Year: 1960
Complete Citation:
Nathan, Hans. “The Modern Period—United States of America.” In A History of Song, edited by Denis Stevens, 431-437. New York, NY: W.W. Norton, 1960.
Source: Chapter in Book
IV. Individual Studies by Genre
E. Songs

Nauck, Gisela

Year: 1985
Complete Citation:
Nauck, Gisela. “Weimar: Charles Ives’ Concord Sonata, DDR-erstauf-geführt.” Musik und Gesellschaft 35 (July 1985): 397-398.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Nelson, Mark Douglas

Year: 1984
Complete Citation:
Nelson, Mark D. “Beyond Mimesis: Transcendentalism and Processes of Analogy in Charles Ives’ ‘The Fourth of July.’” Perspectives of New Music 22, Nos. 1-2 (1984): 353.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Newark, Cormac

Year: 2000
Complete Citation:
Newark, Cormac. “Knowing the Score.” The Guardian, April 28, 2000: B18.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Newman, Philip Edward

Year: 1967
Complete Citation:
Newman, Philip Edward. “The Songs of Charles Ives,” Ph.D. diss., University of Iowa, 1967.
Notes:

Unpublished

Source: Ph.D. Dissertation
IV. Individual Studies by Genre
E. Songs

Newton, Catherine R.

Year: 2010
Complete Citation:
Newton, Catherine R. “A Wild Ride with Saint-Saens, Ives.” The Salt Lake Tribune, December 3, 2010.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Newton, Catherine Reese

Year: 2017
Complete Citation:
Newton, Catherine Reese. “Ives Symphony Befuddles, Delights Abravanel Crowd.” The Salt Lake Tribune, February 18, 2017.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Nicholls, David

Year: 1990
Complete Citation:
Nicholls, David. “In Re Con Moto Et Al: Experimentalism in the Works of Charles Ives (1874-1954).” In American Experimental Music: 1890-1940, 5-88. Cambridge, United Kingdom: Cambridge University Press, 1990.
Source: Chapter in Book
IV. Individual Studies by Genre
B. Chamber Works

Nicholas, Jeremy

Year: 2012
Complete Citation:
Nicholas, Jeremy. “Music of My Life: Marc-André Hamelin.” International Piano (2012): 88.
Source: Magazine
IV. Individual Studies by Genre
C. Keyboard Works

Nishiyama, Keiko

Year: 1991
Complete Citation:
Nishiyama, Keiko. “Die Bedeutung der Zitate in Charles Ives’ zweiter Klaviersonate (Concord, Mass., 1840-60).” Diss., Hochschule für Musik und Theater, Hamburg, 1991.
Source: Dissertation
IV. Individual Studies by Genre
C. Keyboard Works

Nixon, Marni

Year: 2006
Complete Citation:
Nixon, Marni. I Could Have Sung all Night, 53-54, 110, 253, and 257. New York, NY: Billboard Books, 2006.
Notes:

Discussion of her performances of the songs for “Evenings on the Roof” (p. 53-54)

Source: Book
IV. Individual Studies by Genre
E. Songs

Nushi, Dafina Zeqiri

Year: 2011
Complete Citation:
Nushi, Dafina Zeqiri. “Charles Ives “Central Park in the Dark.”” Academia. February 2011. www.academia.edu/27447863/CHARLES_IVES_CENTRAL_PARK_IN_THE_DARK_.
Source: Online article
IV. Individual Studies by Genre
A. Orchestral and Band Works

Ober, William B.

Year: 1964
Complete Citation:
Ober, William B. Liner notes for Ives String Quartets. Kohon String Quartet. Vox STDL 501120, 1964, 33.3 RPM.
Source: Liner notes
IV. Individual Studies by Genre
B. Chamber Works

Oestreich, James

Year: 1997
Complete Citation:
Oestreich, James R. “Questing Spirit, Well Met.” The New York Times. 1997: C16.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Oestreich, James R.

Year: 1994
Complete Citation:
Oestreich, James R. “MUSIC REVIEW; Trio Plus One Takes on Charles Ives: Review.” The New York Times, August 30, 1994.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2000
Complete Citation:
Oestreich, James R. “Varese's Memorable 'Ameriques' vs. Ives's Fourth.” The New York Times, May 1, 2000, sec. E, 5. 
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2002
Complete Citation:
Oestreich, James R. “Multiple Bands on Parade, Not Afraid to Collide: Review.” The New York Times, August 20, 2002.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2003
Complete Citation:
Oestreich, James R. “Out with Berlioz, in with Ives.” The New York Times, September 7, 2003, AR80.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2004
Complete Citation:
Oestreich, James R. “From Medieval Song to Ives, A Series of Spring Farewells. (The Arts/Cultural Desk).” The New York Times, May 19, 2004, E3.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Oliver, Michael, Vivian Perlis, Wilfrid Mellers, and David Nicholls

Year: 1996
Complete Citation:
Oliver, Michael, Vivian Perlis, Wilfrid Mellers, and David Nicholls. “Panel Discussion: Charles Ives: The Unanswered Question.” The Unanswered Question [Festival]. Barbican Centre; Leadenhall Market; St. Giles Church, Cripplegate; London, United Kingdom, January 19 to 21, 1996.
Source: Panel Discussion
IV. Individual Studies by Genre
A. Orchestral and Band Works