Bengford, Timothy J.
Year: 2003
Complete Citation:
Bengford, Timothy J. “Patriotic, political and sociological dimensions in the songs of Charles Ives.” M.A. thesis, California State University, Los Angeles, 2003.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Benkelman, Robert Jon
Year: 1969
Complete Citation:
Benkelman, Robert Jon. “An investigative analysis and historical background of the second movement of the first orchestral set of Charles Edward Ives (Three Places In New England: II. General Putnam's Camp).” M.A. Thesis, San Jose State College, 1969.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Berger, Melvin
Year: 1995
Complete Citation:
Berger, Melvin. “Charles Ives.” In The Anchor guide to orchestral masterpieces. New York, NY: Anchor Books, 1995.Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
Berneking, Vicki Lynn
Year: 1973
Complete Citation:
Berneking, Vicki Lynn. “A study of two twentieth-century piano sonatas: Ives’ Concord sonata and Ginastera’s Sonata para piano.” M.A. thesis, Central Missouri State University, 1973.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Bernstein, Leonard
Year: 1960
Complete Citation:
Bernstein, Leonard. Liner notes for Charles Ives — Symphony No. 2. Leonard Bernstein, New York Philharmonic. Columbia Masterworks, KS 6155, 1960, 33.3 RPM.Source: Jacket Notes
IV. Individual Studies by Genre
A. Orchestral and Band Works
Blaufuss, Margaret Joanna
Year: 1967
Complete Citation:
Blaufuss, Margaret Joanna. “Charles Ives: “Transcendentalist”” M.A. Thesis, University of Wyoming, 1967.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Boatwright, Howard
Year: 1956
Complete Citation:
Howard Boatwright, ed. “Epilogue.” In Paul Boatwright's B.A. thesis, Yale University, 1956.Notes: B.A. thesis in graphic arts
Source: B.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Bogulavsky, Johanna
Year: 1995
Complete Citation:
Bogulavsky, Johanna. “Reception theory as a technique for musical analysis : the case of Charles E. Ives' "Putnam's Camp”.” M.M. thesis, Columbia University, 1995.Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Borgman, George Allan
Year: 1953
Complete Citation:
Borgman, George Allan. “Nationalism in Contemporary Music.” M.M. thesis, Indiana University, 1953.Notes: Numerous citations for Ives.
Source: M.M. thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Bowden, Derek T.
Year: 2004
Complete Citation:
Bowden, Derek T. “Musical journeys across the American landscape: American sense of place and landscape revealed through national anthems and selected works of Aaron Copland and Charles Ives.” M.A. Thesis, University of Delaware, 2004.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Bozynski, Michelle Carole
Year: 1995
Complete Citation:
Bozynski, Michelle Carole. “Transcendentalism and social context as meaning in the music of Charles Ives: a case study of The things our fathers loved.” M.Mus. Thesis, University of Alberta, 1995.Source: M.Mus. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Brandt, R. Lynne
Year: 1998
Complete Citation:
Brandt, R. Lynne. “Transcendentalism and intertextuality in Charles Ives's war songs of 1917.” M.M. Thesis, University of North Texas, 1998.Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Briggs, John
Year: 1965
Complete Citation:
Briggs, John. “Notes on the Program.” New York Philharmonic Program (1965): 17.Source: Concert Program
IV. Individual Studies by Genre
A. Orchestral and Band Works
Brion, Keith, James Sinclair, and Jonathan Elkus
Year: 1974
Complete Citation:
Brion, Keith, James Sinclair, and Jonathan Elkus. “Ives for Band.” Instrument 29 (October 1974): 60-62.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Brodhead, Thomas M.
Complete Citation:
Brodhead, Thomas M. “Ives 4th Symphony 2nd Movement: Color-Coded Quotation Analysis.” Unpublished manuscript.Source: Unpublished manuscript.
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1994
Complete Citation:
Brodhead, Thomas M. “Ives’s Celestial Railroad and his Fourth Symphony.” American Music 12, No. 4 (1994): 389-424.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Brooks, William
Year: 1974
Complete Citation:
Brooks, William. “Unity and Diversity in Charles Ives’s Fourth Symphony.” Anuario interamericano de investigacion musical/Yearbook for Inter-American Musical Research 10 (1974): 5-49.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1974
Complete Citation:
Brooks, William. “Unity and Diversity in Charles Ives’s Fourth Symphony.” Yearbook for inter-American Musical Research 10 (1974): 5-49.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1984
Complete Citation:
Brooks, William. “A Drummer Boy Looks Back: Percussion in Ives’ ‘Fourth Symphony’.” Percussive Notes 22 (1984): 4-45.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1984
Complete Citation:
Brooks, William. “A Drummer-Boy Looks Back: Percussion in Ives’s Fourth Symphony.” Percussionist 22, no. 6 (1984), p. 4-45.Source: Magazine
IV. Individual Studies by Genre
A. Orchestral and Band Works