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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Downes, Olin

Year: 1957 (writings from 1955 and before)
Complete Citation:
Downes, Olin. “The tardy recognition of Charles Ives.” In Olin Downes on music: a selection from his writings during the half-century 1906 to 1955, edited by Irene Downes. New York, NY: Simon and Schuster, 1957.
Source: Book
VI. Topical Studies
S. Reception Studies and Related Scholarship

Duckworth, William

Year: 1999
Complete Citation:
Duckworth, William. “The Concord Sonata.” In 20/20: 20 new sounds of the 20th century. New York, NY: Schirmer Books, 1999.
Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works

Dumm, Robert

Year: 1974
Complete Citation:
Dumm, Robert. “Performer’s Analysis of an Ives Piano Piece.” Clavier 13/7 (1974): 21-25.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Dwinell, Paul

Year: 1964
Complete Citation:
Dwinell, Paul. “The Resurrection of Charles E. Ives.” Listen 1/5 (Septem-ber-October): 15--16.
Source: Magazine
VI. Topical Studies
S. Reception Studies and Related Scholarship

Echols, Paul C.

Year: 1954
Complete Citation:
Echols, Paul C. “Editorial Note: 1979.” In Charles E. Ives, Sonata No. 1 for Piano, iv. New York, NY: Peer International, 1954.
Reprints:

Echols, Paul C. “Editorial Note: 1979.” In <i>Charles E. Ives, Sonata No. 1 for Piano</i>, iv. New York, NY: Peer International, 1990.

IV. Individual Studies by Genre
C. Keyboard Works

Eidenbenz, Michael

Year: 2004
Complete Citation:
Eidenbenz, Michael. “Zum ernsthaften Komponisten geweiht.” Dissonanz (2004): 55-56.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Eidenbenz, Michael; Muggler, Fritz

Year: 2002
Complete Citation:
Eidenbenz, Michael and Fritz Muggler. ““Berichte: 88 Tasten Und Mehr: Piano,” Das 102. Tonkünstlerfest in Biel, 20-22.” Dissonanz (September 2002): 35-36.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Elliott Schwartz and Barney Childs, eds.

Year: 1967
Complete Citation:
Elliott Schwartz and Barney Childs, eds. Contemporary Composers on Contemporary Music. New York, NY: Holt, Rinehart and Winston, 1967.
Source: Book
VI. Topical Studies
S. Reception Studies and Related Scholarship

Escuder, Alejandro

Complete Citation:
Escuder, Alejandro. “Charles Ives - Sonata para piano no. 2 “Concord” (Investigación, Biografía y Análisis Musical).” Academia. 2013. https://www.academia.edu/12581837/Charles_IVES_Sonata_para_piano_no_2_Concord_Investigaci%C3%B3n_Biograf%C3%ADa_y_An%C3%A1lisis_musical_.
Source: Online article
IV. Individual Studies by Genre
C. Keyboard Works

Estrin, Marc

Year: 2003
Complete Citation:
Estrin, Marc. “Essay after a Sonata: Concerning the Sublimation of Charles Ives.” New England Review, vol. 24, no. 2 (2003): 85-112.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Ewen, David

Year: 1950
Complete Citation:
Ewen, David. “The Belated Discovery of Charles Ives.” Tomorrow 9/9 (May 1950): 10-14.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Feder, Stuart

Year: 2001
Complete Citation:
Feder, Stuart. “Coloquy: Heard Maladies Are Sweet (‘But Those Unheard Are Sweeter’): A Response to Gayle Sherwood.” Journal of the American Musicological Society 54, no. 3 (Fall 2001): 627--641.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Fellegi, Ádám

Year: 1979
Complete Citation:
Fellegi, Ádám. “Three-Page Sonata.” New Hungarian Quarterly 20: 215 ff.
Source: Journal
C. Keyboard Works

Fernández, Anouska Antúnez

Year: 2005
Complete Citation:
Fernández, Anouska Antúnez. “Ives y Beethoven en Clave Postmoderna: Análisis e Interpretación en el Siglo XXI.” Revista De Musicología, vol. 28, no. 2 (2005): 1435-1447.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Fiender, Reinhard

Year: 2004
Complete Citation:
Flender, Reinhard. “Charles E. Ives: Genie oder Maverick? Anmerk-ungen zum Schaffensprozeß und zur Rezeptionsgeschichte.” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 25-34. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.
Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship

Finn, Geraldine

Year: 2001
Complete Citation:
Finn, Geraldine. “Music, Identity, and Difference. In the Case of Charles Ives.” New Sound, Vol. 18 (2001): 49-62.
Source: Magazine
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 2001
Complete Citation:
Finn, Geraldine. “Music, Identity, and Difference in the Case of Charles Ives.” New Sound 18 [Yugoslavia]: 49-62.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Fischer, Fred

Year: 1975-1976
Complete Citation:
Fischer, Fred. “Ives' Concord Sonata.” PQ 92 (1975-1976): 23-27.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1981
Complete Citation:
Fischer, Fred. Ives’ Concord Sonata. Denton, Texas: C-G Productions, 1981.
Source: Book
IV. Individual Studies by Genre
C. Keyboard Works

Fisher, Fred

Year: 1975-76
Complete Citation:
Fisher, Fred. “Ives's Concord Sonata.” Piano Quarterly 92 (1975-1976): 23-27.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works