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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
(-) IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Heister, Hanns-Werner, Werner Kremp, eds.

Year: 2004
Complete Citation:
Heister, Hanns-Werner, Werner Kremp, eds. Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.
Source: Book
IV. Individual Studies by Genre
E. Songs

Helm, Everett

Year: 1954
Complete Citation:
Helm, Everett. “Charles Ives, American Composer.” The Musical Times, Vol. 95/1337 (1954): 356-361.
Source: Journal
V. General Music Studies
A. Short Biographies and Profiles

Helms, Hans G.

Year: 1964
Complete Citation:
Helms, Hans G. “Der Komponist Charles Ives: Leben, Werk, und Ein- fluss auf die heutige Generation.” Neue Zeitschrift für Musik (October 1964) 125/10: 425-433.
Source: Journal
V. General Music Studies
A. Short Biographies and Profiles
Year: 1974
Complete Citation:
Helms, Hans G. 1974. “Some Reflections on Charles E. Ives.” In Charles Ives Centennial Festival Conference, edited by H. Wiley Hitchcock, 56--59. New York, NY: G. Schirmer, Inc., and Associated Music Publishers, 1974.
Source: Chapter in Book
V. General Music Studies
A. Short Biographies and Profiles
Year: 1974
Complete Citation:
Helms, Hans G., “Some Reflections on Charles E. Ives.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchcock and Vivian Perlis, 246-248. Music in American Life. Urbana, Illinois: University of Illinois Press, 1977.
Source: Chapter in Book
V. General Music Studies
A. Short Biographies and Profiles
Year: 1977
Complete Citation:
Helms, Hans G., “Some Reflections on Charles E. Ives.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchock and Vivan Perlis, 246-248. Urbana, IL: University of Illinois Press, 1977.
Source: Chapter in Book
V. General Music Studies
A. Short Biographies and Profiles

Henck, Herbert

Year: 1980
Complete Citation:
Henck, Herbert. ““Waltz-Rondo” und andere Klavierstücke von Charles Ives.” Neuland - Ansätze zur Musik der Gegenwart 1 (1980): 44-46.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1980
Complete Citation:
Henk, Herbert. “Randbemerkung. Zu Ives’ ‘Gesamtem Klavierwerk.’” In Neuland: Ansatze zur Musik der Gegenwart, 43. Vol. 1. Cologne, Germany: Neuland Musikverlag Herbert Henck, 1980.
Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1982
Complete Citation:
Henck, Herbert. “Versehen - Versehren. 2. Lanze. Zur Neuausgabe von Charles E. Ives’ Erster Klaviersonate.” Neuland - Ansätze zur Musik der Gegenwart 2 (1982): 206-207.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1983
Complete Citation:
Henck, Herbert. “Aus zweiter Hand: Charles E. Ives’ “Study No. 20.”” In Neuland: Ansätze zur Musik der Gegenwart: Jahrbuch. Band 3. Cologne, Germany: Neuland Musikverlag, 1983.
Source: Chapter in Book
Reprints:

Henck, Herbert. "Aus zweiter Hand: Charles E. Ives' 'Study No. 20.' Review of Study No. 20 by Charles Ives.]"Neuland 3 (1982-83): 242.

IV. Individual Studies by Genre
C. Keyboard Works
Year: 1988
Complete Citation:
Henck, Herbert. “Charles Ives Piano Sonata No. 2: ‘Concord, Mass., 1840-1960’.” In Charles Ives und die amerikanische Musik. International Symposium, February 24-27, 1988. Cologne, Germany.
Source: Festival Booklet
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1992
Complete Citation:
Henck, Herbert. “Klavierwerke von Charles Ives: Werkkommentare.” In Experimentelle Pianistik: Improvisation, Interpreta-tion, Komposition: Schriften zur Klaviermusik (1982 bis 1992), 167-183. Mainz, Germany: Schott, 1992.
Notes:

Contents: Einfuhrung (167-168), Biographisches (168-169), Piano Sonata No. 1 (170-172), Piano Sonata No. 2: "Concord, Mass., 1840- 1860" (172-177), Ausgewählte Klavierstucke (177-183).

Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works
Year: 2004
Complete Citation:
Henck, Herbert. “‘Do whatever seems natural or best to you’: Noten- text und Interpretation von Charles Ives’ Concord Sonata.” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 116-122. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.
Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works

Hermann, Bernard

Year: 1945
Complete Citation:
Hermann, Bernard. “Four Symphonies by Charles Ives.” Modern Music, vol. 22, no. 6 (November-December 1945).
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Herrmann, Bernard

Year: 1932
Complete Citation:
Herrmann, Bernard. “Charles Ives.” Trend: Quarterly of the Seven Arts 1/3 (September- November 1932): 99-101.
Source: Journal
V. General Music Studies
A. Short Biographies and Profiles
Year: 1945
Complete Citation:
Herrmann, Bernard. “Four Symphonies of Charles Ives.” Modern Music 22 (1945): 215-222.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Hertz, David Michael

Year: 1996
Complete Citation:
Hertz, David Michael. “European Influences: Ives and the Piano.” In Charles Ives and His World Festival, edited by J. Peter Burkholder, 43-46. Annandale-on-Hudson, New York; Bard College, August 9-11, 16-18, 1996.
Source: [Chapter in] Festival Publication
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1997
Complete Citation:
Hertz, David Michael. “Ives's Concord Sonata and the Texture of Music.” In Charles Ives and His World, edited by J. Peter Burkholder, 75-117. Princeton, NJ: Princeton University Press, 1996.
Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works

Hewett, Ivan

Year: 2013
Complete Citation:
Hewett, Ivan. “The Latest in our Series on Short Works by the World’s Greatest Composers; Ivan Hewett’s Classic 50; no 21 Charles Ives - the Housatonic at Stockbridge.” Daily Telegraph, May 9, 2013, 27.
Source: Newspaper
IV. Individual Studies by Genre
A. Orchestral and Band Works

Hines, Robert Stephen, ed.

Year: 1970
Complete Citation:
Hines, Robert Stephen, ed. The Orchestral Composer's Point of View: Essays on Twentieth -Cen-tury Music by Those Who Wrote It, 39-60. Norman, OK: The University of Oklahoma Press, 1970.
Notes:

An untitled essay by Elliott Carter mentions Ives several times (40, 58), indicating the difficulties of performing Ives’s orchestral works as well as the expan-siveness of Ives's orchestral scores. Several passing remarks about Ives in the articles by Ross Lee Finney and Gunther Schuller [Remarks that Ives’s music was not being performed by orchestral musicians in the 1940s.]

Source: Book
IV. Individual Studies by Genre
A. Orchestral and Band Works