Image
Complete Citation:
Cage, John. “The East in the West.” Modern Music 23/2 (Spring 1946): 111--115.
Bibliography
Genres
Cage, John
Year: 1946
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1946
Complete Citation:
Cage, John. “The Dream and Dedications of George Antheil.” Modern Music 23/1 (Winter 1946): 78-79.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1961
Complete Citation:
Cage, John. "History of Experimental Music in the United States." In Silence. Middletown, CT: Wesleyan University Press, 1961.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1967
Complete Citation:
“Two Statements on Ives.” In John Cage. A Year from Monday: New Lectures and Writings, 36-42. Middle-town, CT: Wesleyan University Press, 1967.Notes:
Includes a letter to Michael O. Zahn of Milwaukee.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1967
Complete Citation:
Cage, John. A Year from Monday: New Lectures and Writings, 42. Middletown, CT: Wesleyan University Press, 1967.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1969
Complete Citation:
Cage, John Cage. Notations. West Glover, VT: Something Else Press, 1969.Notes:
Exam-ples of composers’ manuscripts. Includes a reproduction of a blank page of music paper with Charles Ives's signature.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1979
Complete Citation:
Cage, John. "The Future of Music." In Empty Words. Middletown, CT: Wesleyan University Press, 1979, 179-180.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Calvert Bean, Jr.
Year: 1969
Complete Citation:
Calvert Bean, Jr. “Re: Variations on ‘America.’” Instru-mentalist 24/2 (September 1969): 14.IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Carr, Cassandra Irene
Year: 1989
Complete Citation:
Carr, Cassandra I. “Charles Ives's Humor as Reflected in His Songs.” Amer-ican Music 7/2 (Summer 1989): 123-139.Source: Journal
IV. Individual Studies by Genre
E. Songs
E. Songs
Carson, Gerald
Year: 1965
Complete Citation:
Carson, Gerald. “The Piano in the Parlor.” American Heritage, December 1965.Source: Magazine
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Carter, Chandler
Year: 2001
Complete Citation:
Carter, Chandler. “‘Coke Cans and Chain Mail’: Contemplating Diver-sity and Unity in Charles Ives’s Tom Sails Away.” Paper presented at Annual Meeting of the Music Theory Society of New York State. New York University, New York, New York, April 8, 2001.Source: Conference Paper
IV. Individual Studies by Genre
E. Songs
E. Songs
Carter, Eilliot
Year: 1939
Complete Citation:
Carter, Elliott. “The Case of Mr. Ives: Winter Nites.” Modern Music 16 (March-April 1939): 3, 172-176.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Carter, Elliot
Year: 1938
Complete Citation:
Carter, Elliott. “Vacation Novelties, New York.” Modern Music (January-February 1938) 15/2: 97.Notes:
A review of Daniel Gregory Mason’s <i>Abraham Lincoln Symphony </i>
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1948
Complete Citation:
Carter, Elliot. “Genial Sage.” In Paul Rosenfeld: Voyager in the Arts, edited by Jerome Mellquist and Lucie Wiese, 163-165. New York, NY: Creative Age Press, 1948.Source: Chapter in Book
Reprints:
Carter, Elliot. “Genial Sage.” In <i>Collected Essays and Lectures, 1937-1995</i>, 306-307. Edited by Jonathan W. Bernard. Rochester, NY: University of Rochester Press, 1998.
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1955
Complete Citation:
Carter, Elliot. “The Rhythmic Basis of American Music.” Score and I.M.A. Magazine 12, June 1955, 27-32.Source: Magazine
Reprints:
Carter, Elliot. “The Rhythmic Basis of American Music.” In <i>Collected Essays and Lectures, 1937-1995</i>, 57-62. Edited by Jonathan W. Bernard. Rochester, NY: University of Rochester Press, 1998.
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1975
Complete Citation:
Carter, Elliot. “Documents of a Friendship with Ives.” Parnassus: Poetry in Review, (Spring-Summer 1975).Source: Journal
Reprints:
Carter, Elliot. “Documents of a Friendship with Ives.” In <i>Elliott Carter: collected essays and lectures, 1937-1995</i>, edited by Jonathan W. Bernard. Rochester, NY: University of Rochester Press, 1998.
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1998
Complete Citation:
Carter, Elliot. “Brass Quintet.” In Collected Essays and Lectures, 1937-1995, edited by Jonathan W. Bernard, 256-258. Rochester, NY: University of Rochester Press, 1998.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Carter, Elliot, Charles Rosen, Allen Edwards, and Heinz Holliger
Year: 1992
Complete Citation:
Carter, Elliot, Charles Rosen, Allen Edwards, and Heinz Holliger. Entretiens avec Elliott Carter. Geneva, Switzerland: Éditions Contrechamps,1992.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Carter, Elliott
Complete Citation:
Carter, Elliott. “Charles Ives Remembered.” In Elliott Carter: collected essays and lectures, 1937-1995, edited by Jonathan W. Bernard. Rochester, NY: University of Rochester Press, 1998.VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1939
Complete Citation:
Carter, Elliott. “The Case of Mr. Ives: Winter Notes.” Modern Music Vol. 16, No. 3 (March-April 1939): 172-176.Source: Journal
Reprints:
Carter, Elliot. “The Case of Mr. Ives.” <i>Perspectives of New Music</i> Vol. 2, No. 2 (Spring-Summer 1964). * Carter, Elliot. “The Case of Mr. Ives.” In <i>Elliott Carter: collected essays and lectures, 1937-1995</i>, edited by Jonathan W. Bernard. Rochester, NY: University of Rochester Press, 1998.
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers