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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Stefan, Paul

Year: 1932
Complete Citation:
Stefan, Paul. “Vienna Revisits the Depression.” Modern Music 9/3 (March-April 1932): 127-130.
Notes:

Mentions performance of some of Ives’s songs in a Vienna concert of the Pan American Association of Composers (February 21, 1932: Anton Webern, conductor). Also sponsored by the International Society for New Music.

Source: Journal
VI. Topical Studies
K. Stylistic Influences on Ives

Stevenson, Robert M.

Year: 1966
Complete Citation:
Stevenson, Robert M. Protestant Church Music in America: A Short Survey of Man and Movements from 1564 to the Present, 118-119, 126, 129. New York, NY: W.W. Norton, 1966.
Source: Book
VI. Topical Studies
K. Stylistic Influences on Ives

Stone, Kurt

Year: 1966
Complete Citation:
Stone, Kurt. “A Postscript on Ives’ Fourth.” The Musical Quarterly, Vol. 52 (1966).
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Stover, Harold

Year: 1997
Complete Citation:
Stover, Harold. “Charles Ives’s Variations on ‘America.’” American Organ-ist 31/11 (November 1997): 72-75.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Swafford, Jan

Year: 1989
Complete Citation:
Swafford, Jan. “The Trouble with Charlie.” Symphony 40/4 (July-August 1989): 78-81, 114-117.
Notes:

A brief biographical sketch.

Source: Magazine
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 2013
Complete Citation:
Swafford, Jan. “Catching Up with Charles Ives.” Symphony, Vol. 64, No. 1 (2013): 54, 56.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Taruskin, Richard

Year: 1994
Complete Citation:
Taruskin, Richard. “Away With the Ives Myth: The 'Universe' Is Here at Last.” The New York Times. October 23, 1994, sec. H: 42. 
Source: Newspaper
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1996
Complete Citation:
Taruskin, Richard. “Out of Hibernation, Ives's Mythical Beast.” The New York Times. June 2 1996, sec. 2, 26.
Source: Newspaper
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 2009
Complete Citation:
Taruskin, Richard. “Two Stabs at the Universe.” In The Danger of Music: And Other Anti-Utopian Essays, 1st ed., 51-59. Berkeley, CA: University of California Press, 2009.
Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works

Thomson, Virgil

Year: 1949
Complete Citation:
Thomson, Virgil. “New Symphonies.” New York Herald Tribune. Feb-ruary 20, 1949, sec. 5, 5.
Source: Newspaper
Reprints:

Thomson, Virgil. “New Symphonies.” In <i>Music Right and Left</i>, 108-111. New York, NY: Henry Holt, 1951.

IV. Individual Studies by Genre
A. Orchestral and Band Works

Thurmaier, David

Year: 2006
Complete Citation:
Thurmaier, David. “Kaboom! The Development of Explosions in The Fourth of July by Charles Ives.” Paper presented at the Thirty--second Conference of the Society for American Music. Chicago, Illinois, 2006.
Source: Conference paper
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 2013
Complete Citation:
Thurmaier, David. “Charles Ives and the Horn.” The Horn Call: Journal of the International Horn Society, Vol. 43, No. 2 (2013): 59-63.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Tischer, Matthias

Year: 2004
Complete Citation:
Tischer, Matthias. “Vielheit und Einheit im Dialog: Stichworte zu Charles Ives’ Musik für Theaterorchester.” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 157--162. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.
Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works

Treybig, Joel

Year: 2007
Complete Citation:
Treybig, Joel. “Understanding “The Unanswered Question.”” ITG Journal: The International Trumpet Guild, Vol. 31, No. 3 (2007): 32-35, 46.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Ulrich, Homer

Year: 1952
Complete Citation:
Ulrich, Homer. Symphonic Music: Its Evolution since the Renaissance. New York, NY: Columbia University Press, 1952.
Source: Book
IV. Individual Studies by Genre
A. Orchestral and Band Works

Unger, Clive

Year: 1983
Complete Citation:
Unger-Hamilton, Clive, ed. The Great Symphonies, edited by Clive, 137, 138, 141, 209. New York, NY: Facts on File, 1983.
Source: Book
IV. Individual Studies by Genre
A. Orchestral and Band Works

Vermeulen, Ernst

Year: 1994
Complete Citation:
Vermeulen, Ernst. “Musikale torso’s (10): Ives’ Universe Symphony. Machtig en Mannelijk.” Mens en Mels 49 (October 1994): 586-594.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Von Glahn, Denise

Year: 2004
Complete Citation:
von Glahn, Denise. “The Sylvan in the City: Central Park in the Dark.” In Musik-Konzepte 123 — Charles Ives, edited by Ulrich Tadday. Munich, Germany: Edition Text und Kritik, 2004.
Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 2004
Complete Citation:
Denise Von Glahn. “Sylvan in the City: Everyday Eternal in ‘Central Park in the Dark.’” Paper presented at The Society for American Music Conference [Session 8a]. Cleveland, Ohio, March 12, 2004.
Source: Conference
IV. Individual Studies by Genre
A. Orchestral and Band Works

Webster, David

Year: 1967
Complete Citation:
Webster, David. “He Found the Lost Symphony.” Philadelphia Inquirer. February 19, 1967.
Notes:

Regarding Theodore A. Seder of the Fleisher Music Collection and his editorial work on the score to Symphony No. 4.

Source: Newspaper
IV. Individual Studies by Genre
A. Orchestral and Band Works