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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Kopetz, Barry E.

Year: 1991
Complete Citation:
Kopetz, Barry E. “Charles Ives's Variations on ‘America’: An Interpretive Analysis.” Instrumentalist 45/9 (April 1991): 20-28, 75-79. 
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Kostelanetz, André and Gloria Hammond

Year: 1981
Complete Citation:
Kostelanetz, André and Gloria Hammond. Echoes- Memoirs of Andre Kostelanetz, 181. New York, NY: Harcourt Brace Jovanovich, 1981.
Notes:

Credits Leopold Stokowski as being “the first to play Gustav Mahler in the U. S., to give the American composer Charles Ives a hearing, and to introduce Le sacre du printemps here.”

Source: Book
IV. Individual Studies by Genre
A. Orchestral and Band Works

Kramer, Jonathan D.

Year: 1988
Complete Citation:
Notes:

Includes Charles Ives Symphony No. 2, Symphony No. 4, and Three Places in New England

Source: Book
Reprints:

Kramer, Jonathan D. <i>Listen to the music: a self-guided tour through the orchestral repertoire</i>. New York, NY: Schirmer Books.

IV. Individual Studies by Genre
A. Orchestral and Band Works

Kramer, Lawrence

Year: 1984
Complete Citation:
Kramer, Lawrence. “A Complete-ly New Set of Objects.” In Music and Poetry: The Nineteenth Century and After. Berkeley, CA: University of California Press, 1984.
Source: Book
VI. Topical Studies
K. Stylistic Influences on Ives
Year: 2008
Complete Citation:
Kramer, Lawrence. “Music and the Politics of Memory: Charles Ives’s A Symphony: New England Holidays.” Journal of the Society for American Music 2/4 (2008): 459--475.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 2008
Complete Citation:
Kramer, Lawrence. “Music and the Politics of Memory: Charles Ives's A Symphony: New England Holidays.” Journal of the Society for American Music 2/4 (2008): 459--475.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 2013
Complete Citation:
Kramer, Lawrence. “Musique et politique de la mémoire: a symphony: New England holidays de Charles Ives.” In Du politique en analyse musicale, edited by Estaban Buch, Nicolas Donin, and Laurent Feneyrou. Paris, France: VRIN, 2013.
Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works

Krider, Dale

Year: 2012
Complete Citation:
Krider, Dale. “Musicians in Part-Time Employment: Do Only Organists Play the Organ?” The American Organist, Vol. 46, No. 6 (2012): 50.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Lambert, J. Philip

Year: 1991
Complete Citation:
Lambert, J. Philip. Journal of Musicological Research 1, no. 4 (1991): 237-262.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Lambert, Philip

Year: 1997
Complete Citation:
Lambert, Philip. “Ives's Universe.” In Ives Studies, edited by Philip Lambert, 233-259. Cambridge, United Kingdom: Cambridge University Press, 1997.
Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works

Lee, Douglas A.

Year: 2002
Complete Citation:
Lee, Douglas A. “Charles Ives.” In Masterworks of 20th-century music: the modern repertory of the symphony orchestra. New York, New York: Routledge, 2002.
Source: Book
IV. Individual Studies by Genre
A. Orchestral and Band Works

Lehman, Mark L.

Year: 2007
Complete Citation:
Lehman, Mark L. “Overview: American Symphonies.” American Record Guide, Vol. 70, No. 4 (2007): 40-55.
Source: Magazine
IV. Individual Studies by Genre
A. Orchestral and Band Works

Leichtentritt, Hugo

Year: 1946
Complete Citation:
Leichtentritt, Hugo. Serge Koussevitsky, the Boston Symphony Orches-tra and the New American Music. Cambridge, MA: Harvard University Press, 1946.
Source: Book
IV. Individual Studies by Genre
A. Orchestral and Band Works

Lindner, Ursel

Year: 2004
Complete Citation:
Lindner, Ursel. “Neue Kunst in der Neuen Welt, Charles Ives: Central Park in the Dark 1911.” In Musik im Kontext. Innsbruck, Austria: Helbling Publishing, 2004.
Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works

Luck, Hartmut

Year: 2004
Complete Citation:
Luck, Hartmut. “Visionen einer andern Wirklichkeit: Die symphonischen Werke von Charles Ives.” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 123-137. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.
Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works

Lyman, Zachary

Year: 2010
Complete Citation:
Lyman, Zachary. “Realizing Ives's Universe Symphony: An Interview with Johnny Reinhard.” American Music, vol. 28, no. 4, (2010): 459-480.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Lyman, Zachary and Larry Austin

Year: 2008
Complete Citation:
Lyman, Zachary, and Larry Austin. “Completing Ives's Universe Symphony: An Interview with Larry Austin.” American Music, vol. 26, no. 4 (2008): 442-473.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Magers, Roy V.

Year: 1977
Complete Citation:
Magers, Roy V. “Charles Ives’s Optimism: or, The Program’s Progress.” In Music in American Society, 1776-1976: from Puritan Hymn to Synthesizer, edited by George McCue, 73-86. New Brunswick, NJ: Transaction Books, 1977.
Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works

Maisel, Arthur

Year: 1981
Complete Citation:
Maisel, Arthur. “The ‘Fourth of July’ by Charles Ives. Mixed Harmonic Criteria in a 20th-Century Classic.” Theory and Practice VI (1981): 3-32.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Marsh, Robert C.

Year: 1967
Complete Citation:
Marsh, Robert C. The Cleveland Orchestra. Cleveland, OH: World Pub-lishing, 1967.
Notes:

Cites performances of From the Steeples and the Mountains, Scherzo: Over the Pavements,Symphony No. 2, The Unanswered Question, and Variations on “America” (orchestrated by William Schuman). Numerous passing remarks about Ives, especially the re-pertoire performed by the Cleveland Orchestra.

Source: Book
IV. Individual Studies by Genre
A. Orchestral and Band Works