Schlumpf, Brightin Rose
Year: 2007
Complete Citation:
Schlumpf, Brightin Rose. “Honoring national character and identity through music: Hungarian Béla Bartók's 44 duos for two violins and American Charles Ives's Second violin sonata.” In Senior honors thesis collection (Music), 2000-2007. Ithaca, NY: Cornell University, 2007.Source: Book
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays
Scholz, Gottfried
Year: 1994
Complete Citation:
Scholz, Gottfried, ed. “Charles Ives Three Improvisations for Piano.” In Pluralismus analytischer Methoden. Publikation des Institut fur Musikanalytik, Wien, 3. Frankfurt am Main, Germany/New York, NY: Peter Lang, 1996.Notes: Symposium held on November 1 at the Institut fur Musikanalytik, Wien. Session IV.
Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1996
Complete Citation:
Scholz, Gottfried. “IV. Session: Charles Ives, Three improvisations for piano / Claudia Maurer Zenck, Siegfried Mauser, Marie-Agnes Dittrich, Peter Revers.” In Pluralismus analytischer Methoden. Frankfurt am Main, Germany: P. Lang, 1996.Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works
Schönlau, Stephan
Year: 2012
Complete Citation:
Schönlau, Stephan. Kompositionstechnik in den Studies für Klavier von Charles Ives. Hamburg, Germany: Diplomica Verlag, 2012.Source: Book
IV. Individual Studies by Genre
C. Keyboard Works
Schubert, Giselher
Year: 1980
Complete Citation:
Schubert, Giselher. “Die Concord-Sonate von Charles Ives. Anmerkungen zu Werkstruktur und Interpretation.” In Aspekte der musikalischen Interpretation, Festschrift S. Saroff zum 80. Geburtstag, edited by Hermann Danuser and Christoph Keller, 121-138. Hamburg, Germany: Karl Kieter Wagner, 1980.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1980
Complete Citation:
Schubert, Giselher. “Die Concord-Sonata von Charles Ives. Anmerkungen zur Werkstruktur und Interpretation.” In Aspekte der musikalischen Interpretation. Sara Savoff zum 70. Geburtstag, Festschrift edited by Hermann Danuser and Christoph Keller, 121-138. Hamburg, Germany: Verlag der Musikalienhandlung Karl Dieter Wagner, 1980.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1986
Complete Citation:
Schubert, Giselher. “Le sonate Concord de Charles Ives.” Translated to French by Carlo Russi. Contrechamps 7 (1986): 110-128.Source: Journal<br>
IV. Individual Studies by Genre
C. Keyboard Works
Year: 2004
Complete Citation:
Schubert, Giselher. “Die 1. Klaviersonate von Charles Ives.” Musik-Konzepte 123 (2004): 51-72.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Year: 2004
Complete Citation:
Schubert, Giseller. “Die 1. Klaviersonate von Charles Ives.” Musik-Konzepte 123: Charles Ives (January 2004): 51-71.Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works
Schulz, Dieter
Year: 2004
Complete Citation:
Schulz, Dieter. “Concord und der amerikanische Transzendentalismus in Ives Ästhetik.” Muzik-Konzepte 123 (2004): 109-121.Source: Journal
VI. Topical Studies
C. Keyboard Works
Seaman, David and Michael Zeller
Year: 1992
Complete Citation:
Seaman, David and Michael Zeller. Mitten ins Herz: Melodram für eine Sängerin und einen Schauspieler; mit Musik von George Gershwin, Kurt Weill, Charles Ives und Richard Wagner. Nürnberg, Germany: Pocket Opera Companion, 1992.Source: Pamphlet
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays
Sewell, Amanda Jo
Year: 2004
Complete Citation:
Sewell, Amanda Jo. “Reception and self-perception in the music of Charles Ives.” B.A. Thesis, Butler University, 2004.Source: B.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays
Siepmann, Jeremy
Year: 2011
Complete Citation:
Siepmann, Jeremy. “Symposium: Piano Americana.” International Piano, (2011): 39-42.Source: Magazine
IV. Individual Studies by Genre
C. Keyboard Works
Slonimsky, Nicolas
Year: 1986
Complete Citation:
Slonimsky, Nicolas. “My Adventures in American Music.” Keyboard Classics 6/4 (July-August 1986): 8-10.Notes: Mostly reminiscences of perfor-mances of Orchestral Set No. 1: Three Places in New England.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Smith, Rebecca E.
Year: 2012
Complete Citation:
Smith, Rebecca E. “Exploring the multi-generational influence of American ragtime music through the works of Charles Ives, William Walton and William Bolcom.” B.A. honors thesis, Western Australian Academy of Performing Arts, Edith Cowan University, 2012.Source: B.A. Honors Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays
Spahn, Teresa Kathleen
Year: 1988
Complete Citation:
Spahn, Teresa Kathleen. “The innovative style of Charles Ives: a study of the 114 songs.” B.M. Thesis, Converse College, 1988.Source: B.M. Thesis
C. Baccalaureate Essays
Spaide, Christopher Addison
Year: 2011
Complete Citation:
Spaide, Christopher Addison. “Building a home: four portraits in twentieth-century American music.” B.A. thesis, Amherst College, 2011.Source: B.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays
Strack, Sandra S.
Year: 2013
Complete Citation:
Strack, Sandra S. Die Klavieretude im 20. Jhd.: Virtuose ‘Fingerübung für den Interpreten oder den Komponisten? - Analysen ausgewählter Beispiele. Marburg, Germany: Tectum Verlag, 2020.IV. Individual Studies by Genre
C. Keyboard Works
Stringham, Edward J.
Year: 1921
Complete Citation:
Stringham, Edward J. “Ives Puzzles Critics with His Cubistic Sonata and ‘Essays’.” Rocky Mountain News (Denver), July 31, 1921, sec. 2, 1, 17.Source: Newspaper
IV. Individual Studies by Genre
C. Keyboard Works
Sullivan, Timothy
Year: 1966
Complete Citation:
Sullivan, Timothy. “An Approach to Analysis of the Second Movement of Symphony No. 4 by Charles E. Ives and An Essay on Composition Based on Observations on the Same Work.” Senior Essay, Yale University, 1966.Source: Senior Essay
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays
