Bibliography

Rathert, Wolfgang

Year: 1982-1983

Complete Citation:

Rathert, Wolfgang. “Charles Ives: Symphonie Nr. 4, 1911-1916.” Neuland 3 (1982-83): 226-241.

Source: Journal

IV. Individual Studies by Genre
A. Orchestral and Band Works

Year: 1983

Complete Citation:

Rathert, Wolfgang. “Charles Ives, Symphonie Nr. 4 (1910-1916).” In Neuland: Ansätze zur Musik der Gegenwart: Jahrbuch. Band 3. Cologne, Germany: Neuland Musikverlag, 1983.

Source: Chapter in Book

IV. Individual Studies by Genre
A. Orchestral and Band Works

Year: 1986

Complete Citation:

Rathert, Wolfgang. “Paysage imaginaire et perception totale: L’idée et la forme de la symphonie Universe.” Contrechamps 7 (1986): 129-154.

Source: Journal

IV. Individual Studies by Genre
A. Orchestral and Band Works

Year: 1987

Complete Citation:

Rathert, Wolfgang. “Charles Ives: ‘Robert Browning Overture’.” Neue Zeitschrift für Musik 148/4 (1987): 28-31.

Source: Journal

IV. Individual Studies by Genre
A. Orchestral and Band Works

Year: 1988

Complete Citation:

Rathert, Wolfgang. “Zum symphonischen Werk von Charles Ives.” In Charles Ives und die amerikanische Musiktradition bis zur Gegenwart, 53-72. Cologne, Germany: University of Cologne, 1988.

Source: Chapter in Book

IV. Individual Studies by Genre
A. Orchestral and Band Works

Year: 1988

Complete Citation:

Rathert, Wolfgang. “Zur Entwicklung des symphonischen Werks von Charles Ives.” In Bericht über das Internationale Symposion “Charles Ives und die amerikanische Musiktradition bis zur Gegenwart”: Kongreßbericht Köln, 1988, edited by Klaus Wolfgang Niemöller. Regensburg, Germany: Gustav Bosse, 1990.

Source: Chapter in Book

IV. Individual Studies by Genre
A. Orchestral and Band Works

Year: 1990

Complete Citation:

Rathert, Wolfgang. “Mahler und Ives. Gibt es eine ‘geheime Zeitgenossenschaft’?” Nue Zeitschrift für Musik 151/10 (1990): 7-12.

Source: Journal

IV. Individual Studies by Genre
C. Keyboard Works

Year: 2004

Complete Citation:

Rathert, Wolfgang. “Hymne auf das Ende eines tragischen Tages. Charles Ives und sein “Orchestral Set No. 2.”” Neue Musikzeitung 5 (May 2004): 3-4.

Source: Journal

IV. Individual Studies by Genre
E. Songs

Year: 2004

Complete Citation:

Rathert, Wolfgang. “Auratische Form und Lebenswirklichkeit—Zu Charles Ives’ Orchestral Set No. 2 (1909--1919).” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 138-148. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.

Source: Chapter in Book

IV. Individual Studies by Genre
A. Orchestral and Band Works

Year: 2004

Complete Citation:

Rathert, Wolfgang. “Musik und Lyrik in der Musikgeschichte der USA.” In Musikalische Lyrik, edited by Hermann Danuser, 331-363. Handbuch der musikalischen Gattungen 8.2, edited by S. Mauser. Lilienthal, Germany: Laaber-Verlag, 2004.

Source: Chapter in Book

IV. Individual Studies by Genre
E. Songs

Raven, Seymour

Year: 1959

Complete Citation:

Raven, Seymour. “Music of Ives Ends Ravinia’s Concert Phase: Hendl Conductor for a Crowd Pleaser.” Chicago Daily Tribune, August 9, 1959, 16.

Source: Newspaper

XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Raynor, Henry

Year: 1966

Complete Citation:

Raynor, Henry. “Miscellany.” Music Review 27/4 (1966): 331.

Source: Journal

XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Recchi, Ray

Year: 1993

Complete Citation:

Recchi, Ray. “Shh! Sit Down and Mind Your Manners: Sports Final Edition.” Sun-Sentinel, 1993.

Source: Newspaper

XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Reed, Alice S.

Year: 2005

Complete Citation:

Reed, Alice S. Charles Edward Ives and his Piano sonata no. 2 "Concord, Mass. 1840-1860.” Victoria, BC: Trafford Publishing, 2005.

Source: Book

IV. Individual Studies by Genre
C. Keyboard Works

Reed, James

Year: 2005

Complete Citation:

Reed, James. “Get Wrecked: Third Edition.” The Boston Globe, March 16, 2005.

Source: Newspaper

XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Reel, James

Complete Citation:

Reel, James. “Majoros’ Portrayal Brings Ives to Life.” The Arizona Daily Star, April 26, 1991.

Source: Newspaper

XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Reinhard, Johnny

Year: 2004

Complete Citation:

Reinhard, Johnny. Academia. 2004. www.academia.edu/40492616/Ivesanom_dbl.

Source: Online article

IV. Individual Studies by Genre
A. Orchestral and Band Works

Year: 2005

Complete Citation:

Reinhard, Johnny. “Across the Universe.” (October 12). New Music Box. New Music USA, October 12, 2005. www.nmbx.newmusicusa.org.

Notes:

An article explaining some of the decisions the author/conductor made in preparing a "realization" of the Universe Symphony for performance.

Source: Online article

IV. Individual Studies by Genre
A. Orchestral and Band Works

Reinthaler, Joan

Year: 1974

Complete Citation:

Reinthaler, Joan. “Ives Concert.” The Washington Post, September 30, 1974, B11.

Source: Newspaper

XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Year: 1984

Complete Citation:

Reinthaler, Joan. “Portrait of Ives.” The Washington Post, July 2, 1984: C9.

Source: Newspaper

A. Reviews and Announcements of Premieres and Significant Performances

Bibliography

Genres

Rathert, Wolfgang

Raven, Seymour

Raynor, Henry

Recchi, Ray

Reed, Alice S.

Reed, James

Reel, James

Reinhard, Johnny

Reinthaler, Joan