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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
(-) IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Stahl, Dorothy

Year: 1968
Complete Citation:
Stahl, Dorothy. A Selected Discography of Solo Song: A Cumulation through 1971. Vol. 24. Detroit, MI: Information Coordinators, Detroit Studies in Music Bibliography, 1968.
Notes:

Provides discographic information for fifty-five Ives songs, listed alphabetically. Thirty--two songs are cited in the earlier edition (Detroit Studies in Music Bibliography, Volume 13), and forty--one songs are cited in the Supplement 1968-1969 (1970).

Source: Book
IV. Individual Studies by Genre
E. Songs

Stainton, Leslie

Year: 2012
Complete Citation:
Stainton, Leslie. “The Things Our Fathers Loved.” River Teeth Journal 14, no. 1 (Fall 2012): 93-108, 149-150.
Source: Journal
IV. Individual Studies by Genre
E. Songs

Starr, Larry

Year: 1977
Complete Citation:
Starr, Larry. “Style and Substance: ‘Ann Street’ by Charles Ives.” Perspectives of New Music, No. 4 (Spring-Summer 1977): 23-33.
Source: Journal
IV. Individual Studies by Genre
E. Songs

Steane, John

Year: 2005
Complete Citation:
Steane, John. “Reviews: Vocal - Ives: “A Song - For Anything.”” Gramophone, Vol. 83: 77.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Stedman, Preston

Year: 1979
Complete Citation:
Stedman, Preston. The Symphony. Englewood Cliffs, NJ: Prentice-Hall, 1979.
Notes:

Only passing references. Expanded coverage in second edition.

Source: Book
Reprints:

Stedman, Preston. <i>The Symphony</i>, 350-365. 2nd ed. Englewood Cliffs, NJ: Prentice-Hall, 1992.

IV. Individual Studies by Genre
A. Orchestral and Band Works

Steinberg, Michael

Year: 1965
Complete Citation:
Steinberg, Michael. “Zukofsky and Kalish Play Ives Sonatas.” The Boston Globe, May 25, 1965, 33.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1965
Complete Citation:
Steinberg, Michael. “Zukofsky and Kalish Play Ives Sonatas.” The Boston Globe, May 25, 1965: 33.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1966
Complete Citation:
Steinberg, Michael. “Ives First - Just for the Record.” The Boston Globe, July 30, 1966, 13.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Stiller, Andrew

Year: 1991
Complete Citation:
Stiller, Andrew. “Recordings - Charles Ives’ Sonatas for Violin and Piano: 1-4 (Complete) performed by Gregory Fulkerson and Robert Shannon.” Musical America, Vol. 111, No. 5 (1991): 46.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Stirn, J.

Complete Citation:
Stirn, J. “Listening to the Fourth of July.” South China Morning Post, July 4, 1974, 46.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Stone, Kurt

Year: 1966
Complete Citation:
Stone, Kurt. “Ives’s Fourth Symphony: A Review.” Musical Quarterly 52/1 (January 1966): 1-16.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1966
Complete Citation:
Stone, Kurt. “A Postscript on Ives’ Fourth.” The Musical Quarterly, Vol. 52 (1966).
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Stone, Peter Eliot

Year: 1984
Complete Citation:
Stone, Peter Eliot. “Charles Ives Wall-to-Wall.” High Fidelity/Musical America 34/8 (August 1984): 25-26.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Stout, Alan

Year: 1985
Complete Citation:
Stout, Alan. “Review of Charles Ives Symphonies Nos. 2 and 3.” American Music 3, no.4 (Winter 1985): 499-501.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Stover, Harold

Year: 1997
Complete Citation:
Stover, Harold. “Charles Ives’s Variations on ‘America.’” American Organ-ist 31/11 (November 1997): 72-75.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Strack, Sandra S.

Year: 2013
Complete Citation:
Strack, Sandra S. Die Klavieretude im 20. Jhd.: Virtuose ‘Fingerübung für den Interpreten oder den Komponisten? - Analysen ausgewählter Beispiele. Marburg, Germany: Tectum Verlag, 2020.
IV. Individual Studies by Genre
C. Keyboard Works

Stringham, Edward J.

Year: 1921
Complete Citation:
Stringham, Edward J. “Ives Puzzles Critics with His Cubistic Sonata and ‘Essays’.” Rocky Mountain News (Denver), July 31, 1921, sec. 2, 1, 17.
Source: Newspaper
IV. Individual Studies by Genre
C. Keyboard Works

Strongin, T.

Year: 1965
Complete Citation:
Strongin, Theodore. “Modern Music Masters.” The New York Times, April 18, 1965: X16.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Strongin, Theodore

Year: 1966
Complete Citation:
Strongin, Theodore. “When Charles Ives Was at Yale.” The New York Times, June 5 1966, sec. 2, 19.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1967
Complete Citation:
Strongin, Theodore. “Recordings: How Not to Play Ives.” The New York Times, November 19, 1967, sec. 2, 22.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews