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Bibliography

Zobel, Mark

Year: 2006
Complete Citation:
Zobel, Mark. “Musical Borrowing and Religious Symbolism in Charles Ives’s Third Symphony.” Paper presented at the Thirty--second Conference of the Society for American Music. Chicago, Illinois, 2006.
Source: Conference paper
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 2009
Complete Citation:
Zobel, Mark. The Third Symphony of Charles Ives. Hillsdale, NY: Pendragon Press, 2009.
Source: Book
IV. Individual Studies by Genre
A. Orchestral and Band Works

no author listed

Year: 1932
Complete Citation:
“Contemporary American Music Heard.” New York Herald Tribune. May 2, 1932: 8.
Source: Newspaper
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1933
Complete Citation:
“4th Symphony.” Trend 2 (September-October 1933): 20.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1934
Complete Citation:
“Leader of Modem School.” Duluth News Tribune. August 12, 1934, 2.
Source: Newspaper
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Year: 1936
Complete Citation:
“Ives was a Path Breaker.” In 100 Years of Musical Progress in America. October 12, 1936. New York, NY: French Institute.
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Year: 1962
Complete Citation:
“Evidence Points to Ives as First 12-Tone User.” The New York Times, December 1, 1962, 16.
Source: Newspaper
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Year: 1965
Complete Citation:
“The Right ‘Wrong’ Notes of Charles E. Ives.” House Beautiful (Janu-ary 1965) 108/1: 116-117, 124--125.
Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Year: 1966
Complete Citation:
“Essays Before a Sonata: Prologue.” Boston Symphony Orchestra Programs. Eighth Program (November 25 and 26, 1966): 495-496, 498, 500-501, 503, 505.
Source: Concert Program
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1968
Complete Citation:
“Which way contemporary music?” Cornell University Music Review 11 (1968): 3-13.
Source: Journal
Reprints:

“Which way contemporary music?” <i>Composer</i> (Spring 1982): 6-12.

VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Year: 1974
Complete Citation:
“Ives the Innovator.” Time 104/19, November 4, 1974, 85, 87, 89-90.
Source: Magazine
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Year: 1976
Complete Citation:
“Charles Ives: Master of Strange Harmonies: Making Music.” South China Morning Post, May 21, 1976, 11.
Source: Newspaper
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Year: 1977
Complete Citation:
“On conducting and performing Ives.” In An Ives Celebration: Papers and Panels of the Charles Ives, edited by H. Wiley Hitchcock and Vivian Perlis. Urbana, Illinois: University of Illinois Press, 1977.
Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 2007
Complete Citation:
“Con Nuevas Técnicas Charles Ives Innovó La Música Del Siglo XX.” Notimex, October 19, 2007.
Source: Newspaper
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Year: 2013
Complete Citation:
“Ivan Hewett’s Classic 50 no. 21: Ives - the Housatonic at Stockbridge; the Latest in Ivan Hewett’s 50-Part Series on Short Works by the World’s Greatest Composers.” The Telegraph Online, May 9, 2013.
Source: Newspaper
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 2014
Complete Citation:
“Spirit of Charles Ives.” Symphony, Vol. 65, No. 1 (2014): 8.
Source: Magazine
IV. Individual Studies by Genre
A. Orchestral and Band Works