Driver, Paul
Year: 2002
Complete Citation:
Driver, Paul. “On Record: Final 7 Edition 8.” Sunday Times (London, England), May 19, 2002.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Druce, Duncan
Year: 2015
Complete Citation:
Druce, Duncan. “Recording Review: Ives String Quartet 2, Mozart String Quartet 21, Verdi String Quartet.” Gramophone, Vol. 92 (2015): 54.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Druckenbrod, Andrew
Year: 2007
Complete Citation:
Druckenbrod, Andrew. North America - Focus: “Reviews - Ives: String Quartets - No. 1, “From the Salvation Army”; No. 2 “Scherzo.”” Gramophone, Vol. 84 (2007): A11.Source: Magazine (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Dubins, Jerry
Year: 2015
Complete Citation:
Dubins, Jerry. “Review of IVES: Symphonies Nos. 1 and 2.” Fanfare: The Magazine for Serious Record Collectors, Vol. 39, No. 1 (2015): 261-264.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Duke, David
Year: 2015
Complete Citation:
Duke, David Gordon. “Ives: Symphony No. 4 Seattle Symphony.” American Record Guide, Vol. 78, No. 3 (2015): 26-27.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Echols, Paul
Year: 1974
Complete Citation:
Echols, Paul. Liner notes for Sonatas for Violin and Piano. Paul Zukofsky and Gilbert Kalish. Nonesuch HB-73025, 1974, 33.3 RPM.Source: Liner notes
IV. Individual Studies by Genre
B. Chamber Works
Eichler, Jeremy
Year: 2018
Complete Citation:
Eichler, Jeremy. “Following the Fiddle on a ‘Wild Ride to Heaven’ with Charles Ives: Stefan Jackiw and Jeremy Denk Partner to Perform His Violin Sonatas.” The Boston Globe, January 14, 2018.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Ellsworth, Ray
Year: 1956
Complete Citation:
Ellsworth, Ray. “Americans on Microgroove, Part I.” High Fidelity 6/7 (July 1956): 63-69.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Epstein, Paul
Year: 1996
Complete Citation:
Epstein, Paul. “A Performer’s Note on Ives's First Sonata for Violin and Piano.” In Charles Ives and His World Festival, edited by J. Peter Burkholder, 27-28. Annandale-on-Hudson, New York; Bard College, August 9-11, 16-18, 1996.Source: [Chapter in] Festival Publication
IV. Individual Studies by Genre
B. Chamber Works
Estep, Stephen
Year: 2010
Complete Citation:
Estep, Stephen. “Collections - American Piano Trios.” American Record Guide, Vol. 73, No. 6 (2010): 231-232.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Fairman, Richard
Year: 2015
Source: Online Article
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Falcinelli, Sylviane
Year: 2001
Complete Citation:
Falcinelli, Sylviane. “William Shuman: “Concerto pour violon. New England Triptych.” Ives: “Variations on ‘America’ (orch. Schuman).” Diapason: le magazine du disque et de la musique vivante (2001): 134.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Farberman, Harold
Year: 1963
Complete Citation:
Farberman, Harold. Liner notes for Pieces for Chamber Orchestra and Songs. Cambridge CRS 1804, 1963, 33.3 RPM.Source: Liner notes
IV. Individual Studies by Genre
B. Chamber Works
Feder, Stuart
Year: 1989
Complete Citation:
Feder, Stuart. “‘Calcium Light Night’ and Other Early Memories of Charles Ives.” In Fathers and Their Families, 307-326, edited by Stanley H. Cath, Alan Gurwitt, et al. Hillsdale, NJ: Analytic Press, 1989.Source: Chapter in Book
IV. Individual Studies by Genre
B. Chamber Works
Year: 1999
Complete Citation:
Feder, Stuart. “This Scherzo is [not] a Joke.” In Humor and Psyche: Psy-choanalytic Perspectives, edited by James W. Barron, 203-217. Hillsdale, NJ: Ana-lytic Press, 1999.Source: Chapter in Book
IV. Individual Studies by Genre
B. Chamber Works
Feinberg, Alan
Year: 1998
Complete Citation:
Feinberg, Alan. “An Ives premiere.” American Record Guide 61/6 (Novem-ber-December 1998): 6-8.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1998
Complete Citation:
Feinberg, Alan. “An Ives Premiere: The “Emerson” Concerto-An Ultimate Statement.” American Record Guide, Vol. 61, No. 6 (1998): 6-8.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Fenner, Lucie
Year: 2001
Complete Citation:
Fenner, Lucie. “Amerikanismen im Werk von Charles Ives: Studien zu Klaviertrio und 2. Klaviersonate.” Thesis, München, Hochschule für Musik und Theater, Zulassungsarbeit, 2001.Source: Thesis
IV. Individual Studies by Genre
B. Chamber Works
Year: 2004
Complete Citation:
Fenner, Lucie. “Einnerung an die College--Jahre. Musikalische Entlehnung in Calcium Light Night und TSIAJ von Charles Ives.” Musik-Konzepte 123: Charles Ives (January 2004): 25-49.Notes: Title translates to “Memories of the College Years: Musical Borrowing in Calcium Light Night and TSIAJ by Charles Ives”
Source: Journal
IV. Individual Studies by Genre
B. Chamber Works
Ferguson, Donald N.
Year: 1964
Complete Citation:
Ferguson, Donald N. Image and Structure in Chamber Music, 323-324. Minne-apolis, MN: University of Minnesota Press, 1964.Notes: Provides listing of Ives’s major chamber works with extremely brief remarks.
Source: Book
IV. Individual Studies by Genre
B. Chamber Works