Collaer, Paul; Sally, Abeles, translator
Year: 1961
Complete Citation:
Collaer, Paul. A History of Modern Music, 43, 366-367, 388. Translated from French to English by Sally Abeles. New York, NY: Grosset & Dunlap.Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts
Conen, Hermann
Year: 1981-1982
Complete Citation:
Cohen, Hermann. “All the wrong notes are right’ — Zu Ch. Ives’ 2. Klaviersonate.” Neuland 1 (1981-1982): 28-42.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Cooke, Deryck
Year: 1959
Complete Citation:
Cooke, Deryck. The Language of Music. Stocksbridge, United Kingdom: Clarendon House Publications, 1959.Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts
Cowell, Henry.
Year: 1949
Complete Citation:
Cowell, Henry. “Review of Three-Page Sonata.” The Musical Quarterly vol. 35 (1949).Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Crutchfield, Will
Year: 1985
Complete Citation:
Crutchfield, Will. “The ‘Concord’ Sonata: An American Masterpiece.” Opus 1, no. 4 (June 1985): 21-22.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Dahlhaus, Carl
Year: 1980
Complete Citation:
Dahlhaus, Carl. Musik des 19. Jahrhundert (Neues Handbuch der Musikwissenschrift). Vol. 6. Wiesbaden, Germany: Akademie Verlagsgellschaft Athenian, 1980.Notes: Cites Concord Sonata's “random accumulation of dissonance.”
Source: Book
Reprints: Dahlhaus, Carl. Musik des 19. Jahrhundert (Neues Handbuch der Musikwissenschrift) [<i>Nineteenth-Century Music</i>]. Translated to English by J. Bradford Robinson. California Studies in 19th Century Music, 5. Berkeley, CA: University of California Press, 1989.
VII. Entries in Larger Volumes
A. Textbook Accounts
Demuth, Norman
Year: 1952
Complete Citation:
Demuth, Norman. Musical Trends in the Twentieth Century. London, United Kingdom: Rockliff, 1952.VII. Entries in Larger Volumes
A. Textbook Accounts
Denk, Jeremy
Year: 2012
Complete Citation:
Denk, Jeremy. “Flight of the Concord; Personal History.” The New Yorker, Vol. 87, No. 47 (2012): 24-29.Source: Magazine
IV. Individual Studies by Genre
C. Keyboard Works
Duckworth, William
Year: 1999
Complete Citation:
Duckworth, William. “The Concord Sonata.” In 20/20: 20 new sounds of the 20th century. New York, NY: Schirmer Books, 1999.Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works
Dumm, Robert
Year: 1974
Complete Citation:
Dumm, Robert. “Performer’s Analysis of an Ives Piano Piece.” Clavier 13/7 (1974): 21-25.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Echols, Paul C.
Year: 1954
Complete Citation:
Echols, Paul C. “Editorial Note: 1979.” In Charles E. Ives, Sonata No. 1 for Piano, iv. New York, NY: Peer International, 1954.Reprints: Echols, Paul C. “Editorial Note: 1979.” In <i>Charles E. Ives, Sonata No. 1 for Piano</i>, iv. New York, NY: Peer International, 1990.
IV. Individual Studies by Genre
C. Keyboard Works
Eidenbenz, Michael; Muggler, Fritz
Year: 2002
Complete Citation:
Eidenbenz, Michael and Fritz Muggler. ““Berichte: 88 Tasten Und Mehr: Piano,” Das 102. Tonkünstlerfest in Biel, 20-22.” Dissonanz (September 2002): 35-36.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Escuder, Alejandro
Source: Online article
IV. Individual Studies by Genre
C. Keyboard Works
Estrin, Marc
Year: 2003
Complete Citation:
Estrin, Marc. “Essay after a Sonata: Concerning the Sublimation of Charles Ives.” New England Review, vol. 24, no. 2 (2003): 85-112.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Ewen, David
Complete Citation:
Ewen, David. David Ewen Introduces Modern Music: A History and Appreciation: From Wagner to the Avant--Garde, 2, 6, 105, 190, 282. New York, NY: Chilton Publishing, 1969.Notes: Additional mentions of Charles Ives.
VII. Entries in Larger Volumes
A. Textbook Accounts
Year: 1952
Complete Citation:
Ewen, David. “Charles Ives.” In The complete book of 20th century music. New York, Prentice-Hall, 1952.Notes: 1959 edition discusses Symphony No. 3 (“The Camp Meeting”) and Three Places in New England. The author states that the 1968 edition is a replacement for the previous title. A brief biographical comments; compact discussions of 114 Songs', From the Steeples and the Mountains; Symphonies Nos. 2, 3, 4; Three Places in New England; Sonata No. 2, "Concord, Mass., 1840-1860," for piano; and Quartet No. 2; with considerable information regarding premieres.
Source: Chapter in Book
Reprints: Ewen, David. “Charles Ives.” In <i>The complete book of 20th century music</i>. New York, Prentice-Hall, 1959. * Ewen, David. <i>The World of Twentieth-Century Music</i>, 177, 394-403. Engle-wood Cliffs, NJ: Prentice-Hall, 1968:
VII. Entries in Larger Volumes
A. Textbook Accounts
Fellegi, Ádám
Year: 1979
Complete Citation:
Fellegi, Ádám. “Three-Page Sonata.” New Hungarian Quarterly 20: 215 ff.Source: Journal
C. Keyboard Works
Fernández, Anouska Antúnez
Year: 2005
Complete Citation:
Fernández, Anouska Antúnez. “Ives y Beethoven en Clave Postmoderna: Análisis e Interpretación en el Siglo XXI.” Revista De Musicología, vol. 28, no. 2 (2005): 1435-1447.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Finney, Theodore M.
Year: 1935
Complete Citation:
Finney, Theodore M. A History of Music, 601-602. New York, NY: Harcourt, Brace & Howe, 1935,Source: Book
Reprints: Finney, Theodore M. <i>A History of Music</i>, 645. Westport, CT: Greenwood Press, 1947. * Finney, Theodore M. <i>A History of Music</i>. Westport, CT: Greenwood Press, 1976.
VII. Entries in Larger Volumes
A. Textbook Accounts
Fischer, Fred
Year: 1975-1976
Complete Citation:
Fischer, Fred. “Ives' Concord Sonata.” PQ 92 (1975-1976): 23-27.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works