Image
Complete Citation:
Hall, David. “Review of Ives’ Choral Music, vol. I.” Hi-fi/Stereo Review, Vol. 18 (January 1967).
Bibliography
Genres
Hall, David
Year: 1967
Source: Journal
IV. Individual Studies by Genre
D. Choral Works
D. Choral Works
Hall, Fred M. and Gene Lees
Year: 1996
Complete Citation:
Hall, Fred M. “Time to Expand Horizons.” In It's About Time: The Dave Brubeck Story, 126-142. Fayetteville, AR: University of Arkansas Press, 1996.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Hall, James Husst
Year: 1953
Complete Citation:
Hall, James Husst. “The Later American School.” In The Art Song, 284-287. Norman, OK: University of Oklahoma Press, 1953.Source: Chapter in Book
IV. Individual Studies by Genre
E. Songs
E. Songs
Hamilton, Michael
Year: Year unlisted
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Hamm, Charles and Peter Winkler
Year: 1985
Complete Citation:
Hamm, Charles and Peter Winkler. “Interview with Charles Hamm.” Review of Popular Music 1 (1985): 8-10.Source: Magazine
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Hamm, Chelsey
Year: 2017
Complete Citation:
Hamm, Chelsey. “Charles Ives’s Songs for “Horn.”” The Horn Call 47, no. 3 (2017): 92.Source: Journal
IV. Individual Studies by Genre
E. Songs
E. Songs
Harbaum, Darrell
Year: 1991
Complete Citation:
Harbaum, Darrell. “Style Traits and Compositional Techniques as Found in the Symphonies.” Paper presented at Contemporary Music Festival: The Life and Works of Charles Ives. Longwood College, Department of Music, Farmville, Virginia, October 24-25, 1991.Source: Conference paper
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works
Harley, Maria Anna
Year: 1997
Complete Citation:
Harley, Maria Anna. “An American in Space: Henry Brant's ‘Spatial Music.’” American Music 15 (Spring 1997): 70-92.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Harris, Ellen T.
Year: 1990
Complete Citation:
Harris, Ellen T. “Integrity and Improvisation in the Music of Handel.” Journal of Musicology 8/3 (Summer 1990): 301-315.Notes:
Emphasizes Ives’s use of existing materials (312-313).
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Harris, Roger
Year: 1979
Complete Citation:
Harris, Roger. “Review of The Celestial Country.” Music and Musicians 27, no. 10 (June 1979): 64+.Source: Journal
IV. Individual Studies by Genre
D. Choral Works
D. Choral Works
Harrison, Lou
Year: 1945
Complete Citation:
Harrison, Lou. “On the Choros of Villa-Lobos.” Modern Music 22/2 (Janu-ary-February 1945): 85--86.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1945
Complete Citation:
Harrison, Lou. “The Rich and Varied New York Scene.” Modern Music 22/3 (March--April 1945): 181--185.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1946
Complete Citation:
Harrison, Lou. “Reflections at a Spa.” Modern Music XXIII, 4 (Fall 1946): 297-298.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1954
Complete Citation:
Harrison, Lou. “On Ives's First Piano Sonata.” In Charles E. Ives First Sonata For Piano. New York, NY: Peer International Corporation, 1954.Source: Score
Reprints:
Harrison, Lou. “On Ives's First Piano Sonata.” In <i>Charles E. Ives First Sonata For Piano</i>, ii. Revised edition. New York, NY: Peer International Corporation, 1954.
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Year: 1974
Complete Citation:
Harrison, Lou. “Ives, Ruggles, Varèse.” View 5/4 (November 1945): 11.Source: Journal
Reprints:
Harrison, Lou. “Ives, Ruggles, Varèse.” <i>Soundings</i>: (Spring 1974): 1-4.
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1975
Complete Citation:
Harrison, Lou. “‘Such Melodies and Clutter’: Thoughts Around Ives, 1974.” Parnassus: Poetry In Review 3/2 (Spring/Summer 1975): 316-317.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1987
Complete Citation:
Harrison, Lou. [1945] 1987. “Ruggles, Ives, Varese.” In View (1945). A Lou Harrison Reader,16--17. Edited by Peter Garland. Reprint, Santa Fe: Soundings Press, 1987.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Hartman, James B.
Year: 2004
Complete Citation:
Hartman, James B. “Alternative Organists.” The Diapason, Vol. 95, No. 7 (2004): 20-22.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Haskell, Harry
Year: 1996
Complete Citation:
Haskell, Harry. “Paul Rosenfeld, ‘Ives’s Concord Sonata’.” In The attentive listener: three centuries of music criticism. Princeton, NJ: Princeton University Press, 1996.Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Hawes, Peter
Year: 1998
Complete Citation:
Hawes, Peter. “Learning to Love a Cranky Composer.” Yale Alumni Magazine (March 1998).Notes:
A report of a pre-concert talk prior to a performance by the National Symphony Orchestra at the University of Arizona’s Centennial Hall in Tucson by Leonard Slatkin, the orchestra’s conductor. The Unanswered Question was on the program that evening. Slatkin’s remarks about Ives and Symphony No. 4 are somewhat negative. A general article prompted by the awarding of the first Charles Ives Living to Martin Bresnick.
Source: Magazine
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works