Kerner, Leighton
Year: 1991
Complete Citation:
Kerner, Leighton. “National Moods.” Village Voice 36, December 24, 1991, 116.Notes: Discusses Robert Browning Overture.
Source: Newspaper
IV. Individual Studies by Genre
A. Orchestral and Band Works
Khittl, Christoph
Year: 2008
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Kirkland, Anthony B.
Year: 2012
Complete Citation:
Kirkland, Anthony B. “Performance Suggestions for Two Classic Wind Band Excerpts for Trumpet and Cornet Part II.” ITG Journal: The International Trumpet Guild, Vol. 36, No. 4 (2012): 77-80, 100-101.IV. Individual Studies by Genre
A. Orchestral and Band Works
Kirkpatrick, John
Year: 1965
Complete Citation:
Kirkpatrick, John. Preface to Symphony No. 4, by Charles Ives. New York, New York: Associated Music Publishers, Inc., 1965.Source: Preface to Score
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1967
Complete Citation:
Kirkpatrick, John. Liner notes for Morton Gould Conducting the Chicago Symphony Orchestra — Charles Ives — Orchestral Set No. 2 (First Recording). RCA LSC-2959, 1967, 33.3 RPM.Source: Liner notes
IV. Individual Studies by Genre
A. Orchestral and Band Works
Knight, John Wesley
Year: 1979
Complete Citation:
Knight, John Wesley. “Graphic Analyses of the Conducting Techniques for Irregular Meters and Nonmetrical Organizations Found in Selected 20th- century Band Literature.” Ph.D. diss., Louisiana State University, 1979. Source: Ph.D. Dissertation
IV. Individual Studies by Genre
A. Orchestral and Band Works
Kolodin, Irving
Year: 1967
Complete Citation:
Kolodin, Irving. “Are My Ears on Wrong?” Vogue 1967, p. 6-7, 23, 25.Source: Magazine
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Kopetz, Barry E.
Year: 1991
Complete Citation:
Kopetz, Barry E. “Charles Ives's Variations on ‘America’: An Interpretive Analysis.” Instrumentalist 45/9 (April 1991): 20-28, 75-79. Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Kostelanetz, André and Gloria Hammond
Year: 1981
Complete Citation:
Kostelanetz, André and Gloria Hammond. Echoes- Memoirs of Andre Kostelanetz, 181. New York, NY: Harcourt Brace Jovanovich, 1981.Notes: Credits Leopold Stokowski as being “the first to play Gustav Mahler in the U. S., to give the American composer Charles Ives a hearing, and to introduce Le sacre du printemps here.”
Source: Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
Kostelanetz, Richard
Year: 1989
Complete Citation:
Kostelanetz, Richard. “Charles Ives (1967).” In On innovative music(Ian)s. New York, NY: Limelight Editions, 1989.Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Kramer, Jonathan D.
Year: 1988
Notes: Includes Charles Ives Symphony No. 2, Symphony No. 4, and Three Places in New England
Source: Book
Reprints: Kramer, Jonathan D. <i>Listen to the music: a self-guided tour through the orchestral repertoire</i>. New York, NY: Schirmer Books.
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1996
Complete Citation:
Kramer, Jonathan D. “Postmodern Concepts of Musical Time.” Indiana Theory Review 17, no. 2 (1996): 21-61.Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Kramer, Lawrence
Year: 2008
Complete Citation:
Kramer, Lawrence. “Music and the Politics of Memory: Charles Ives’s A Symphony: New England Holidays.” Journal of the Society for American Music 2/4 (2008): 459--475.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 2008
Complete Citation:
Kramer, Lawrence. “Music and the Politics of Memory: Charles Ives's A Symphony: New England Holidays.” Journal of the Society for American Music 2/4 (2008): 459--475.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 2013
Complete Citation:
Kramer, Lawrence. “Musique et politique de la mémoire: a symphony: New England holidays de Charles Ives.” In Du politique en analyse musicale, edited by Estaban Buch, Nicolas Donin, and Laurent Feneyrou. Paris, France: VRIN, 2013.Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
Krider, Dale
Year: 2012
Complete Citation:
Krider, Dale. “Musicians in Part-Time Employment: Do Only Organists Play the Organ?” The American Organist, Vol. 46, No. 6 (2012): 50.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Krull, Kathleen and Kathryn Hewitt
Year: 2012
Complete Citation:
Krull, Kathleen and Kathryn Hewitt. “He stretched our ears: Charles Ives.” In Lives of the musicians: good times, bad times (and what the neighbors thought). Boston, MA: Houghton Mifflin Harcourt, 2017.Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Kühn, Clemens
Year: 2018
Complete Citation:
Kühn, Clemens. Abenteuer Musik. Kassel, Germany: Bärenreiter-Verlag Karl Vötterle GmbH & Co. KG, 2018.VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Lambert, J. Philip
Year: 1991
Complete Citation:
Lambert, J. Philip. Journal of Musicological Research 1, no. 4 (1991): 237-262.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Lambert, Philip
Year: 1997
Complete Citation:
Lambert, Philip. “Ives's Universe.” In Ives Studies, edited by Philip Lambert, 233-259. Cambridge, United Kingdom: Cambridge University Press, 1997.Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works