Luck, Hartmut
Year: 2004
Complete Citation:
Luck, Hartmut. “Visionen einer andern Wirklichkeit: Die symphonischen Werke von Charles Ives.” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 123-137. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
Lyman, Zachary
Year: 2010
Complete Citation:
Lyman, Zachary. “Realizing Ives's Universe Symphony: An Interview with Johnny Reinhard.” American Music, vol. 28, no. 4, (2010): 459-480.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Lyman, Zachary and Larry Austin
Year: 2008
Complete Citation:
Lyman, Zachary, and Larry Austin. “Completing Ives's Universe Symphony: An Interview with Larry Austin.” American Music, vol. 26, no. 4 (2008): 442-473.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Magers, Roy V.
Year: 1977
Complete Citation:
Magers, Roy V. “Charles Ives’s Optimism: or, The Program’s Progress.” In Music in American Society, 1776-1976: from Puritan Hymn to Synthesizer, edited by George McCue, 73-86. New Brunswick, NJ: Transaction Books, 1977.Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
Maisel, Arthur
Year: 1981
Complete Citation:
Maisel, Arthur. “The ‘Fourth of July’ by Charles Ives. Mixed Harmonic Criteria in a 20th-Century Classic.” Theory and Practice VI (1981): 3-32.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Marsh, Robert C.
Year: 1967
Complete Citation:
Marsh, Robert C. The Cleveland Orchestra. Cleveland, OH: World Pub-lishing, 1967.Notes: Cites performances of From the Steeples and the Mountains, Scherzo: Over the Pavements,Symphony No. 2, The Unanswered Question, and Variations on “America” (orchestrated by William Schuman). Numerous passing remarks about Ives, especially the re-pertoire performed by the Cleveland Orchestra.
Source: Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
Massey, Drew
Year: 2007
Complete Citation:
Massey, Drew. “The Problem of Ives’s Revisions, 1973-1987.” Journal of the American Musicological Society, vol. 60, no. 3 (2007): 599-645.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Year: 2007
Complete Citation:
Massey, Drew. “The Problem of lves’s Revisions, 1973-1987.” Journal of American Musicological Society 60, no.3 (Fall): 599-645.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Year: 2013
Complete Citation:
Massey, Drew. John Kirkpatrick, American music, and the printed page. Rochester, NY: University of Rochester Press, 2013.Source: Book
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Year: 2013
Complete Citation:
Massey, Drew. “Ives Fourth Symphony Charles Ives, Symphony no. 4, ed. William Brooks (mvt. 1), James B. Sinclair (mvt. 2), Kenneth Singleton (mvt. 3), Wayne D. Shirley (mvt. 4) (Charles Ives Society Critical Edition).” Notes, Vol. 69, No. 3 (2013): 621-624.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
McDonald, Matthew
Year: 2004
Complete Citation:
McDonald, Matthew. “Silent Narration? Elements of Narrative in Ives's The Un-answered Question.” 19th-Century Music 27/3 (2004): 263-286.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Melick, Jennifer
Year: 2013
Complete Citation:
Melick, Jennifer. “To Market, To Market.” Symphony, Vol. 64, No. 1 (2013): 53.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Mercado, Mario
Year: 2004
Complete Citation:
Mercado, Mario. “Ives: The View from the Podium.” In Charles Ives: An American Original in Context, 28, 30. Program booklet [Playbill]. New York, NY: Avery Fischer Hall, May 11-29, 2004.Source: Program Booklet
IV. Individual Studies by Genre
A. Orchestral and Band Works
Meredith, Austin
Year: 1997
Complete Citation:
Meredith, Austin. “Brant’s Adaptation of Ives's ‘Concord, Mass., 1840-1860.’” The Thoreau Society Bulletin, no. 220 (1997): 3.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Mihura, Brian L.
Year: 1982
Complete Citation:
Mihura, Brian L. “The Great Jew's Harp Hunt of 1954.” Verundzwanzigsteljahrsschrift der Internationalen Maultrommelvirtuosengenossenschaft 1 (1982): 44-48.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Moomaw, Charles J.
Year: 1971
Complete Citation:
Moomaw, Charles J. “A PL/1 Program for the Harmonic Analysis of Music by the Theories of Paul Hindemith and Howard Hanson.” Master’s thesis, University of Cincinnati, 1971.Source: Master's Thesis
IV. Individual Studies by Genre
A. Orchestral and Band Works
Morris, Harold
Year: 1932
Complete Citation:
Morris, Harold. “Fourth of July.” Contemporary American Music [Rice Institute, Houston] (April 1932): 5.Source: Conference Publication
IV. Individual Studies by Genre
A. Orchestral and Band Works
Mueller, John H.
Year: 1951
Complete Citation:
Mueller, John H. The American Symphony Orchestra: A Social History of Musical Taste. Bloomington, IN: Indiana University Press, 1951.Source: Book
Reprints: Mueller, John H. <i>Orchestras: A History and Analysis of Their Repertoires, Seasons 1842-43 through 1969-70</i>, 183-184. Bloomington, IN: Indiana University Press, 1973.
IV. Individual Studies by Genre
A. Orchestral and Band Works
Nelson, Mark Douglas
Year: 1984
Complete Citation:
Nelson, Mark D. “Beyond Mimesis: Transcendentalism and Processes of Analogy in Charles Ives’ ‘The Fourth of July.’” Perspectives of New Music 22, Nos. 1-2 (1984): 353.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Nushi, Dafina Zeqiri
Year: 2011
Source: Online article
IV. Individual Studies by Genre
A. Orchestral and Band Works
