Erikson, Matthew
Year: 2004
Complete Citation:
Erikson, Matthew. “Norfolk Festival Inviting; Charles Ives’ Quirky, Pithy Musical Personality Captured: Statewide Edition.” The Hartford Courant, August 9, 2004.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2005
Complete Citation:
Erikson, Matthew. “Surveying the Intricacies of Charles Ives’ Music: Statewide Edition.” The Hartford Courant, January 27, 2005.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2006
Complete Citation:
Erikson, Matthew. “Be Aware of Ives of March: Statewide Edition.” The Hartford Courant, March 9, 2006.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Etheridge, Jerry
Year: 1965
Complete Citation:
Etheridge, Jerry. “Knitzer, Loesser Prove First-Rate.” The Atlanta Constitution, October 16, 1965: 9.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Eyer, Ron
Year: 1968
Complete Citation:
Eyer, Ron. “Avant-Garde Package by Connecticut Yankee.” Newsday, August 30, 1968, 34A.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
F.A.K.
Year: 1951
Complete Citation:
F.A.K. “Carnegie Hall. N.Y. Philharmonic-Symphony, Leonard Bernstein. Ives—Symphony No. 2.” Musical Courier 143, no. 9 (15 March 1951): 12.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Fannain, Guido
Year: 1932
Complete Citation:
Fannain, Guido. “Revue.” Le Resseona Musicale 2/5, March 1932.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Farberman, Harold
Year: 1963
Complete Citation:
Farberman, Harold. Liner notes for Pieces for Chamber Orchestra and Songs. Cambridge CRS 1804, 1963, 33.3 RPM.Source: Liner notes
IV. Individual Studies by Genre
B. Chamber Works
Feder, Stuart
Year: 1989
Complete Citation:
Feder, Stuart. “‘Calcium Light Night’ and Other Early Memories of Charles Ives.” In Fathers and Their Families, 307-326, edited by Stanley H. Cath, Alan Gurwitt, et al. Hillsdale, NJ: Analytic Press, 1989.Source: Chapter in Book
IV. Individual Studies by Genre
B. Chamber Works
Year: 1999
Complete Citation:
Feder, Stuart. “This Scherzo is [not] a Joke.” In Humor and Psyche: Psy-choanalytic Perspectives, edited by James W. Barron, 203-217. Hillsdale, NJ: Ana-lytic Press, 1999.Source: Chapter in Book
IV. Individual Studies by Genre
B. Chamber Works
Fenner, Lucie
Year: 2001
Complete Citation:
Fenner, Lucie. “Amerikanismen im Werk von Charles Ives: Studien zu Klaviertrio und 2. Klaviersonate.” Thesis, München, Hochschule für Musik und Theater, Zulassungsarbeit, 2001.Source: Thesis
IV. Individual Studies by Genre
B. Chamber Works
Year: 2004
Complete Citation:
Fenner, Lucie. “Einnerung an die College--Jahre. Musikalische Entlehnung in Calcium Light Night und TSIAJ von Charles Ives.” Musik-Konzepte 123: Charles Ives (January 2004): 25-49.Notes: Title translates to “Memories of the College Years: Musical Borrowing in Calcium Light Night and TSIAJ by Charles Ives”
Source: Journal
IV. Individual Studies by Genre
B. Chamber Works
Ferguson, Donald N.
Year: 1964
Complete Citation:
Ferguson, Donald N. Image and Structure in Chamber Music, 323-324. Minne-apolis, MN: University of Minnesota Press, 1964.Notes: Provides listing of Ives’s major chamber works with extremely brief remarks.
Source: Book
IV. Individual Studies by Genre
B. Chamber Works
Ferguson, Sarah
Year: 1998
Complete Citation:
Ferguson, Sarah. “The Sound of the City: Season’s Bleepings.” The Village Voice, Vol. 43, No. 52 (1998): 114.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Feuchtner, Bernd
Year: 1998
Complete Citation:
Feuchtner, Bernd. “The 3 Basses: Christoph Marthaler’s melancholischer Juxabend “The Unanswered Question” in Basel.” Opernwelt: das internationale Opernmagazin, Vol. 39, No. 1 (1998): 36-37.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Fisher, Marjory M.
Year: 1928
Complete Citation:
Marjory M. Fisher. “Jurgen Given in San Francisco.” Musical America (December 15, 1928).Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1934
Complete Citation:
Fisher, Marjory M. “Modern Songs Heard by New Music Society.” San Francisco News, April 10, 1934.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Fonseca-Wollheim, Corinna da
Year: 2012
Complete Citation:
Fonseca-Wollheim, Corinna da. “Ambitious, with Ives Anchoring: Review.” The New York Times, October 30, 2012.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Frankenstein, Alfred
Year: 1943
Complete Citation:
Frankenstein, Alfred. “How to Make Friends by Radio.” Modern Music (November--December 1943) 21/1: 6--9.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1955-56
Complete Citation:
Frankenstein, Alfred. “American Music at Home.” The Juilliard Review 3, no. 1 (Winter 1955-56): 3-7.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances