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Bibliography

Elkus, Jonathan

Year: 1974
Complete Citation:
Elkus, Jonathan. “Charles Ives and the American Band Tradition: A Centennial Tribute.” Vol. 4 of American Arts Pamphlet, American Arts Documentation Centre. Exeter, England: University of Exeter, 1974.
Source: Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1991
Complete Citation:
Elkus, Jonathan. “Preface.” In Charles E. Ives, Thanksgiving and Forefathers’ Day, edited by Jonathan Elkus, iii-iv. New York, NY: Peer International, 1991.
Source: Chapter in Score
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 2005
Complete Citation:
Elkus, Jonathan. “Charles Ives's Manhattan.” In The wind band in and around New York ca. 1830-1950: essays presented at the 26th biennial conference of the College Band Directors National Association, New York, NY, Feb., 2005, edited by Frank J. Cipolla and Donald Hunsberger. Van Nuys, CA: Alfred Press, 2007.
Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works

Enke, Heinz

Year: 1967
Complete Citation:
Enke, Heinz. “Charles Ives' "The Unanswered Question.”” In Versuche musikalischer Analysen, edited by Peter Benary. Berlin, Germany: Merseburger Verlag, 1967.
Source: Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1974
Complete Citation:
Enke, Heinz. “Charles Ives’ ‘The Unanswered Question’.” In Zur musikalischen Analyse, edited by Gerhard Schumacher, 232-240. Darmstadt, Germany: Wissenschaftliche Buchgesellschaft, 1974.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Ericson, John Q.

Year: 1988
Complete Citation:
Ericson, John Q. “Ives and the Band March.” Unpublished typescript, 1988.
Source: Unpublished typescript.
IV. Individual Studies by Genre
A. Orchestral and Band Works

Ericson, Raymond

Year: 1973
Complete Citation:
Ericson, Raymond. “Ives: American as Miami: Charles Ives in Miami Savonlinna Canpos Do Jordao Hemidemisemiquavers.” The New York Times, June 3, 1973, 145.
Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
Year: 1974
Complete Citation:
Ericson, Raymond. “Music: Illuminating and Nostalgic Ives at Festival.” The New York Times, October 11, 1974, 23.
Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

Etkin Mariano, German Cancian, Carlos Mastropietro, and Maria Cecilia Villanueva

Year: 2001
Complete Citation:
Etkin Mariano, German Cancian, Carlos Mastropietro, and Maria Cecilia Villanueva. Superposicion y Gradualidad en Hallowe’en de Charles Ives. Research Group on Musical Analysis at the University of La Plata, Argentina. La Plata, Argentina: Editorial de la Universidad de La Plata, 2001.
Notes:

Translates to Superposition and Gradualism in Hallowe’en by Charles Ives

Source: Book
IV. Individual Studies by Genre
A. Orchestral and Band Works

Falck, Robert

Year: 1965
Complete Citation:
Falck, Robert. “Once Festival at Ann Arbor: Showcase for Newest Music.” The Boston Globe, 1965, A26.
Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

Feder, Stuart

Year: 1983
Complete Citation:
Feder, Stuart. "Charles Ives and the Unanswered Question.” In The Psychoanalytic Study of Society edited by Werner Munsterberger, L. Bryce Boyer, and Simon A. Grolnick, 321-351. Volume 10 of The Psychoanalytic Study of Society. Hillsdale, NJ: The Analytic Press, 1983.
Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 2004
Complete Citation:
Feder, Stuart. “Hanover Square ‘Accordion’ to Charles Ives.” Paper presented at A Century of Composing in America: 1820-1920. The City University of New York, The Graduate Center, New York, New York, October, 2004.
Source: Conference Paper
IV. Individual Studies by Genre
A. Orchestral and Band Works

Feinberg, Alan

Year: 1999
Complete Citation:
Feinberg, Alan. “An Ives Premiere: The ‘Emerson Concerto’: An Ulti-mate Statement.” American Record Guide 61/6 (November- December 1999): 6--8.
Notes:

Gives personal background to performances of Concord Sonata [in London], Study No. 22, and The Celestial Railroad prior to his playing of the premiere of the concerto.

Source: Magazine
Reprints:

Feinberg, Alan. “Endless Quest: Ives’s Emerson Concerto Comes to Life.” <i>Symphony</i> 50/1 (January- February 1999): 9-11.

IV. Individual Studies by Genre
A. Orchestral and Band Works

Feith, Michel

Complete Citation:
Feith, Michel. “La Commémoration: Traduction Ou Trahison? (Saint-Gaudens, Ives, Lowell).” Revue Française D'études Américaines, no. 80, (1999): 69-81.
Source: Magazine
IV. Individual Studies by Genre
A. Orchestral and Band Works

Fennell, Frederick

Year: 1976
Complete Citation:
Fennell, Frederick. “Charles Ives and the Conductor.” In South Florida's Historic Ives Festival, 1974-1976, 59. Coral Gables, FL: University of Miami, 1976.
Source: Festival Pamphlet
IV. Individual Studies by Genre
A. Orchestral and Band Works

Finnissy, Michael

Year: 1985
Complete Citation:
Finnissy, Michael. “Almeida Festival: Nancarrow and Ives.”Tempo 154 (September 1985): 45-46.
Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

Fitelberg, Jerzy

Year: 1932
Complete Citation:
Fitelberg, Jerzy. “Review of Ives’ ‘Second Suite.’” Modern Music, Vol. 9, No. 4 (May 1932).
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Franceschini, Romulus

Year: 1965
Complete Citation:
Franceschini, Romulus. “A Postscript on Ives's Fourth.” American Record Guide 32/3 (November 1965): 223.
Source: Magazine
IV. Individual Studies by Genre
A. Orchestral and Band Works

Frank, Serge

Year: 1946
Complete Citation:
Frank, Serge. “The Symphony.” Listen: The Guide to Good Music (July 1946).
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Gail, Dorothea

Year: 2005
Complete Citation:
Gail, Dorothea. “The Second Movement of Charles Ives’s Fourth Symphony: An Analytical Approach to Form and Structure.” Paper presented at Twentieth Century Music Conference. Society for Music Analysis. University of Sussex, Falmer, Brighton, United Kingdom, August 28, 2005.
Source: Conference paper
IV. Individual Studies by Genre
A. Orchestral and Band Works