Image
Complete Citation:
Schuller, Gunther. Jacket notes for “Calcium Light Night.” Columbia MS 7318, 1970.
Bibliography
Genres
Schuller, Gunther
Year: 1970
Source: Jacket Notes
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works
Year: 1986
Complete Citation:
Schuller, Gunther. “Form, Content, and Symbol.” In Musings: The Musical Worlds of Gunther Schuller, 275-276. New York, NY: Oxford University Press, 1986.Notes:
Discusses absolute music and program music.
Source: Chapter in Book
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Schwarm, Betsy
Year: 2019
Complete Citation:
Schwarm, Betsy. “Three Places in New England.” Encyclopædia Britannica, 2019.Source: Encyclopedia Article
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works
Scott, Ann Besser
Year: 1994
Complete Citation:
Scott, Ann Besser. “Medieval and Renaissance Techniques in the Music of Charles Ives: Horatio at the Bridge?” Musical Quarterly 78/3 (Fall 1994): 448-478.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Searle, Humphrey
Year: 1954
Complete Citation:
Searle, Humphrey. Twentieth Century Counterpoint, 124-126, 133. London, United Kingdom: Ernest Benn Limited, 1954.Source: Book
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Serebrier, José
Year: 1975
Complete Citation:
Serebrier, José. “The ‘Unplayable’ Fourth Symphony of Ives.” American Music Teacher, vol. 24, no. 3, (1975): 8-10.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works
Year: 1984
Complete Citation:
Serebrier, José. “The Everest of Symphonies.” BMI: Many Worlds of Music 4 (1984): 36-37.Notes:
Reminisces about the premiere and subsequent perfor-mances of Symphony No. 4.
Source: Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works
Shepherd, Arthur
Year: 1953
Complete Citation:
Shepherd, Arthur. “American Orchestral Music: 1900-1950.” In Proceedings of the Music Teachers National Association (1950), 1-14. Pittsburgh, PA: Music Teachers National Association, 1953.Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works
Shirley, Wayne
Year: 1989
Complete Citation:
Shirley, Wayne. “Once More through The Unanswered Question.” Institute for Stud-ies in American Music Newsletter 18/2 (May 1989): 8-9, 13.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works
Shirley, Wayne D.
Year: 1990
Complete Citation:
Shirley, Wayne D. ““The second of July”: a Charles Ives draft considered as an independent work.” In A Celebration of American music: words and music in honor of H. Wiley Hitchcock, edited by Richard Crawford, R. Allen Lott, and Carol J. Oja, 391-404. Ann Arbor: University of Michigan Press, 1990.IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works
Year: 1992
Complete Citation:
Shirley, Wayne D. Preface. In Charles E. Ives, The Fourth of July: Third Movement of A Symphony: New England Holidays, iii--vii. Charles Ives Society Critical Edition. Milwaukee, WI: Associated Music Publishers, 1992.Source: Preface to score
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works
Sinclair, James B.
Year: 2000
Complete Citation:
Sinclair, James B. Liner notes for The Orchestral Music of Charles Ives. Premieres and New Ives Society Critical Editions, Orchestra New England. Koch International Classics, 3-7025-2, 2000, CD.Source: CD Booklet
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works
Singleton, Kenneth
Year: 1974
Complete Citation:
Singleton, Kenneth. Liner notes for Old Songs Deranged, Charles Ives Music for Theater Orchestra. Yale Theater Orchestra; James Sinclair, conductor. Columbia M32969 (1974).Source: Jacket Notes
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works
Year: 1986
Complete Citation:
Singleton, Kenneth. “The Wind Music of Charles Ives.” Paper-presentation, Music Teachers National Association meeting, Portland OR, April 5-11, 1986.Notes:
Recorded on audio cassette tape, labelled MTNA-312.
Source: Lecture
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works
Sites, Michael
Year: 1993
Complete Citation:
Sites, Michael. “Spatiality Revisited in the Music of Charles Ives.” Paper presented at Ives-Copland Festival. University of Northern Colorado, Hensel-Phelps Auditorium and Theater, Greeley, Colorado, October 28-30, 1993.Source: Conference paper
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Slonimsky, Nicolas
Year: 1988
Complete Citation:
Slonimsky, Nicolas. “Three Places in New England.” Symphony Maga-zine 39/2 (1988): 28-30.Source: Magazine
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works
Smith, Kenneth M.
Year: 2011
Complete Citation:
Smith, Kenneth M. “The Tonic Chord and Lacan's Object a in Selected Songs by Charles Ives.” Journal of the Royal Musical Association, vol. 136, no. 2 (2011): 353-398.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Smith, Norman E.
Year: 2000
Complete Citation:
Smith, Norman E. “Ives, Charles.” In Program notes for band. Lake Charles, LA: Program Note Press, 2000.Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works
Snapp, Kenneth
Year: 1977
Complete Citation:
Snapp, Kenneth. “Build a Band—And Educate It, Too.” The Instrumentalist 32 (September 1977): 52-53.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works
Starr, Larry
Year: 1977
Complete Citation:
Starr, Larry. “Charles Ives: The Next Hundred Years — Towards a Method of Analyzing the Music.” The Music Review, Vol. 38, No. 2 (May 1977): 101-111.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses