Cowell, Henry
Year: 2001
Complete Citation:
Cowell, Henry. Essential Cowell: selected writings on music. Edited by Dick Higgins. Kingston, NY: Documentext, 2001.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Cowell, Sidney
Year: 1990
Complete Citation:
Cowell, Sidney. “The Cowells and the Written Word.” In A Celebration of American Music: Words and Music in Honor of H. Wiley Hitchcock, edited by Richard Crawford, R. Allen Lott, and Carol J. Oja 79-91. Ann Arbor: University of Michigan Press, 1990.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Crane, Frederick
Year: 1982
Complete Citation:
Crane, Frederick. “How Should the Jew’s Harp Part of ‘Washington’s Birth-day' be played?” Verundzwanzigsteljahrsschrift der Internationalen Maultrommelvirtuosengenossenschaft 1 (1982): 49-57.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Crunden, Robert M.
Year: 1974
Complete Citation:
Crunden, Robert M. “Charles Ives’ Innovative Nostalgia.” The Choral Journal 15/4 (December 1974): 5-12.Source: Journal
IV. Individual Studies by Genre
D. Choral Works
Year: 1974
Complete Citation:
Crunden, Robert M. “Charles Ives: The Man and His Music: Charles Ives’ Innovative Nostalgia.” The Choral Journal, vol. 15, no. 4 (1974): 5-12.Source: Journal
IV. Individual Studies by Genre
D. Choral Works
Crutchfield, Will
Year: 1985
Complete Citation:
Crutchfield, Will. “The ‘Concord’ Sonata: An American Masterpiece.” Opus 1, no. 4 (June 1985): 21-22.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Cyr, Gordon
Year: 1971
Complete Citation:
Cyr, Gordon. “Intervallic Structural Elements in Ives’ Fourth Symphony.” Perspectives of New Music 9/2 and 10/1 (1971): 291-303.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1972
Complete Citation:
Cyr, Gordon. "Orchestral Music: by Charles Ives.” Notes, Vol. 29, Issue 2 (December 1972): 319.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Dahlhaus, Carl
Year: 1970-1971
Complete Citation:
Dahlhaus, Carl. “Aussenseiter der Neuen Musik: Charles Ives und Edgard Varese.” In "Bericht über den internationalen Kongreß" Bonn 1970, edited by Carl Dahlhaus, 299. Kassel, Germany: Bärenreiter Verlag, 1971.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Daniel, Oliver
Year: 1967
Complete Citation:
Daniel, Oliver. “Lou Harrison.” BMI: The Many Worlds of Music (Jan-uary 1967): 10.Notes: Numerous Ives references; mentions the premiere of Sym-phony No. 3 (1956 April 5) and Harrison’s orchestral tribute on Ives's death, “At the Tomb of Charles Ives.”
Source: Magazine
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1974
Complete Citation:
Daniel, Oliver. “Henry Cowell.” Stereo Review (December 1974).Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1982
Complete Citation:
Daniel, Oliver. Stokowski: A Counterpoint of View. New York, NY: Dodd, Mead, and Company, 1982.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Davis, Ronald L.
Year: 1980
Complete Citation:
Davis, Ronald L. "MacDowell and Ives." In A History of Music in American Life, Vol. 2: The Gilded Years, 1865-1920, 108-38. Huntington, NY: Robert Krieger, 1980.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Davidson, Colleen
Year: 1968-69, 1970-71
Complete Citation:
Davidson, Colleen. “Winston Churchill and Charles Ives: The Progressive Experience in Literature and Song.” Student Musicologists at Minnesota 3 (1968-69): 168-94, and 4 (1970-71): 154-80.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
de la Fuente, Eduardo
Year: 2004
Complete Citation:
de la Fuente, Eduardo. “Max Weber and Charles Ives: The Puritan as Cultural Modernist.” Journal of Classical Sociology 4.2 (July 2004): 191-214.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Decroupet, Pascal
Year: 1991
Source: Online article
IV. Individual Studies by Genre
A. Orchestral and Band Works
Denhoff, Michael
Year: 1988
Complete Citation:
Denhoff, Michael. “Stille und Umkehr. Betrachtungen zum Phanomen Zeit.” MusikTexte 24 (1988): 27-38.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Denk, Jeremy
Year: 2012
Complete Citation:
Denk, Jeremy. “Flight of the Concord; Personal History.” The New Yorker, Vol. 87, No. 47 (2012): 24-29.Source: Magazine
IV. Individual Studies by Genre
C. Keyboard Works
Dennison, Sam, ed.
Year: 1992
Complete Citation:
Dennison, Sam, ed. American Orchestral Music: Nationalists and Traditionalists in Early Twentieth-Century America. Boston, MA: G.K. Hall, 1992.Source: Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
Dervan, Michael
Year: 2019
Complete Citation:
Dervan, Michael. “Getting to Know One of the most Unknown of the Unknown Composers: A Peer of Charles Ives and George Gerswhin, Irish-American Pianist and Composer Swan Hennessy has almost been Written Out of Music History.” The Irish Times, March 27, 2019.Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers