Abott, Reverend Jacob
Year: 1834-1858
Complete Citation:
Reverend Abbott, Jacob. Rollo at Play, Rollo at School; Rollo at Work', Rollo Learning to Read; Rollo Learning to Talk; Rollo's Correspondence; Rollo's Experiments', Rollo's Museums', Rollo's Philosophy, Rollo's Vacations', and Rollo's Travels. Another group was devoted to Rollo's tours of Europe: Rollo on the Atlantic, Rollo in Holland', Rollo in London', Rollo in Naples; Rollo in Paris', Rollo in Scot-land', Rollo in Switzerland', Rollo on the Rhine', and Rollo in Genoa.Source: Literary References
Reprints: "Rollo," the name Ives called musicians unwilling to listen to advanced dissonances and other techniques found in modern music, was derived from a character in books (1834--1858) by Reverend Jacob Abbott. Rollo could understand only the simplest of situations that had been taught or had been explained to him in great detail. Original publishers include Boston, MA: Weeks, Jordan, and Company; Philadelphia, PA: Hogan & Thompson; Boston, MA: Gould, Kendall & Lincoln.
XIII. Ives in Literature
B. Fiction
Addiego, J.
Year: 1982
Complete Citation:
Addiego, J. “Charles Ives.” Epoch 31/2 (1982): 127.Source: Journal
XIII. Ives in Literature
A. Poetry
Addiego, John
Year: 1982
Complete Citation:
Addiego, John. “Charles Ives.” Epoch 31/2 (Spring 1982): 127.Source: Poem
XIII. Ives in Literature
A. Poetry
Alexander, Michael John
Year: 1986
Complete Citation:
Alexander, Michael John. “Bad Resolutions or Good? Ives’s Piano ‘Take-Offs.’” Tempo, New Series 158 (1986): 8-14.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1989
Complete Citation:
Alexander, Michael J. The Evolving Keyboard Style of Charles Ives. Outstanding Dissertations in Music From British Universities. New York, NY: Garland, 1989.IV. Individual Studies by Genre
C. Keyboard Works
Allen, Sandra Gillette
Year: 1966
Complete Citation:
Allen, Sandra Gillette. “Salient formal and thematic structures in the four violin sonatas of Charles Ives.” M.A. Thesis, University of Washington, 1966.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Anderson, Clifford Hugh
Year: 1970
Complete Citation:
Anderson, Clifford Hugh. “An Analytical Study of the Fourth Symphony of Charles Ives.” M.A. Thesis, University of Wyoming, 1970.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Arlton, Dean Luther
Complete Citation:
Arlton, Dean Luther. “American piano sonatas of the twentieth century: selective analyses and annotated index.” Thesis, Columbia University, 1968.IV. Individual Studies by Genre
C. Keyboard Works
Arnold, Gregory Palmer
Year: 1976
Complete Citation:
Arnold, Gregory Palmer. “Charles Ives: his musical philosophy and compositional style as applied to five works for chamber orchestra.” M.M. thesis, University of Houston, 1976.Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Axelrod, Alan
Year: 1976
Complete Citation:
Axelrod, Alan. “A Song by Charles Ives.” Brilliant Corners 5 (Spring 1977): 20--25.Notes: An essay with a poetic tone. Dated 1976.
Source: Poem
XIII. Ives in Literature
A. Poetry
Babcock, Michael J.
Year: 1974-1975
Complete Citation:
Babcock, Michael J. “Ives’ ‘Thoreau’: A Point of Order.” American Society of University Composers (Proceedings) IX/X (1974/75): 91-102.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Babko, Jeff
Year: 2014
Complete Citation:
Babko, Jeff. “5 Ways to Play Like Bruce Hornsby.” Keyboard, Vol. 40, No. 10 (2014): 30-32.Source: Magazine
IV. Individual Studies by Genre
C. Keyboard Works
Baker, John Wesley
Year: 1968
Complete Citation:
Baker, John Wesley. “Borrowed hymn tunes in the sonatas and quartets of Charles Ives.” M.A. thesis, University of California, Davis, 1968.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Ballard, Lincoln M.
Year: 2001
Complete Citation:
Ballard, Lincoln M. “Similar directions, possible influences: parallels between the music of Alexander Scriabin and Charles Ives.” M.M. Thesis, Florida State University, 2001.Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Bardi, Aloma
Year: 2004
Complete Citation:
Bardi, Aloma. “Transformazione e identita nella Concord Sonata.” Musica 160 (October 2004): 36--38.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Baron, Carol Kitzes
Year: 1987
Complete Citation:
Baron, Carol Kitzes. “Ives on His Own Terms: An Explanation, a Theory of Pitch Organization, and a New Critical Edition for the Three Page Sonata.” Ph.D. diss., City University of New York, 1987.Source: Ph.D. Dissertation
IV. Individual Studies by Genre
C. Keyboard Works
Bärtschi, Werner
Year: 1986
Complete Citation:
Bärtschi, Werner. “‘Concord, Massachusetts, 1840-1860’: Ives’ zweite Klaviersonate.” Neue Zürcher Zeitung 207/112 (May 17-18, 1986): 89-102.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Bäßler, Hans
Year: 1992
Complete Citation:
Bäßler, Hans. “Die manipulierte Hymne: Didaktische anmerkung zu Charles Ives Variations on ’America.’” Deutsche Tonkünstler-Zeitung 24/5 (September-October 1992): 47-52.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Beck, Jay L.
Year: 1983
Complete Citation:
Beck, Jay L. “The compositional process of Charles Ives's first piano sonata, first movement.” M.M. thesis, Brigham Young University, 1983.Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Beck, Nancy Ann
Year: 1977
Complete Citation:
Beck, Nancy Ann. “The effect of Charles Ives' religious philosophy on the content of some of his latter songs, 1919-1921.” M.A. Thesis, Ball State University, 1977.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
