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Bibliography

Hitchcock, H. Wiley

Year: 1974
Complete Citation:
Hitchcock, H. Wiley. Music in the United States [La música en los Estados Uni-dos, una introdución a su historia]. Translated to Spanish. Buenos Aires, Argentina: Editorial Victor Leru, 1972.
Source: Book
Reprints:

Second Edition, 1974: 149-172. Third Edition, 1988: 161-186. Fourth Edition, 2000: 171--199.

VII. Entries in Larger Volumes
A. Textbook Accounts
Year: 1988
Complete Citation:
Hitchcock, H. Wiley. Music in the United States: A Historical Introduction, 161-186. 3rd ed. New Jersey: Prentice-Hall, 1988.
Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts

Hoffmann, Niels Frederic

Year: 1980
Complete Citation:
Hoffmann, Niels Frederic. “Der Alltag im musikalischen Kunstwerk. Von Offenbach bis Kagel.” In Musik im Alltag: Zehn Kongressbeitrage, edited by Reinhold Brinkmann. Veroffentlichungen des Instituts fur Neue Musik und Musikerziehung Darmstadt, 21. Mainz, Germany: Schott, 1980.
Notes:

Ives is one of the com-posers whose works are cited as having used everyday elements in their compositions.

Source: Chapter in Book
VII. Entries in Larger Volumes
A. Textbook Accounts

Howard, John Tasker

Year: 1931
Complete Citation:
Howard, John Tasker. Our American Music: Three Hundred Years of It, 576-578. New York, NY: Thomas Y. Crowell Co., 1931.
Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts

Hughes, Don Anselm

Year: 1954
Complete Citation:
Hughes, Don Anselm. The New Oxford History of Music, Vol. II. London, United Kingdom: Oxford University Press, 1954.
Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts

Hunnicutt, Ellen

Year: 1987
Complete Citation:
Hunnicutt, Ellen. “The Practical Uses of Emerson: Charles Ives.” Soundings: An Interdisciplinary Journal, vol. 70, no. 1/2 (1987): 189-198.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Ives, Charles; J. Bernlef, trans.

Year: 1969
Complete Citation:
Ives, Charles. “Epilogue from Essays Before a Sonata [Epiloog from Essays voorafgaand ann een sonate].” Translated to Dutch by J. Bernlef. In Charles Ives, 52-92. Amsterdam, Netherlands: De Bezige Bij, 1969.
IV. Individual Studies by Genre
C. Keyboard Works

Kalish, Gilbert

Year: 1977
Complete Citation:
Kalish, Gilbert. Liner notes for “Charles Ives Piano Sonata No. 2.” Nonesuch Records H-71337, 1977, 33.3 RPM.
Source: Liner notes
IV. Individual Studies by Genre
C. Keyboard Works

Kerman, Joseph

Year: 1985
Complete Citation:
Kerman, Joseph. Listen. Third Brief Edition. Waco, TX: Worth, 1985.
Notes:

For listening studies, Kerman uses “The Rockstrewn Hills Join in the People's Outdoor Meeting” from Orchestral Set No. 2.

Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts

Kirby, Frank E.

Year: 1966
Complete Citation:
Kirby, Frank E. A Short History of Keyboard Music, 445-447, 454, 459. New York, NY: Free Press, 1966.
Source: Book
Reprints:

Kirby, Frank E. <i>A Short History of Keyboard Music</i>. Second Edition. <i>Music for Piano: A Short History</i>. Portland, OR: Amadeus Press, 1995.

IV. Individual Studies by Genre
C. Keyboard Works

Kirkpatrick, John

Year: 1968
Complete Citation:
Kirkpatrick, John. Liner notes for “The ‘Concord’ Sonata, by Charles Ives.” Columbia MS 7192, 1968, 33.3 RPM.
Source: Liner notes
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1975
Complete Citation:
Kirkpatrick, John. “Editor’s Notes.” In Charles Ives, Study No. 21: Some South--Paw Pitching! for Piano, 7-12. Bryn Mawr, PA: Mercury Music Corporation, 1975.
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1981
Complete Citation:
Kirkpatrick, John. “Notes.” In Charles E. Ives, Study No. 20 for Piano, edited by John Kirkpatrick, 12--18. Bryn Mawr, PA: Merion Music, 1981.
Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works

Kirkpatrick, John (editor)

Year: 1953
Complete Citation:
Kirkpatrick, John, editor. “American Piano Music: 1900-1950,” 35-41. In Proceedings of the Music Teachers National Association (1950), 35-41. Pittsburgh, PA: Music Teachers National Association, 1953.
Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works

Kramer, A. Walter

Year: 1921
Complete Citation:
Kramer, A. Walter. “A Pseudo-literary Sonata!!!” Musical America (April 2, 1921): 36.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Krehm, Ida

Year: 1946
Complete Citation:
Krehm, Ida. “The Performing Artist Looks at American Music.” Pan Pipes 38/4 (April 1946): 260--262.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Lambert, J. Philip

Year: 1989
Complete Citation:
Lambert, J. Philip. “Ives’s “Piano-Drum” Chords.” Intégral Vol. 3 (1989): 1-36.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Lang, Paul Henry

Year: 1961
Complete Citation:
Lang, Paul Henry. One Hundred Years of American Music, 98--99, 108. New York, NY: G. Schirmer, 1961.
Notes:

Scattered passing references.

Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts

Layton, Robert

Year: 1960
Complete Citation:
Layton, Robert. “Music in the United States.” Twentieth Century Music, edited by Rollo H. Myers, 197-198. London, United Kingdom: John Calder, 1960.
Notes:

“His works show an extraordinary admixture of sheer genius and downright incom-petence.”

Source: Chapter in Book
Reprints:

Revised and Enlarged Edition, 1968: 232-240.

VII. Entries in Larger Volumes
A. Textbook Accounts

Lyle, Wilson

Year: 1985
Complete Citation:
Lyle, Wilson. Dictionary of Pianists, 140, 151, 183. New York, NY: Schirmer Books, 1985.
Notes:

p. 151: the first performance of Ives's Concord Sonata by John Kirkpatrick. p. 183 the first performance of Ives’s Sonata No. 1 by William Masselos.

Source: Book
IV. Individual Studies by Genre
C. Keyboard Works