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Bibliography

Ahn, Eun G. [안은지]

Complete Citation:
Ahn, Eun G. “논문 : 아이브스의 바이올린 소나타 2번과 4번에 나타난 음악적 특징.” 음악과 민족, vol. 49 (2015): 201.
Notes:

Translates to “Thesis: Musical Characteristics of Ives’ Violin Sonata Nos. 2 and 4”<br>

IV. Individual Studies by Genre
B. Chamber Works

Ahn, Eunji

Year: 2015
Complete Citation:
Ahn, Eunji. “아이브스의 바이올린 소나타 2번과 4번에 나타난 음악적 특징.” 음악과 민족, no. 49 (2015): 201-225.
Notes:

Translates to “Distinctive Features in the Second and Fourth Violin Sonatas of Charles Ives”

Source: Journal
IV. Individual Studies by Genre
B. Chamber Works

Bader, Yvette

Year: 1972
Complete Citation:
Bader, Yvette. The Music Review 33, Vol. 1, No. 4. (November 1972): 292-299.
Source: Journal
IV. Individual Studies by Genre
B. Chamber Works

Baldwin, Philip

Year: 1996
Complete Citation:
Baldwin, Philip. “An Analysis of three violin sonatas by William Bolcom.” Ph.D. diss., Ohio State University, 1996.
Source: Ph.D. Dissertation
IV. Individual Studies by Genre
B. Chamber Works

Bauer, Marion

Year: 1947
Complete Citation:
Bauer, Marion. “Charles Ives Receives Award.” Musical Leader 79/6 (June 1947): 9.
Notes:

Notice of Ives's receiving the Pulitzer Prize for Symphony No. 3. Includes remarks about his being ignored and overlooked.

Source: Journal
VI. Topical Studies
V. Awards

Beckwith, Ethel

Year: 1947
Complete Citation:
Beckwith, Ethel. “Pulitzer Prize Winner Scoffs at $1,000 Award.” Sunday Herald (Bridgeport, Connecticut), May 11, 1947, 1, 16.
Source: Newspaper
VI. Topical Studies
V. Awards

Bemlef, J.

Year: 1974
Complete Citation:
Bemlef, J. “On Charles Ives and Wild Gardening.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchcock and Vivian Perlis, 232-238. Music in American Life. Urbana, Illinois: University of Illinois Press, 1977.
Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Berger, Melvin

Year: 1991
Complete Citation:
Berger, Melvin. Ives, Charles: Piano sonatas; violin sonatas. In Guide to sonatas: music for one or two instruments. New York, NY: Anchor Books, 1991.
Source: Chapter in Book
IV. Individual Studies by Genre
B. Chamber Works
Year: 2001
Complete Citation:
Berger, Melvin. “Ives, Charles.” In Guide to chamber music. Mineola, New York: Dover Publications, 2001.
Source: Book
IV. Individual Studies by Genre
B. Chamber Works

Blasch, Robert

Year: 1991
Complete Citation:
Blasch, Robert. “Charles Ives: Study No. 20.” Paper presented at Contemporary Music Festival: The Life and Works of Charles Ives. Longwood College, Department of Music, Farmville, Virginia, October 24-25, 1991.
Source: Conference paper
IV. Individual Studies by Genre
B. Chamber Works

Blitzstein, Marc

Year: 1932
Complete Citation:
Blitzstein, Marc. “Premieres and Experiments-1932: Chamber Music.” Modern Music IX, 3 (March-April 1932): 124.
Source: Journal
IV. Individual Studies by Genre
B. Chamber Works

Brandt, Maarten

Year: 2002
Complete Citation:
Brandt, Maarten. “Klinkende Alchemie.” Mens en Melodie, Vol. 57, No. 5 (2002): 170-172.
Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Brown, Marshall

Year: 1992
Complete Citation:
Brown, Marshall. “Origins of Modernism: Musical Structures and Narrative Forms.” In Music and Text: Critical Inquiries, edited by Steven Paul Scher, 75--92. Cambridge, UK: Cambridge University Press, 1992.
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Budde, Elmar

Year: 1971
Complete Citation:
Budde, Elmar. “Anmerkungen zum Streichquartett Nr. 2 von Charles E. Ives.” “Bericht über den internationalen Kongreß” Bonn 1970, edited by Carl Dahlhaus, 303-307. Stuttgart, Germany: Bärenreiter, 1971.
Source: Book
IV. Individual Studies by Genre
B. Chamber Works

Burkholder, J. Peter

Year: 1988
Complete Citation:
Burkholder, J. Peter. “Charles Ives the Avantgardist, Charles Ives the Traditionalist.” In Bericht über das Internationale Symposion “CharIes Ives und die amerikanische Musiktradition bis zur Gegenwart,” Köln 1988,” edited by Klaus W. Niemöller, 164, 37-52. Regensburg, Germany: Kölner Beiträge zur Musikforschung, 1990.
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Cameron, Catherine M.

Year: 1996
Complete Citation:
Cameron, Catherine M. Dialectics in the Arts: The Rise of American Experimentalism in American Music. Westport, CT: Praeger Publishers, 1996.
Notes:

In a dis-cussion of Ives's life (p. 21-22) and works (p. 43-49), the author cites quo-tations from several other sources. Musical examples taken from <i>Three Places in New England</i>; Symphonies Nos. 1-4; <i>Concord Sonata</i>; and <i>Essays Before a Sonata. </i>

Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Cazé, Antoine and Adam Marks

Year: 2008
Complete Citation:
Cazé, Antoine and Adam Marks. Les musiques savantes américaines: questions d’esthétique. Paris, France: Belin, 2008.
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Citkowitz, Israel

Year: 1932
Complete Citation:
Citkowitz, Israel. “Experiment and Necessity—New York 1932.” Modern Music 10/2 (January 1932).
Source: Journal
Reprints:

Citkowitz, Israel. “Experiment and Necessity—New York 1932.” In <i>Charles Ives and His World</i>, edited by J. Peter Burkholder, 307. Princeton, NJ: Princeton University Press, 1996.

VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Clarke, Gary E.

Year: 1977
Complete Citation:
Clarke, Gary E. “Charles Edward Ives.” In Essays on American Music. Westport, CT: Greenwood Press, 1977.
Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Conn, Peter

Year: 1983
Complete Citation:
Conn, Peter. “Innovation and Nostalgia: Charles Ives.” In The Divided Mind: Ideology and Imagination in America, 1898-1917, 230-250. Cambridge, UK: Cambridge University Press, 1983.
Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles