Bernstein, Leonard
Year: 1960
Complete Citation:
Bernstein, Leonard. Liner notes for Charles Ives — Symphony No. 2. Leonard Bernstein, New York Philharmonic. Columbia Masterworks, KS 6155, 1960, 33.3 RPM.Source: Jacket Notes
IV. Individual Studies by Genre
A. Orchestral and Band Works
Binder, Daniel A.
Year: 2005
Complete Citation:
Binder, Daniel A. “The Social, Political, and Religious Views of Charles Ives as Found in His Songs.” Paper presented at the College Music Society's Great Lake Chapter Meeting. Western Kentucky University, Bowling Green, Kentucky, April 1, 2005.Notes: Assisted by Lawrence T. Sisk and Donald Zent.
Source: Conference paper
IV. Individual Studies by Genre
E. Songs
Blanding, Thomas
Year: 1994
Complete Citation:
Blanding, Thomas. “Music of the Higher Spheres: The Philoso-phy and Influence of New England Transcendentalists.” In American Transcendentalists [Program Booklet]. Brooklyn Philharmonic Orchestra, Brooklyn Academy of Music, Brooklyn, New York, November 11-13, 1994. Da Camera of Houston, The Menil Collection, Houston, Texas, November 21-22, 1994.Source: Program Booklet
VI. Topical Studies
A. Transcendentalism or Philosophy
Blasch, Robert
Year: 1991
Complete Citation:
Blasch, Robert. “Charles Ives: Study No. 20.” Paper presented at Contemporary Music Festival: The Life and Works of Charles Ives. Longwood College, Department of Music, Farmville, Virginia, October 24-25, 1991.Source: Conference paper
IV. Individual Studies by Genre
B. Chamber Works
Blitzstein, Marc
Year: 1932
Complete Citation:
Blitzstein, Marc. “Premieres and Experiments-1932: Chamber Music.” Modern Music IX, 3 (March-April 1932): 124.Source: Journal
IV. Individual Studies by Genre
B. Chamber Works
Bloom, Harold
Complete Citation:
Bloom, Harold. A Map of Misreading. New York: Oxford University Press, 1975: 162.Notes: Only one reference to Ives: "The war of American poets against influence is part of our Emersonian heritage, manifested first in the great triad of 'The Divinity School Address,' 'The American Schol-ar,' and ‘Self--Reliance.' This heritage can be traced in Thoreau, Whit-man, Dickinson and quite directly again in Robinson and Frost, in the architectural writings of Sullivan and Wright, in the Essays Before a Sonata of Charles Ives. The less direct heritage is more relevant to any brooding on the negative aspects of poetic influence, centering partly on Pound and Williams (where it is refracted through Whitman) and partly on Stevens, who disliked the very idea of influence."
Source: Chapter in Book
VI. Topical Studies
A. Transcendentalism or Philosophy
Boatwright, Howard
Year: 1965
Complete Citation:
Boatwright, Howard. “Ives’ Quarter-Tone Impressions.” Perspectives of New Music (Spring-Summer 1965): 22-31.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1965
Complete Citation:
Boatwright, Howard. “Ives’s 1/4 tone Impressions.” Perspectives of New Music, vol. 3 (Spring-Summer 1965).Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1971
Complete Citation:
Boatwright, Howard. “Ives’ Quarter-Tone Impressions.” In Perspectives on American Composers, edited by Benjamin Boretz and Edward T. Cone, 3-12. New York, NY: W.W. Norton, 1971.Source: Book
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1974
Complete Citation:
Boatwright, Howard. “The Songs.” Music Educator’s Journal 61/2 (Octo-ber 1974): 42-47.Source: Journal
IV. Individual Studies by Genre
E. Songs
Year: 1974
Complete Citation:
Boatwright, Howard. “The Songs.” Music Educators Journal, vol. 61, no. 2 (1974): 42-47.Source: Journal
IV. Individual Studies by Genre
E. Songs
Year: 1979
Complete Citation:
Boatwright, Howard. “Charles Ives: Sunrise.” Notes XXXV (March 1979): 729-730.Source: Journal
IV. Individual Studies by Genre
E. Songs
Bohlman, Philip V.
Year: 2005
Complete Citation:
Bohlman, Philip V. “Introduction.” In Music in American Religious Experience, edited by Bohlman, Philip V., Edith L. Blumhofer, and Maria M. Chow. Oxford, United Kingdom: Oxford University Press, 2005.Source: Newsletter
VI. Topical Studies
A. Transcendentalism or Philosophy
Bowman, David
Year: 1996
Complete Citation:
Bowman, David. “Three Songs by Fauré, Ives and Gershwin.” Music Teacher, Vol. 75, No. 11 (1996): 15, 17-19, 21.Source: Journal
IV. Individual Studies by Genre
E. Songs
Bradley, David
Year: 1995
Complete Citation:
Bradley, David. “Songs of Charles Ives & Ernst Bacon.” Journal of Singing: The Official Journal of the National Association of Teachers of Singing, Vol. 52, No. 2 (1995): 75-76.Source: Journal
IV. Individual Studies by Genre
E. Songs
Briggs, John
Year: 1955
Complete Citation:
Briggs, John. “24 Ives Songs.” The New York Times. June 5, 1955, sec. 2: 11.Source: Newspaper
IV. Individual Studies by Genre
E. Songs
Year: 1965
Complete Citation:
Briggs, John. “Notes on the Program.” New York Philharmonic Program (1965): 17.Source: Concert Program
IV. Individual Studies by Genre
A. Orchestral and Band Works
Brion, Keith, James Sinclair, and Jonathan Elkus
Year: 1974
Complete Citation:
Brion, Keith, James Sinclair, and Jonathan Elkus. “Ives for Band.” Instrument 29 (October 1974): 60-62.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Brodhead, Thomas M.
Complete Citation:
Brodhead, Thomas M. “Ives 4th Symphony 2nd Movement: Color-Coded Quotation Analysis.” Unpublished manuscript.Source: Unpublished manuscript.
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1994
Complete Citation:
Brodhead, Thomas M. “Ives’s Celestial Railroad and his Fourth Symphony.” American Music 12, No. 4 (1994): 389-424.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works