Abott, Reverend Jacob
Year: 1834-1858
Complete Citation:
Reverend Abbott, Jacob. Rollo at Play, Rollo at School; Rollo at Work', Rollo Learning to Read; Rollo Learning to Talk; Rollo's Correspondence; Rollo's Experiments', Rollo's Museums', Rollo's Philosophy, Rollo's Vacations', and Rollo's Travels. Another group was devoted to Rollo's tours of Europe: Rollo on the Atlantic, Rollo in Holland', Rollo in London', Rollo in Naples; Rollo in Paris', Rollo in Scot-land', Rollo in Switzerland', Rollo on the Rhine', and Rollo in Genoa.Source: Literary References
Reprints: "Rollo," the name Ives called musicians unwilling to listen to advanced dissonances and other techniques found in modern music, was derived from a character in books (1834--1858) by Reverend Jacob Abbott. Rollo could understand only the simplest of situations that had been taught or had been explained to him in great detail. Original publishers include Boston, MA: Weeks, Jordan, and Company; Philadelphia, PA: Hogan & Thompson; Boston, MA: Gould, Kendall & Lincoln.
XIII. Ives in Literature
B. Fiction
Ahlstrom, David
Year: 1991
Complete Citation:
Ahlstrom, David. “The Problem of the Unfinished: A Cart, a Deity, and Ives's Universe Symphony.” Sonus 11/2 (Spring 1991): 65-76.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Albèra, Philippe
Year: 2001
Complete Citation:
Albèra, Philippe. “Mensch und Maschine.” Dissonanz (2001): 46-47.Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Albrecht, Philipp
Year: 2010
Complete Citation:
Albrecht, Philipp. “Besprechungen: Dorothea Gail “Charles Ives’ Fourth Symphony: Quellen-Analyse-Deutung.”” Musiktheorie, Vol. 25, No. 3 (2010): 272-274.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Alms, Anthony
Year: 2005
Complete Citation:
Alms, Anthony. “The Inner World of Charles Ives: A Hermeneutic Approach to Central Park in the Dark.” Paper presented at Twentieth Century Music Conference. Society for Music Analysis. University of Sussex, Falmer, Brighton, United Kingdom, August 28, 2005.Source: Conference paper
IV. Individual Studies by Genre
A. Orchestral and Band Works
Almen, Byron, and Robert Hatten
Year: 2012
Complete Citation:
Almen, Byron, and Robert Hatten. 2012. “Narrative Engagement with Twentieth -Century Music: Possibilities and Limits.” In Music and Narrative since 1900, edited by Michael Klein and Nicholas Reyland, 59--85. Bloomington, IN: Indiana University Press, 2012.Source: Chapter in Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Arnold, Jermie S.
Year: 2016
Complete Citation:
Arnold, Jermie S. ““Country Band” March - Pioneering the Ivesian Sound.” Journal of Band Research 52, no. 1 (Fall 2016): 44-67.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Ascough, Richard
Year: 1992
Complete Citation:
Ascough, Richard. “Letter: Challenging Centipede.” The Guardian, October 29, 1992.Source: Magazine
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Auner, Joseph Henry
Year: 2013
Complete Citation:
Auner, Joseph Henry. “Symphony no. 1. Movement 1 / Charles Ives.” In Musicology: A Book Series, 15. Basel, Switzerland: Gordon and Breach
Publishing Group, 1994: 37-50.Source: Chapter in Book
Reprints: Auner, Joseph Henry. “Symphony no. 1. Movement 1 / Charles Ives.” In <i>Anthology for music in the twentieth and twenty-first centuries</i>. New York: W.W. Norton & Company, 2013.
IV. Individual Studies by Genre
A. Orchestral and Band Works
Austin, Larry
Year: 1985
Complete Citation:
Austin, Larry. “Charles Ives’s Life Pulse Prelude for Percussion Orchestra: A Realization for Modern Performance from Sketches from his ‘Universe’-Symphony.” Perc Notes 23 (1985): 58-84.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1997
Complete Citation:
Austin, Larry. “The Realization and First Complete Performances of Ives's Universe Symphony.” In Ives Studies, edited by Philip Lambert, 179-232. Cambridge, United Kingdom: Cambridge University Press, 1997.Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
Baron, Carol
Year: 1994
Complete Citation:
Baron, Carol. “Meaning in the Music of Charles Ives.” In Metaphor: A Musi-cal Dimension. Australian studies in the history, philosophy, and social studies of music, 37-50. Sydney, Australia: Currency Press, 1991.Source: Chapter in Book
Reprints: Baron, Carol. “Meaning in the Music of Charles Ives.” In <i>Musicology: A Book Series</i>, 15. Basel: Gor-don and Breach, 1994.
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Baron, Carol K.
Year: 1996
Complete Citation:
Baron, Carol K. “Analysis and Manuscript Study of Ives's Symphony No. 1 as Biographical Tools: Parker's Lessons.” Paper presented at Sonneck Society for American Music Meeting, Washington, D.C., March, 1996.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 2002
Complete Citation:
Baron, Carol K. “Tonal Systems in Crisis: Composition and Autog-raphy in Charles Ives's First Symphony.” Paper presented at Fifth Eu-ropean Music Analysis Conference. University of Bristol, Bristol, England, April 2002.Source: Conference paper
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 2002
Complete Citation:
Baron, Carol K. “Biography and Compositional Process in Charles Ives's First Symphony: Lessons Learned; Mastery Gained.” Paper presented at the meeting of the Greater New York Chapter of the American Musi-cological Society. Rutgers University, Brunswick, New Jersey, February 2002.Source: Conference paper
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 2004
Complete Citation:
Baron, Carol K. “Efforts on Behalf of Democracy by Charles Ives and His Family: Their Religious Contexts.” Musical Quarterly 87.1 (April 2004): 6-43.Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Bassen, Denise
Year: 2013
Source: Online article
IV. Individual Studies by Genre
A. Orchestral and Band Works
Battisti, Frank, and Donald Hunsberger
Year: 1973
Complete Citation:
Battisti, Frank, and Donald Hunsberger. “The Wind Music of Charles Ives.” The Instrumentalist Vol. 28, No. 1 (August 1973): 32-34.Source: Magazine
IV. Individual Studies by Genre
A. Orchestral and Band Works
Bellamann, Henry
Year: 1927
Complete Citation:
Bellamann, Henry. Program Notes to Ives's Fourth Symphony. Pro Musica Concert, January 29, 1927.Source: Program Notes
IV. Individual Studies by Genre
A. Orchestral and Band Works
Berger, Melvin
Year: 1995
Complete Citation:
Berger, Melvin. “Charles Ives.” In The Anchor guide to orchestral masterpieces. New York, NY: Anchor Books, 1995.Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
