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Bibliography

Hong, Seung-Ah

Year: 2012
Complete Citation:
Hong, Seung-Ah. “Selected Piano Sonatas from the Early- through Mid-20th Century.” D.M.A. diss., University of Maryland, College Park, 2012.
Source: D.M.A. Dis-sertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Hurst, Rolland W.

Year: 1971
Complete Citation:
Hurst, Rolland W. “A Study, Analysis and Performance of Selected Songs by Charles Ives.” Ph.D. diss., Columbia University, 1971.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Hüsken, Renata

Year: 1980
Complete Citation:
Hüsken, Renata. “Charles Ives' ‘Robert Browning Overture.’” Neuland 1 (1980): 16-24.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Hutchinson, Mary Ann

Year: 1970
Complete Citation:
Hutchinson, Mary Ann. “Unrelated Simultaneity as an Historical Index to the Music of Charles Ives.” Master’s diss., Florida State University, 1970.
Source: Master’s Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Year: 1970
Complete Citation:
Hutchinson, Mary Ann. “Unrelated Simultaneity as an Historical Index to the Music of Charles Ives.” M.M. thesis, Florida State University, Tallahassee, 1970.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Hwang, Mi K.

Year: 2009
Complete Citation:
Hwang, Mi K. “Elements of Jazz Style in Twentieth-Century American Organ Works: Selected Works of Charles Ives, William Albright, and William Bolcom.” D.M.A. thesis, University of Arizona, 2009.
Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Ishii, Reiko

Year: 2005
Complete Citation:
Ishii, Reiko. “The Development of Extended Piano Techniques in Twentieth-Century American Music.” D.Mus. diss., Florida State University, 2005.
Source: D.Mus. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Ives, Charles

Year: 1942
Complete Citation:
Ives, Charles. “‘Children’s Day at the Camp Meeting’ by Charles Ives.” Modern Music 19, no. 2 (January-February 1942): 115-117.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1962
Complete Citation:
Ives, Charles. “Essays Before a Sonata.” In Three Classics in the Aesthetic of Music. New York, NY: Dover Publications, 1962.
Source: Chapter in Book
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Year: 1992
Complete Citation:
Ives, Charles. “Ives’s Program Note.” In The Fourth of July: Third Movement of A Symphony: New England Holidays, edited by Wayne D. Shirley, vii. Charles Ives Society Critical Edition. Milwaukee, WI: Associated Music Publishers, 1992.
Source: Commentary in score
IV. Individual Studies by Genre
A. Orchestral and Band Works

Ives, Charles E.

Year: 1929
Complete Citation:
Ives, Charles E. “The Fourth Symphony for Large Orchestra.” New Music, Vol. 2, No. 2 (January, 1929).
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1973
Complete Citation:
Charles E. Ives. “Note.” In Central Park in the Dark, edited by Jacques-Louis Monod, 31. Hillsdale, NY: Boelke-Bomart, 1973.
Source: Score
IV. Individual Studies by Genre
A. Orchestral and Band Works

Iverson, Jennifer

Year: 2006
Complete Citation:
Iverson, Jennifer. “Spatial Structures of the Collage: the Case of Charles Ives’s Putnam's Camp.” Paper presented at Joint Meeting of Amer-ican Musicological Society and Society for Music Theory. November 3, 2006.
Source: Conference paper
IV. Individual Studies by Genre
A. Orchestral and Band Works

Jacklin, Brendan

Year: 2017
Complete Citation:
Jacklin, Brendan. “Defining Musical Americanism: A Reductive Style Study of the Piano Sonatas of Samuel Barber, Elliott Carter, Aaron Copland, and Charles Ives.” University of Cincinnati, College-Conservatory of Music, 2017.
Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

James Ripley, Philip Lambert, Jonathan Elkus, and James Sinclair

Year: 2001
Complete Citation:
James Ripley, Philip Lambert, Jonathan Elkus, and James Sinclair. “Ives and His Use of Theater Transformation.” Lecture, Fiftieth anniversary of the East-man Wind Ensemble, Eastman School of Music, Rochester, New York, February 7, 2001.
Notes:

Musical selections performed in Kilborn Hall: Over the Pavements, Calcium Light Night, edited by Kenneth Singleton (chamber ensemble, Brad Lubman, con-ductor); and Overture and March “1776” and Country Band March (Eastman Dryden Orchestra, James Sinclair, conductor). Parts of this seminar were recorded and are available from the Eastman School.

Source: Lecture
IV. Individual Studies by Genre
A. Orchestral and Band Works

Janicka-Slysz, M.

Year: 1988
Complete Citation:
Janicka-Slysz, Małgorzata. “IV Symfonia Charlesa Edwarda Ivesa.” Zeszyty naukowe: Akademia Muzyczna im. Stastawa moniuszki w Gdansku 27: 75-94.
Notes:

Regarding Symphony No. 4

Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Jarrett, Alfred Roosevelt

Year: 1967
Complete Citation:
Jarrett, Alfred Roosevelt. “‘New Music’ in the U.S.A., 1960--1966.” M.M. thesis, Howard University, 1967.
Notes:

Ives is one of twelve com-posers discussed.

Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Jenkins, David and Mark Visocchi

Year: 1979
Complete Citation:
Jenkins, David and Mark Visocchi. “Washington's birthday / by Charles Ives.” In Portraits in music. London, United Kingdom: Oxford University Press, 1979.
Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works

Jennert, Rüdiger

Year: 1995
Complete Citation:
Jennert, Rüdiger. “Amerikanische Chormusik des 20. Jahrhunderts: stilische Untersuchungen zu sakralen Chorwerken von Aaron Copland, Charles Edward Ives und Randall Thompson.” Ph.D diss., Staatliche Hochschule für Musik, Freiburg im Breisgau, 1995.
Source: Ph.D Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Jensen, Diane M.

Year: 1980
Complete Citation:
Jensen, Diane M. “A study of ragtime elements found in selected works of Charles E. Ives.” M.M. thesis, University of Nebraska-Lincoln, 1980.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses