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Complete Citation:
Parks, Marty. “Composition in isolation: an historical survey of the religious choral works of Charles Ives.” M.M. Thesis, Southwestern Baptist Theological Seminary, 1983.
Bibliography
Genres
Parks, Marty
Year: 1983
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
B. Theses
Parthun, Paul
Year: 1975-76
Complete Citation:
Parthun, Paul. “Concord, Charles Ives, and Henry Bellaman.” Student Musicologists at Minnesota 6 (1975-76): 66-86.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Patkin, Nehama
Year: 1976
Complete Citation:
Patkin, Nehama. “New approaches to piano sonorities in works of Charles Ives, Henry Cowell and Edgar Varèse.” M.M. thesis, University of Melbourne, 1976.Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
B. Theses
Perlis, Vivian
Year: 1996
Complete Citation:
Perlis, Vivian. “Ives Spirit Moves Brits.” Piano & Keyboard (1996): 12-14.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Perry, Rosalie Sandra
Year: 1969
Complete Citation:
Perry, Rosalie Sandra. “Charles Ives as a progressive.” M.A. Thesis, University of Texas at Austin, 1969.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
B. Theses
Pinotti, Cintia Maria Annichino
Year: 2002
Complete Citation:
Pinotti, Cintia Maria Annichino. “O Salmo 150 de Ernest Mahle: questões composicionais e interpretativas.” Master’s thesis, Universidade de São Paulo, 2002.Source: Master’s Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
B. Theses
Porter, Cecelia
Year: 1998
Complete Citation:
Porter, Cecelia. “Classical Music: Organist Gregory D’Agostino.” The Washington Post (1998): C4.Source: Newspaper
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Porter, David H.
Complete Citation:
Porter, David H. “From Plato to piano strings: An ‘Outward Bound’ for the mind.” The Chronicle of Higher Education 42, no. 28 (March 22, 1996): A52.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Quackenbush, Margaret Diane
Year: 1976
Complete Citation:
Quackenbush, Margaret Diane. “Form and texture in the works for mixed chamber ensemble by Charles Ives.” M.A. Thesis, University of Oregon, 1976.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
B. Theses
Rarig, Howard Raymond
Year: 1952
Complete Citation:
Rarig, Howard Raymond. “The second string quartet of Charles Ives.” M.M. Thesis, Ithaca College, 1952.Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
B. Theses
Rasmussen, Jane E.
Year: 1975-1976
Complete Citation:
Rasmussen, Jane E. “Charles Ives’s Music for the Piano.” Student Musicologists at Minnesota 6 (1975-1976): 201-217.IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Rathert, Wolfgang
Year: 1990
Complete Citation:
Rathert, Wolfgang. “Mahler und Ives. Gibt es eine ‘geheime Zeitgenossenschaft’?” Nue Zeitschrift für Musik 151/10 (1990): 7-12.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Raynes, Bethany
Year: 2012
Complete Citation:
Raynes, Bethany. “Examination of musical works by Bach, Fauré, Ives, Sarasate, and Mendelssohn: research in conjunctioin with a graduate violin recital.” M.M. thesis, University of Texas at San Antonio, 2012.Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
B. Theses
Rayson, John Baird
Year: 1982
Complete Citation:
Rayson, John Baird. “The problem of style in the songs of Charles Ives.” M.A. Thesis, University College, Cardiff, 1982.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
B. Theses
Reed, Alice S.
Year: 2005
Complete Citation:
Reed, Alice S. Charles Edward Ives and his Piano sonata no. 2 "Concord, Mass. 1840-1860.” Victoria, BC: Trafford Publishing, 2005.Source: Book
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Reti, Rudolph
Year: 1958
Complete Citation:
Reti, Rudolph. Tonality, Atonality, Pantonality: A Study of Some Trends in Twentieth Century Music, 43, 63-65, 89, 149-151. New York, NY: Macmillan, 1958.Notes:
Discusses Con-cord Sonata and Symphony No. 4.
Source: Book
Reprints:
Reti, Rudolph. <i>Tonality in Modern Music</i>, 61, 82-84, 107, 171, 173. New York, NY: Collier Books, 1962. * Reti, Rudolph. <i>Tonalidad, Atonalidad, Pantonalidad</i>. Translated to Spanish by Joaquín Homs. Madrid, Spain: Rialp, 1965.
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Rexroth, Dieter
Year: 1979
Complete Citation:
Rexroth, Dieter. “Ein amerikanischer Denkstil in der Concord-Sonate. Zu einem Aspekt des Transzendentalisten Charles E. Ives.” In Zwischen den Grenzen: Zum Aspekt des Nationalen in der Neuen Musik, 54-61. Frankfurter Studien, Vol. 3. Mainz, Germany: Schott, 1979.Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Ribakove, Seymour L.
Year: 1962
Complete Citation:
Ribakove, Seymour L.. “A Prophet without Honor.” Keyboard Jr. 20/7 (April 1962): 1, 4.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Riepe, Russell
Year: 1969
Complete Citation:
Riepe, Russell. “Charles Ives: Robert Browning Overture.” M.A. Thesis, University of Rochester, 1969.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
B. Theses
Riley, Owen Howard
Year: 2003
Complete Citation:
Riley, Owen Howard. “Charles Ives, Duke Ellington, Aaron Copland: a search for an American identity in early twentieth century American music.” M.A. Thesis, California State University, Dominguez Hills 2003.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
B. Theses