Nushi, Dafina Zeqiri
Year: 2011
Source: Online article
IV. Individual Studies by Genre
A. Orchestral and Band Works
O’Gorman, Edward
Year: 1946
Complete Citation:
O’Gorman, Edward. “Music of Charles Ives Highlights Festival.” New York Post, May 13, 1946, 30.Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
Oliver, Michael, Vivian Perlis, Wilfrid Mellers, and David Nicholls
Year: 1996
Complete Citation:
Oliver, Michael, Vivian Perlis, Wilfrid Mellers, and David Nicholls. “Panel Discussion: Charles Ives: The Unanswered Question.” The Unanswered Question [Festival]. Barbican Centre; Leadenhall Market; St. Giles Church, Cripplegate; London, United Kingdom, January 19 to 21, 1996.Source: Panel Discussion
IV. Individual Studies by Genre
A. Orchestral and Band Works
Olson, Kenneth E.
Year: 1981
Complete Citation:
Olson, Kenneth E. Music and Muskets: Bands and Bandsmen of the American Civil War, 83. Contributions to the Study of Music and Dance, 1. Westport, CT: Greenwood Press, 1981.Source: Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
Otten, Jürgen
Year: 2004
Complete Citation:
Otten, Jürgen. “Auf Transzendentalistischem Pfad: Das Festival Maerzmusik in Berlin Beschäftigte Sich Mit Charles Ives Und Den Konsequenzen.” Neue Zeitschrift Für Musik, vol. 165, no. 3 (2004): 68-68.Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
Patterson, Frank
Year: 1927
Complete Citation:
Patterson, Frank. “The Circus.” Musical Courier. February 10, 1927, 28.Source: Newspaper
IV. Individual Studies by Genre
A. Orchestral and Band Works
Perlis, Vivian
Year: 1996
Complete Citation:
Vivian Perlis. “Ives Spirit Muses Brits,” review of The Unanswered Question Festival; January 19 to 21: London. Piano and Key-board (May/June) 180: 12-14.Source: Magazine
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
Pergament, Moses
Year: 1933
Complete Citation:
Pergament, Moses. “Fourth of July.” Svenska Dogbladet [Stockholm], November 1933, 35.Source: Newspaper
IV. Individual Studies by Genre
A. Orchestral and Band Works
Permoser, Manfred
Year: 2005
Complete Citation:
Permoser, Manfred. “Echo: “Kontraste”: Minoritenkirche Krems / Stein.” Österreichische Musikzeitschrift, Vol. 60, No. 12 (2005): 47-48.Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
Phelps, Thomas
Year: 1997
Complete Citation:
Phelps, Thomas. “‘As I Look Back on These Times’—über Charles Ives und seine Musik in drei Satze.” In Musik/Revolution: Festschrift für Georg Knepler zum 90. Geburststag, edited by Hanns--Werner Heister, 209-240. Volume 2. Hamburg, Germany: Von Bockel Verlag, 1997.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Porter, David
Year: 1998
Complete Citation:
Porter, David. “Reconstructing the Emerson Concerto.” Paper presented at Ives & Yale: A Celebration of the Centenary of Charles Ives’s Gradua-tion from Yale. Yale University, New Haven, Connecticut, April 3-5, 1998.Source: Conference paper
Reprints: “Reconstructing the Emerson Concerto.” College Music Symposium (1999) 39: 27--42.
IV. Individual Studies by Genre
A. Orchestral and Band Works
Porter, David G.
Year: 1998
Complete Citation:
Porter, David G. “On the Reconstruction of Charles Ives’s ‘Emerson’ Piano Concerto.” Unpublished commentary, 1998.Source: Unpublished commentary.
IV. Individual Studies by Genre
A. Orchestral and Band Works
Porter, David Gray
Year: 1980
Complete Citation:
Porter, David Gray. “The Third Orchestral Set of Charles Edward Ives.” M.A. thesis, California State University, Fullerton, 1980.Source: M.A. Thesis
IV. Individual Studies by Genre
A. Orchestral and Band Works
Porter, David H.
Year: 2004
Complete Citation:
David H. Porter. “Don't Pin Him Down.” The New York Times 2, May 23, 2004, 2.Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
Pozzi, Raffaele
Year: 1985
Complete Citation:
Pozzi, Raffaele. “Polemica antiurbana ed isolamento ideologico in ‘Central Park in the Dark’ di Charles Ives.” Nuova Rivista Musicale Italiana 19 (1985): 471-481.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Rathert, Wolfgang
Year: 1982-1983
Complete Citation:
Rathert, Wolfgang. “Charles Ives: Symphonie Nr. 4, 1911-1916.” Neuland 3 (1982-83): 226-241.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1983
Complete Citation:
Rathert, Wolfgang. “Charles Ives, Symphonie Nr. 4 (1910-1916).” In Neuland: Ansätze zur Musik der Gegenwart: Jahrbuch. Band 3. Cologne, Germany: Neuland Musikverlag, 1983.Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1986
Complete Citation:
Rathert, Wolfgang. “Paysage imaginaire et perception totale: L’idée et la forme de la symphonie Universe.” Contrechamps 7 (1986): 129-154.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1987
Complete Citation:
Rathert, Wolfgang. “Charles Ives: ‘Robert Browning Overture’.” Neue Zeitschrift für Musik 148/4 (1987): 28-31.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1988
Complete Citation:
Rathert, Wolfgang. “Zum symphonischen Werk von Charles Ives.” In Charles Ives und die amerikanische Musiktradition bis zur Gegenwart, 53-72. Cologne, Germany: University of Cologne, 1988.Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works