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Bibliography

Cooney, Denise Von Glahn

Year: 1997
Complete Citation:
Cooney, Denise Von Glahn. “New Sources for The ‘St. Gaudens’ in Boston Common (Colonel Robert Gould Shaw and His Colored Regiment).” Musical Quarterly 8 (Spring 1997): 13-50.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Cowell, Henry

Year: 1925
Complete Citation:
Cowell, Henry. “The Value of Eclecticism.” Sackbut 5, no. 9 (1925): 264--265.
Source: Journal
VI. Topical Studies
K. Stylistic Influences on Ives

Crane, Frederick

Year: 1982
Complete Citation:
Crane, Frederick. “How Should the Jew’s Harp Part of ‘Washington’s Birth-day' be played?” Verundzwanzigsteljahrsschrift der Internationalen Maultrommelvirtuosengenossenschaft 1 (1982): 49-57.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Cyr, Gordon

Year: 1971
Complete Citation:
Cyr, Gordon. “Intervallic Structural Elements in Ives’ Fourth Symphony.” Perspectives of New Music 9/2 and 10/1 (1971): 291-303.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1972
Complete Citation:
Cyr, Gordon. "Orchestral Music: by Charles Ives.” Notes, Vol. 29, Issue 2 (December 1972): 319.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Decroupet, Pascal

Year: 1991
Source: Online article
IV. Individual Studies by Genre
A. Orchestral and Band Works

Dennison, Sam, ed.

Year: 1992
Complete Citation:
Dennison, Sam, ed. American Orchestral Music: Nationalists and Traditionalists in Early Twentieth-Century America. Boston, MA: G.K. Hall, 1992.
Source: Book
IV. Individual Studies by Genre
A. Orchestral and Band Works

DeVenney, David P.

Year: 1999
Complete Citation:
DeVenney, David P. “The End of the Century: Impressionism and the Flowering of Roman-ticism.” In Varied Carols: A Survey of American Choral Literature, 105-109. Westport, CT: Greenwood Press, 1999.
Notes:

In Chapter 5, “The End of the Century: Impressionism and the Flowering of Roman-ticism,” some details are given about General William Booth Enters into Heaven, Psalm 90, Psalm 24, Psalm 54, Psalm 135, The Celestial Country, and Three Harvest Home Chorales.

Source: Chapter in Book
VI. Topical Studies
K. Stylistic Influences on Ives

Downes, Edward

Year: 1981
Complete Citation:
Downes, Edward. “Charles Ives.” In Guide to symphonic music. New York, NY: Walker, 1981.
IV. Individual Studies by Genre
A. Orchestral and Band Works

Duane, Ben

Year: 2013
Complete Citation:
Duane, Ben. “Auditory Streaming Cues in Eighteenth- and Early Nineteenth-Century String Quartets: A Corpus-Based Study.” Music Perception: An Interdisciplinary Journal 31/1 (2013): 46-58.
Source: Journal
VI. Topical Studies
K. Stylistic Influences on Ives

Duke, Vernon

Year: 1937
Complete Citation:
Duke, Vernon. “Musicalantics and Antiques.” Stage (March 1937): 78.
Source: Journal
VI. Topical Studies
K. Stylistic Influences on Ives

Echols, Paul

Year: 1974
Complete Citation:
Echols, Paul. “The Music for Orchestra.” Music Educator's Journal 61/2 (October 1974): 29-41.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Eger, Joseph

Year: 2005
Complete Citation:
Eger, Joseph. Einstein's Violin: A Conductor's Notes on Music, 45-46, 144, 223, 372, 374. New York, NY: Jeremy P. Tarcher/Penguin, 2005.
Notes:

Tells of being an assistant conductor to Stokowski for Symphony No. 4 in Carnegie Hall. Also tells about a script to The Unanswered Question by Nancy Shear for Eleanor Roosevelt's one- hundredth birthday program (New York; Avery Fischer Hall).

Source: Book
IV. Individual Studies by Genre
A. Orchestral and Band Works

Elkus, Jonathan

Year: 1974
Complete Citation:
Elkus, Jonathan. “Charles Ives and the American Band Tradition: A Centennial Tribute.” Vol. 4 of American Arts Pamphlet, American Arts Documentation Centre. Exeter, England: University of Exeter, 1974.
Source: Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1991
Complete Citation:
Elkus, Jonathan. “Preface.” In Charles E. Ives, Thanksgiving and Forefathers’ Day, edited by Jonathan Elkus, iii-iv. New York, NY: Peer International, 1991.
Source: Chapter in Score
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 2005
Complete Citation:
Elkus, Jonathan. “Charles Ives's Manhattan.” In The wind band in and around New York ca. 1830-1950: essays presented at the 26th biennial conference of the College Band Directors National Association, New York, NY, Feb., 2005, edited by Frank J. Cipolla and Donald Hunsberger. Van Nuys, CA: Alfred Press, 2007.
Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works

Enke, Heinz

Year: 1967
Complete Citation:
Enke, Heinz. “Charles Ives' "The Unanswered Question.”” In Versuche musikalischer Analysen, edited by Peter Benary. Berlin, Germany: Merseburger Verlag, 1967.
Source: Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1974
Complete Citation:
Enke, Heinz. “Charles Ives’ ‘The Unanswered Question’.” In Zur musikalischen Analyse, edited by Gerhard Schumacher, 232-240. Darmstadt, Germany: Wissenschaftliche Buchgesellschaft, 1974.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Ericson, John Q.

Year: 1988
Complete Citation:
Ericson, John Q. “Ives and the Band March.” Unpublished typescript, 1988.
Source: Unpublished typescript.
IV. Individual Studies by Genre
A. Orchestral and Band Works

Etkin Mariano, German Cancian, Carlos Mastropietro, and Maria Cecilia Villanueva

Year: 2001
Complete Citation:
Etkin Mariano, German Cancian, Carlos Mastropietro, and Maria Cecilia Villanueva. Superposicion y Gradualidad en Hallowe’en de Charles Ives. Research Group on Musical Analysis at the University of La Plata, Argentina. La Plata, Argentina: Editorial de la Universidad de La Plata, 2001.
Notes:

Translates to Superposition and Gradualism in Hallowe’en by Charles Ives

Source: Book
IV. Individual Studies by Genre
A. Orchestral and Band Works