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Bibliography

Genres

Webster, David

Year: 1967
Complete Citation:
Webster, David. “He Found the Lost Symphony.” Philadelphia Inquirer. February 19, 1967.
Notes:

Regarding Theodore A. Seder of the Fleisher Music Collection and his editorial work on the score to Symphony No. 4.

Source: Newspaper
IV. Individual Studies by Genre
A. Orchestral and Band Works

Wehrl, Paul

Year: 1990
Complete Citation:
Wehrl, Paul. Charles Ives: “The unanswered question” als Werkbeispiel für den Musikunterricht an bayerischen Realschulen unter Berücksichtigung fachwissenschaftlicher und didaktischer Aspekte. Term paper, Eichstätt, Universität, 1990.
Source: Term paper
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays

Whitney, Annette

Year: 1966
Complete Citation:
Whitney, Annette. “Contemporary American art song: John Alden Carpenter, Charles Edward Ives, Aaron Copland and Ned Rorem.” B.M. thesis, University of Utah, 1966.
Source: B.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays

Wilson, Donald Malcolm

Year: 1962
Complete Citation:
Wilson, Donald Malcolm. “Tone Roads No. 1: An Analysis.” Term paper, Cornell University, 1962.
Notes:

Copy in Charles Ives Papers at Yale University.

Source: Term Paper
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays

Zechel, Charles

Year: 1981
Complete Citation:
Zechel, Charles. “Not for sissy ears: stream-of-consciousness in the music of Charles Ives.” B.A. Thesis, Reed College, 1981.
Source: B.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays

Zimmermann, Walter and Larry Austin

Year: 1981
Complete Citation:
Austin, Larry and Walter Zimmermann. “Gespräch fiber die Rekonstruktion von Ives’ «Universe Symphony.»” Insel Music, edited by Walter Zimmermann. Cologne, Germany: Beginners Press, 1981.
Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works

Zobel, Mark

Year: 2006
Complete Citation:
Zobel, Mark. “Musical Borrowing and Religious Symbolism in Charles Ives’s Third Symphony.” Paper presented at the Thirty--second Conference of the Society for American Music. Chicago, Illinois, 2006.
Source: Conference paper
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 2009
Complete Citation:
Zobel, Mark. The Third Symphony of Charles Ives. Hillsdale, NY: Pendragon Press, 2009.
Source: Book
IV. Individual Studies by Genre
A. Orchestral and Band Works

no author listed

Year: 1932
Complete Citation:
“Contemporary American Music Heard.” New York Herald Tribune. May 2, 1932: 8.
Source: Newspaper
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1933
Complete Citation:
“4th Symphony.” Trend 2 (September-October 1933): 20.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1966
Complete Citation:
“Essays Before a Sonata: Prologue.” Boston Symphony Orchestra Programs. Eighth Program (November 25 and 26, 1966): 495-496, 498, 500-501, 503, 505.
Source: Concert Program
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1977
Complete Citation:
“On conducting and performing Ives.” In An Ives Celebration: Papers and Panels of the Charles Ives, edited by H. Wiley Hitchcock and Vivian Perlis. Urbana, Illinois: University of Illinois Press, 1977.
Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 2013
Complete Citation:
“Ivan Hewett’s Classic 50 no. 21: Ives - the Housatonic at Stockbridge; the Latest in Ivan Hewett’s 50-Part Series on Short Works by the World’s Greatest Composers.” The Telegraph Online, May 9, 2013.
Source: Newspaper
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 2014
Complete Citation:
“Spirit of Charles Ives.” Symphony, Vol. 65, No. 1 (2014): 8.
Source: Magazine
IV. Individual Studies by Genre
A. Orchestral and Band Works