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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Cooney, Denise Von Glahn

Year: 1997
Complete Citation:
Cooney, Denise Von Glahn. “New Sources for The ‘St. Gaudens’ in Boston Common (Colonel Robert Gould Shaw and His Colored Regiment).” Musical Quarterly 8 (Spring 1997): 13-50.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Copland, Aaron

Year: 1932
Complete Citation:
Copland, Aaron. “The American Composer and His Critic.” Modern Music IX, 4 (May-June 1932): 143-147.
Source: Journal
VI. Topical Studies
L. Ives and America
Year: 1952
Complete Citation:
Copland, Aaron. “The Composer in Industrial America.” In Music and Imagination: The Charles Elliott Norton Lectures, 1951--1952, 96--111. Cambridge, United Kingdom: Harvard University Press, 1952.
Source: Book
VI. Topical Studies
L. Ives and America

Cowell, Henry

Year: 1933
Complete Citation:
Cowell, Henry. “Trends in American Music.” In American Composers on American Music, edited by Henry Cowell, 3-13. Stanford, CA: Stanford University Press, 1933.
Source: Chapter in Book
VI. Topical Studies
L. Ives and America

Cowell, Henry Dixon

Year: 1941
Complete Citation:
Cowell, Henry Dixon. “Dos Estudios: (1) La musica entre los pueblos primitivos; (2) La creacíon musical en los Estados Unidos.” Spanish translation by Francisco Curt Lange. Boletín Latino--Americano de Música 5/5 (October 1941): 105--113.
Notes:

The second essay gives attention to Ives, Ruggles, Crawford, and others.

Source: Journal
VI. Topical Studies
L. Ives and America

Cox, David

Year: 1965
Complete Citation:
Cox, David. “Charles Ives, the First Truly American Composer.” Lis-tener 73 (March 11, 1965): 384.
Notes:

A general article as background for broad- cast of the four violin sonatas. Cites the infamous misquotation of Schoenberg.

Source: Journal
VI. Topical Studies
L. Ives and America

Crane, Frederick

Year: 1982
Complete Citation:
Crane, Frederick. “How Should the Jew’s Harp Part of ‘Washington’s Birth-day' be played?” Verundzwanzigsteljahrsschrift der Internationalen Maultrommelvirtuosengenossenschaft 1 (1982): 49-57.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Crawford, Richard

Year: 2001
Complete Citation:
Crawford, Richard. “To Stretch Our Ears: The Music of Charles Ives.” In America’s Musical Life: A History, 495-523. New York, NY: W.W. Norton, 2001.
Source: Chapter in Book
VI. Topical Studies
L. Ives and America
Year: 2005
Complete Citation:
Crawford, Richard. “To stretch our ears”: the music of Charles Ives. In America’s musical life: a history. New York, NY: W.W. Norton, 2005.
Source: Chapter in Book
VI. Topical Studies
L. Ives and America

Crunden, Robert M.

Year: 1994
Complete Citation:
Crunden, Robert M. A brief history of American culture. New York, NY: Paragon House, 1994.
Source: Book
VI. Topical Studies
L. Ives and America

Cyr, Gordon

Year: 1971
Complete Citation:
Cyr, Gordon. “Intervallic Structural Elements in Ives’ Fourth Symphony.” Perspectives of New Music 9/2 and 10/1 (1971): 291-303.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1972
Complete Citation:
Cyr, Gordon. "Orchestral Music: by Charles Ives.” Notes, Vol. 29, Issue 2 (December 1972): 319.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Danuser, Hermann

Year: 1987
Complete Citation:
Danuser, Hermann. “Auf der Suche nach einer nationalen Musikasthetik.” In Amenkanische Musik seit Charles Ives: Interpretation, Quellentexte Komponistenmonographien, 51-59. Lilienthal, Germany: Laaber-Verlag, 1987.
Source: Book
VI. Topical Studies
L. Ives and America

Decroupet, Pascal

Year: 1991
Complete Citation:
Decroupet, Pascal. “Charles Ives: Second Orchestral Set.” Academia. June 28, 1991. www.academia.edu/32762043/Charles_Ives_Second_orchestral_set.
Source: Online article
IV. Individual Studies by Genre
A. Orchestral and Band Works

Deeb, Ellen Clark

Year: 1977
Complete Citation:
Deeb, Ellen Clark. Famous American composers: the story of American music, from folk to jazz. Milwaukee, WI: Ideals Publishing Corporation, 1977.
Source: Book
VI. Topical Studies
L. Ives and America

Denave, Laurent

Year: 2012
Complete Citation:
Denave, Laurent. Un siècle de création musicale aux États-Unis Histoire sociale des productions les plus originales du monde musical américain, de Charles Ives au minimalisme (1890-1990). Geneva, Switzerland: Éditions Contrechamps, 2012.
Source: Book
VI. Topical Studies
L. Ives and America

Dennison, Sam, ed.

Year: 1992
Complete Citation:
Dennison, Sam, ed. American Orchestral Music: Nationalists and Traditionalists in Early Twentieth-Century America. Boston, MA: G.K. Hall, 1992.
Source: Book
IV. Individual Studies by Genre
A. Orchestral and Band Works

Donohue, John and Michael Petersen

Year: 1974
Complete Citation:
Donohue, John and Michael Petersen. “Connecticut's Music Man: Charles Ives.” The Hartford Courant Magazine, October 20, 1974, 2H.
Source: Newspaper
VI. Topical Studies
L. Ives and America

Downes, Edward

Year: 1981
Complete Citation:
Downes, Edward. “Charles Ives.” In Guide to symphonic music. New York, NY: Walker, 1981.
IV. Individual Studies by Genre
A. Orchestral and Band Works

Downes, Olin

Year: 1934
Complete Citation:
Downes, Olin. “A Nation’s Musical Frontiers.” The New York Times, June 3, 1934, sec. 9, 5.
Source: Newspaper
VI. Topical Studies
L. Ives and America