Image
Complete Citation:
Taruskin, Richard. “Corralling a Herd of Musical Mavericks.” The New York Times, July 23, 2000.
Bibliography
Genres
Taruskin, Richard
Year: 2000
Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2004
Complete Citation:
Taruskin, Richard. “Underneath the Dissonance Beat a Brahmsian Heart.” The New York Times. May 16, 2004, sec. 2: 26, 28.Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2009
Complete Citation:
Taruskin, Richard. “Underneath the Dissonance Beat a Brahmsian Heart.” In The Danger of Music: And Other Anti-Utopian Essays, 1st ed., 186-190. Berkeley, CA: University of California Press, 2009.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2009
Complete Citation:
Taruskin, Richard. “Corraling a Herd of Musical Mavericks.” In The Danger of Music: And Other Anti-Utopian Essays, 1st ed., 153-160. Berkeley, CA: University of California Press, 2009.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Tawa, Nicholas E.
Year: 1984
Complete Citation:
Tawa, Nicholas E. Serenading the Reluctant Eagle: American Musical Life, 1925-1945. New York, NY: Schirmer [Macmillan], 1984.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1996
Complete Citation:
Tawa, Nicholas E. “Ives and the New England School.” In Charles Ives and the Classical Tradition, edited by Geoffrey Block and J. Peter Burkholder, 51-72. New Haven, CT: Yale University Press, 1996.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2001
Complete Citation:
Tawa, Nicholas E. “Amy Beach and Charles Ives.” In From Psalms to Symphony: A History of Music in New England, 213-226. Boston, MA: Northeastern University Press, 2001.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Teachout, Terry
Year: 1997
Complete Citation:
Teachout, Terry. “Cross Over, Beethoven.” Time 149/13, March 31, 1997.Source: Magazine
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Thompson, Randall
Year: 1932
Complete Citation:
Thompson, Randall. “The Contemporary Scene in American Music.” Musical Quarterly 18 (January 1932): 9-17.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Thompson, William Curt
Year: 2004
Complete Citation:
Thompson, William Curt. “The Fourth Sonata for Violin and Piano (“Children’s Day at the Camp Meeting”) by Charles Ives: Contextual, Structural, and Stylistic Considerations." D.M.A. dissertation. Rice University, 2004.Source: D.M.A. Dissertation
IV. Individual Studies by Genre
B. Chamber Works
B. Chamber Works
Thomson, Virgil
Year: 1947
Complete Citation:
Thomson, Virgil. “Cowell’s Magazine.” New York Herald Tribune, No-vember 2, 1947, sec. 5, 6.Notes:
Indicates that Ives did not approve of copyright and that he “insists that his works be always in the public domain.”
Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1988
Complete Citation:
Thomson, Virgil. Selected Letters of Virgil Thomson, edited by Tim Page and Vanessa Weeks Page 259, 329. New York, NY: Summit, 1988.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Thurmaier, David
Year: 2013
Complete Citation:
Thurmaier, David. ““A Disturbing Lack of Musical and Stylistic Continuity”? Elliott Carter, Charles Ives, and Musical Borrowing.” Current Musicology, No. 96, (2013): 97-124.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Tibbetts, John C.
Year: 1993
Complete Citation:
Tibbetts, John C. “Homesick in America: the nostalgia of Antonín Dvórâk and Charles Ives.” In Dvórâk in America, 1892-1895. Portland, Oregon: Amadeus Press, 1993.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Tick, Judith
Year: 1997
Complete Citation:
Tick, Judith. Ruth Crawford Seeger: A Composer’s Search for American Music. New- York, NY: Oxford University Press, 1997.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Tippett, Michael
Year: 1980
Complete Citation:
Tippett, Michael. Music of the Angels: Essays and Sketchbooks of Michael Tippett, edited by Meirion Bowen. London, United Kingdom: Eulenburg, 1980.Notes:
Ives is one of several composers discussed.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1995
Complete Citation:
Tippett, Michael. “Composers Past and Present — Charles Ives.” Tippett on Music, edited by Meirion Bowen, 83-88. Oxford, United Kingdom: Oxford University Press, 1995.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Tippett, Michael and Meirion Bowen
Year: 1995
Complete Citation:
Tippett, Michael and Meirion Bowen. “Charles Ives.” In Tippett on Music. Oxford, United Kingdom: Clarendon Press, 1995.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Tosser, Grégoire
Year: 2002
Complete Citation:
Tosser, Grégoire. “Links and Ligatures: György Kurtág’s “Ligatura-Message to Frances-Marie (The Answered Unanswered Question),” op. 31b.” Studia Musicologica: Academiae Scientiarum Hungaricae, Vol. 43, No. 3-4 (2002): 439-449.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Tryon, Winthrop P.
Complete Citation:
Tryon, Winthrop P. “Of Ives and Others.” Christian Science Monitor, February 3, 1927, 6.Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers