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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Rathert, Wolfgang

Year: 1986
Complete Citation:
Rathert, Wolfgang. “Paysage imaginaire et perception totale: L’idée et la forme de la symphonie Universe.” Contrechamps 7 (1986): 129-154.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1987
Complete Citation:
Rathert, Wolfgang. “Charles Ives: ‘Robert Browning Overture’.” Neue Zeitschrift für Musik 148/4 (1987): 28-31.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1988
Complete Citation:
Rathert, Wolfgang. “Zur Entwicklung des symphonischen Werks von Charles Ives.” In Bericht über das Internationale Symposion “Charles Ives und die amerikanische Musiktradition bis zur Gegenwart”: Kongreßbericht Köln, 1988, edited by Klaus Wolfgang Niemöller. Regensburg, Germany: Gustav Bosse, 1990.
Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1988
Complete Citation:
Rathert, Wolfgang. “Zum symphonischen Werk von Charles Ives.” In Charles Ives und die amerikanische Musiktradition bis zur Gegenwart, 53-72. Cologne, Germany: University of Cologne, 1988.
Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 2004
Complete Citation:
Rathert, Wolfgang. “Auratische Form und Lebenswirklichkeit—Zu Charles Ives’ Orchestral Set No. 2 (1909--1919).” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 138-148. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.
Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works

Reinhard, Johnny

Year: 2004
Complete Citation:
Reinhard, Johnny. Academia. 2004. www.academia.edu/40492616/Ivesanom_dbl.
Source: Online article
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 2005
Complete Citation:
“Extended Pythagorean Tuning.” New Music Box. New Music USA, December 21, 2005. www.nmbx.newmusicusa.org.
Notes:

Reinhard cites writings in which Ives identifies usual enharmonic notes [e.g., C# and Db) as being different.

Source: Online article
VI. Topical Studies
G. Music Theory Analyses
Year: 2005
Complete Citation:
Reinhard, Johnny. “Across the Universe.” (October 12). New Music Box. New Music USA, October 12, 2005. www.nmbx.newmusicusa.org.
Notes:

An article explaining some of the decisions the author/conductor made in preparing a "realization" of the Universe Symphony for performance.

Source: Online article
IV. Individual Studies by Genre
A. Orchestral and Band Works

Rescigno, Eduardo

Year: 1967
Complete Citation:
Rescigno, Eduardo. “Ascoltando il disco: [Charles Edward Ives] Holi-days Symphony.” La Musica Moderna 1/26 (1967): 158--160.
Notes:

Discussion of “A Symphony: New England Holidays” for the inserted recording.

Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Robinson, Edward

Year: 1930
Complete Citation:
Edward Robinson. “Fourth Symphony, Second Movement.” American Mercury XXI, 83 (November 1930): 378.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Roedel, Astrid

Year: 1995
Complete Citation:
Roedel, Astrid. “Fragen und Antworten in der Musik Charles Ives ‘The Unanswered Question’: Annäherung an das Werk sowie Überlegungen zur Behandlung in der Mittel und Oberstufe.” Musik in der Schule 4 (July/August): 192-198.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Rottermund, Krzysztof

Year: 1989
Complete Citation:
Rottermund, Krzysztof. “Filozofia, estetyka i warsztat w utworze Charlesa Ivesa The Unanswered Question." Zeszyty naukowe 28 (1989): 199-202.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Sakae, Yoneda

Year: 1988
Complete Citation:
Sakae, Yoneda. “Charles Ives no ongakukozo ni okeru de-composition.” Ongakugaku 34/2 (1988): 97-111.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses

Sarch, Kenneth

Year: 1966
Complete Citation:
Sarch, Kenneth. “The Village Band Becomes a Symphony.” Selmer Bandwagon (November 1966) 14/4: 19--21.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Schatt, Peter W.

Year: 1991
Complete Citation:
Schatt, Peter W. “Charles Ives…‘Central Park in the Dark.’ Sekundarstufe II.” Musik in der Schule 2/7 (1991): 47.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Schmidtals, Lenard

Year: 2004
Complete Citation:
Lenard Schmidtals. “Einige kompositorische Verfahren in Central Park in the Dark.” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 149-156. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.
Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works

Schnepel, Julie

Year: 1995
Complete Citation:
Schnepel, Julie. “The Critical Pursuit of the Great American Symphony, 1893-1950.” Ph.D. diss., Indiana University, 1995, 527-541.
Source: Ph.D. Dissertation
IV. Individual Studies by Genre
A. Orchestral and Band Works

Schoffman, Nachum

Year: 1981
Complete Citation:
Schoffman, Nachum. “Serialism in the Works of Charles Ives.” Tempo: A Quarterly Review of Modern Music, no. 138 (September 1981): 21-32.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses
Year: 1986
Complete Citation:
Schoffman, Nachum. “Ives: un exemple de polyphonie complexe.” Contrechamps 7 (1986): 155-171.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses

Schorske, Carl

Year: 1985
Complete Citation:
Schorske, Carl. “Mahler et Ives: Archaisme populiste et innovation musicale.” In Colloque Internationale Gustav Mahler 1985, 87-97. Paris, France: Société Gustav Mahler, 1986.
Source: Book
IV. Individual Studies by Genre
A. Orchestral and Band Works