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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
(-) IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Grantham, Donald

Year: 1979
Complete Citation:
Grantham, Donald. “A Harmonic ‘Leitmotif’ System in Ives’s Psalm 90.” In Theory Only Vol. 5 no. 2 (May-June 1979): 3-14.
Source: Journal
IV. Individual Studies by Genre
D. Choral Works

Gratovich, Eugene

Year: 1974
Complete Citation:
Gratovich, Eugene. “The Violin Sonatas.” Music Educator’s Journal 61, no. 2 (October 1974): 58-63.
Source: Journal
Reprints:

Gratovich, Eugene. “The Violin Sonatas of Charles E. Ives.” <i>The Strad</i> 85 (December 1974): 471.

IV. Individual Studies by Genre
B. Chamber Works
Year: 1975
Complete Citation:
Gratovich, Eugene. “Performing the Violin Sonatas of Charles Ives.” American String Teacher, Vol. 25, Issue 1 (February 1975): 24-25.
Source: Journal
IV. Individual Studies by Genre
B. Chamber Works
Year: 1979
Complete Citation:
Gratovich, Eugene. “Ives Second Violin Sonata: Performance Alternatives.” American String Teacher 29/2 (Spring 1979): 46-49. 
Source: Journal
IV. Individual Studies by Genre
B. Chamber Works
Year: 2004
Complete Citation:
Gratovich, Eugene. “Play It!: “Decoration Day” by Charles Ives (1912).” Strings, Vol. 19, No. 3 (2004): 24-25.
Source: Magazine
IV. Individual Studies by Genre
A. Orchestral and Band Works

Green, Douglass M.

Year: 1978
Complete Citation:
Green, Douglass M. “A Chord Motive in Ives’s ‘Serenity.’” In Theory Only Vol. 4, No. 5 (October 1978): 20-21.
Source: Journal
IV. Individual Studies by Genre
E. Songs
Year: 1978
Complete Citation:
Green, Douglass M. “Exempli gratia: A Chord Motive in Ives’s Serenity.” In Theory Only 4 (October 1978): 20-21.
Source: Journal
IV. Individual Studies by Genre
E. Songs

Greenberg, Robert

Year: 2004
Complete Citation:
Greenberg, Robert. “Lecture 19: Charles Ives.” In The Symphony. Chantilly, VA: Teaching Company, 2004.
Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works

Greenfield, Edward

Year: 1972
Complete Citation:
Greenfield, Edward. “Ives from England.” High Fidelity/Musical America 22/4, April 1972, 20.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Greenfield, Philip

Year: 2012
Complete Citation:
Greenfield, Philip. “Heaven to Earth.” American Record Guide, Vol. 75, No. 4 (2012): 266.
Source: Magazine (recording review?)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2014
Complete Citation:
Greenfield, Philip. “Adagio: Consideration of a Serious Matter.” American Record Guide, Vol. 77, No. 2 (2014): 186.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Grill, Stanley

Year: 1982
Complete Citation:
Grill, Stanley. “A language so transcendent: an analysis of style and content in the songs of Charles Ives.” New York, NY: Stanley Grill, 1982.
Source: Book
IV. Individual Studies by Genre
E. Songs

Gutman, David

Year: 1996
Complete Citation:
Gutman, David. “Passing Notes: Composer’s Lives.” Gramophone, Vol. 73 (1996): 21, 23, 25.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2013
Complete Citation:
Gutman, David. “Review: Orchestral - Ives, Sibelius, Wagner.” Gramophone, Vol. 91 (2013): 66.
Source: Magazine (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Gutmann, Peter

Year: 2000
Complete Citation:
Gutmann, Peter. “Classical Notes: American Classical Music Has Etched a Distinctive Voice.” Goldmine, Vol. 26, No. 17 (2000): 80.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Hahn, Hilary

Year: 2011
Complete Citation:
Hahn, Hilary. “Masterclass: Ives’ Violin Sonata No. 4, second movement.” The Strad, Vol. 122 (2011): 86-89.
Source: Magazine
IV. Individual Studies by Genre
B. Chamber Works

Hall, David

Complete Citation:
Hall, David. “The Quintessence of Ives.” Stereo Review 39, no. 2 (August 1977): 124.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1959
Complete Citation:
Hall, David. “Charles E. Ives on What to Listen for in New Music.” HiFi Review 2/5 (May 1959): 6, 8.
Notes:

Numerous quotations from Essays Before a Sonata.

Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1965
Complete Citation:
Hall, David. “Premiere and Cultural Turning Point: Charles Ives’ Fourth Symphony: An Account of the History and Preparation of the Score, the Problematic Rehearsals, and the First Performance of an Almost Legendary Work.” HiFi/Stereo Review Review, July 1965), 55-58.
Source: Magazine
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1965
Complete Citation:
Hall, David. “A Masterwork Takes Its Rightful Place.” HiFi Review 15, no. 5 (November 1965): 81-82.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews