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Bibliography

Bengford, Timothy J.

Year: 2003
Complete Citation:
Bengford, Timothy J. “Patriotic, political and sociological dimensions in the songs of Charles Ives.” M.A. thesis, California State University, Los Angeles, 2003.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Benkelman, Robert Jon

Year: 1969
Complete Citation:
Benkelman, Robert Jon. “An investigative analysis and historical background of the second movement of the first orchestral set of Charles Edward Ives (Three Places In New England: II. General Putnam's Camp).” M.A. Thesis, San Jose State College, 1969.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Berger, Melvin

Year: 1995
Complete Citation:
Berger, Melvin. “Charles Ives.” In The Anchor guide to orchestral masterpieces. New York, NY: Anchor Books, 1995.
Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works

Berneking, Vicki Lynn

Year: 1973
Complete Citation:
Berneking, Vicki Lynn. “A study of two twentieth-century piano sonatas: Ives’ Concord sonata and Ginastera’s Sonata para piano.” M.A. thesis, Central Missouri State University, 1973.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Bernstein, Leonard

Year: 1960
Complete Citation:
Bernstein, Leonard. Liner notes for Charles Ives — Symphony No. 2. Leonard Bernstein, New York Philharmonic. Columbia Masterworks, KS 6155, 1960, 33.3 RPM.
Source: Jacket Notes
IV. Individual Studies by Genre
A. Orchestral and Band Works

Blaufuss, Margaret Joanna

Year: 1967
Complete Citation:
Blaufuss, Margaret Joanna. “Charles Ives: “Transcendentalist”” M.A. Thesis, University of Wyoming, 1967.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Boatwright, Howard

Year: 1956
Complete Citation:
Howard Boatwright, ed. “Epilogue.” In Paul Boatwright's B.A. thesis, Yale University, 1956.
Notes:

B.A. thesis in graphic arts

Source: B.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Bogulavsky, Johanna

Year: 1995
Complete Citation:
Bogulavsky, Johanna. “Reception theory as a technique for musical analysis : the case of Charles E. Ives' "Putnam's Camp”.” M.M. thesis, Columbia University, 1995.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Borgman, George Allan

Year: 1953
Complete Citation:
Borgman, George Allan. “Nationalism in Contemporary Music.” M.M. thesis, Indiana University, 1953.
Notes:

Numerous citations for Ives.

Source: M.M. thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Bowden, Derek T.

Year: 2004
Complete Citation:
Bowden, Derek T. “Musical journeys across the American landscape: American sense of place and landscape revealed through national anthems and selected works of Aaron Copland and Charles Ives.” M.A. Thesis, University of Delaware, 2004.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Bozynski, Michelle Carole

Year: 1995
Complete Citation:
Bozynski, Michelle Carole. “Transcendentalism and social context as meaning in the music of Charles Ives: a case study of The things our fathers loved.” M.Mus. Thesis, University of Alberta, 1995.
Source: M.Mus. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Brandt, R. Lynne

Year: 1998
Complete Citation:
Brandt, R. Lynne. “Transcendentalism and intertextuality in Charles Ives's war songs of 1917.” M.M. Thesis, University of North Texas, 1998.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Briggs, John

Year: 1965
Complete Citation:
Briggs, John. “Notes on the Program.” New York Philharmonic Program (1965): 17.
Source: Concert Program
IV. Individual Studies by Genre
A. Orchestral and Band Works

Brion, Keith, James Sinclair, and Jonathan Elkus

Year: 1974
Complete Citation:
Brion, Keith, James Sinclair, and Jonathan Elkus. “Ives for Band.” Instrument 29 (October 1974): 60-62.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Brodhead, Thomas M.

Complete Citation:
Brodhead, Thomas M. “Ives 4th Symphony 2nd Movement: Color-Coded Quotation Analysis.” Unpublished manuscript.
Source: Unpublished manuscript.
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1994
Complete Citation:
Brodhead, Thomas M. “Ives’s Celestial Railroad and his Fourth Symphony.” American Music 12, No. 4 (1994): 389-424.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Brooks, William

Year: 1974
Complete Citation:
Brooks, William. “Unity and Diversity in Charles Ives’s Fourth Symphony.” Anuario interamericano de investigacion musical/Yearbook for Inter-American Musical Research 10 (1974): 5-49.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1974
Complete Citation:
Brooks, William. “Unity and Diversity in Charles Ives’s Fourth Symphony.” Yearbook for inter-American Musical Research 10 (1974): 5-49.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1984
Complete Citation:
Brooks, William. “A Drummer Boy Looks Back: Percussion in Ives’ ‘Fourth Symphony’.” Percussive Notes 22 (1984): 4-45.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1984
Complete Citation:
Brooks, William. “A Drummer-Boy Looks Back: Percussion in Ives’s Fourth Symphony.” Percussionist 22, no. 6 (1984), p. 4-45.
Source: Magazine
IV. Individual Studies by Genre
A. Orchestral and Band Works