Abbot, Christopher
Year: 2002
Complete Citation:
Abbot, Christopher. “Ives: “An American Journey.”” Fanfare: The Magazine for Serious Record Collectors, Vol. 25, No. 6 (2002): 142-144.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2003
Complete Citation:
Abbot, Christopher. “The Want List 2003 [Christopher Abbot].” Fanfare: The Magazine for Serious Record Collectors, Vol. 27, No. 2 (2003): 71.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Adler, Paula
Year: 1979
Complete Citation:
Adler. Paula. “El mundo de Charles Ives.” Heterfonia 12/3 (1979): 25-27.
Source: Journal
V. General Music Studies
A. Short Biographies and Profiles
Ahlstrom, David
Year: 1991
Complete Citation:
Ahlstrom, David. “The Problem of the Unfinished: A Cart, a Deity, and Ives's Universe Symphony.” Sonus 11/2 (Spring 1991): 65-76.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Alan M. Kriegsman
Year: 1968
Complete Citation:
Kriegsman, Alan M. “A.U.’s Mandel to Unveil Ives Piano Works.” The Washington Post and Times Herald, March 17, 1968, G8.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Albrecht, Philipp
Year: 2010
Complete Citation:
Albrecht, Philipp. “Besprechungen: Dorothea Gail “Charles Ives’ Fourth Symphony: Quellen-Analyse-Deutung.”” Musiktheorie, Vol. 25, No. 3 (2010): 272-274.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Alms, Anthony
Year: 2005
Complete Citation:
Alms, Anthony. “The Inner World of Charles Ives: A Hermeneutic Approach to Central Park in the Dark.” Paper presented at Twentieth Century Music Conference. Society for Music Analysis. University of Sussex, Falmer, Brighton, United Kingdom, August 28, 2005.Source: Conference paper
IV. Individual Studies by Genre
A. Orchestral and Band Works
Althouse, Jay and Judith O’Reilly
Year: 2001
Complete Citation:
Althouse, Jay and Judith O’Reilly. “Charles Ives (1874-1954).” In Accent on Composers: The Music and Lives of 22 Great Composers. Van Nuys, CA: Alfred Music, 2001.Source: Chapter in Book
V. General Music Studies
A. Short Biographies and Profiles
Anderson, Colin
Year: 2007
Complete Citation:
Anderson, Colin. “Classical Recordings: Ives - Symphony No. 1, Symphony No. 4, “Central Park in the Dark.”” Fanfare (January 2007).Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Anderson, Rick
Year: 2003
Complete Citation:
Anderson, Rick. “Charles Ives (Sound Recording Review).” Notes, vol. 60, no. 2 (2003): 517.Source: Journal (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Anderson, William
Year: 1979
Complete Citation:
Anderson, William. “Advice to Young Composers.” Stereo Review 43/3 (September 1979): 6.Notes: The advice he gives is similar to description of Ives: don't “teach at a university,” get “a job in insurance and compose on the side... [and] avoid modern-music concert. ... The method hasn't even been tried, as far as I know, since Charles Ives.”
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Ansell, Derek
Year: 2007
Complete Citation:
Ansell, Derek. “Record Reviews: Jamie Baum Septet - “Moving Forward Standing Still.”” Jazz Journal International, Vol. 60, No. 2 (2007): 16.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Arlen, Walter
Year: 1966
Complete Citation:
Arlen, Walter. “New Discs show Ives Interest on Upswing.” Los Angeles Times, June 19, 1966: B25.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Arnold, Jermie S.
Year: 2016
Complete Citation:
Arnold, Jermie S. ““Country Band” March - Pioneering the Ivesian Sound.” Journal of Band Research 52, no. 1 (Fall 2016): 44-67.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Auerbach, Brent
Year: 2009
Complete Citation:
Auerbach, Brent. “Guide to Records - Ives: Piano Sonata 1; McDonald: “Meditation Before a Sonata: Dew Cloth, Dream Drapery”; Nielsen: Suite, Op 45.” American Record Guide, Vol. 72, No. 6 (2009): 124-125.Source: Magazine (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2010
Complete Citation:
Auerbach, Brent. “Responses to Ives.” American Record Guide, Vol. 73, No. 4 (2010): 228-229.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Auner, Joseph Henry
Year: 2013
Complete Citation:
Auner, Joseph Henry. “Symphony no. 1. Movement 1 / Charles Ives.” In Musicology: A Book Series, 15. Basel, Switzerland: Gordon and Breach
Publishing Group, 1994: 37-50.Source: Chapter in Book
Reprints: Auner, Joseph Henry. “Symphony no. 1. Movement 1 / Charles Ives.” In <i>Anthology for music in the twentieth and twenty-first centuries</i>. New York: W.W. Norton & Company, 2013.
IV. Individual Studies by Genre
A. Orchestral and Band Works
Austin, Larry
Year: 1985
Complete Citation:
Austin, Larry. “Charles Ives’s Life Pulse Prelude for Percussion Orchestra: A Realization for Modern Performance from Sketches from his ‘Universe’-Symphony.” Perc Notes 23 (1985): 58-84.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1997
Complete Citation:
Austin, Larry. “The Realization and First Complete Performances of Ives's Universe Symphony.” In Ives Studies, edited by Philip Lambert, 179-232. Cambridge, United Kingdom: Cambridge University Press, 1997.Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
Bach, Eleanor and Robert Offergeld
Year: 1969
Complete Citation:
Bach, Eleanor and Robert Offergeld. “An Experiment in Astromusi-cology.” Stereo Review 23/1 (July 1969): 73--74.Notes: Using astrological tech-niques, the authors describe personal characteristics of several musicians, including Ives.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews