Image
Complete Citation:
Pershchetti, Vincent. “Review of ‘Largo for Violin, Clarinet, and Piano.’” Music Library Association Notes, Vol. 11, No. 6 (December 1953).
Bibliography
Genres
Pershchetti, Vincent
Year: 1953
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
B. Reviews and Announcements of Published Editions
Persichetti, Vincent
Year: 1953
Complete Citation:
Persichetti, Vincent. Review of “Largo, for Violin, Clarinet, Piano.” Notes 11, no. 6 (December 1953): 157.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
B. Reviews and Announcements of Published Editions
Phillips, Burrill
Year: 1951
Complete Citation:
Phillips, Burrill. “Symphony No. 2 for Large Orchestra. New York: Southern Music Publishing Co., 1951.” Notes 9, no. 3 (June 1952): 499-500.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
A. Editing Practices
Porter, Cecelia
Year: 1998
Complete Citation:
Porter, Cecelia. “Classical Music: Organist Gregory D’Agostino.” The Washington Post (1998): C4.Source: Newspaper
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Porter, David H.
Complete Citation:
Porter, David H. “From Plato to piano strings: An ‘Outward Bound’ for the mind.” The Chronicle of Higher Education 42, no. 28 (March 22, 1996): A52.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Rasmussen, Jane E.
Year: 1975-1976
Complete Citation:
Rasmussen, Jane E. “Charles Ives’s Music for the Piano.” Student Musicologists at Minnesota 6 (1975-1976): 201-217.IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Rathert, Wolfgang
Year: 1989
Complete Citation:
Rathert, Wolfgang. “The Unanswered Questions of the Ives Edition.” Musical Quarterly 73 (1989): 575-584.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
A. Editing Practices
Year: 1989
Complete Citation:
Rathert, Wolfgang. “The Unanswered Questions of the Ives Edition,” translated by James Lum. Musical Quarterly 73 (1989): 575-584.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
A. Editing Practices
Year: 1990
Complete Citation:
Rathert, Wolfgang. “Mahler und Ives. Gibt es eine ‘geheime Zeitgenossenschaft’?” Nue Zeitschrift für Musik 151/10 (1990): 7-12.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Year: 1993
Complete Citation:
Rathert, Wolfgang. “Werk und Text bei Charles Ives.” In Musik als Text. Bericht über den Internationalen Kongreß der Gesellschaft für Musikforschung. Freiburg im Breisgau 1993, Vol. 1, edited by Hermann Danuser and Tobias Plebuch, 281-286. Kassel, Germany: 281-286.Source: Conference Proceedings Publication
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
A. Editing Practices
Year: 2015
Complete Citation:
Rathert, Wolfgang. “Charles E. Ives “Symphony No. 4.”” Die Musikforschung, Vol. 68, No. 2 (2015): 218-221.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
B. Reviews and Announcements of Published Editions
Reed, Alice S.
Year: 2005
Complete Citation:
Reed, Alice S. Charles Edward Ives and his Piano sonata no. 2 "Concord, Mass. 1840-1860.” Victoria, BC: Trafford Publishing, 2005.Source: Book
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Reti, Rudolph
Year: 1958
Complete Citation:
Reti, Rudolph. Tonality, Atonality, Pantonality: A Study of Some Trends in Twentieth Century Music, 43, 63-65, 89, 149-151. New York, NY: Macmillan, 1958.Notes:
Discusses Con-cord Sonata and Symphony No. 4.
Source: Book
Reprints:
Reti, Rudolph. <i>Tonality in Modern Music</i>, 61, 82-84, 107, 171, 173. New York, NY: Collier Books, 1962. * Reti, Rudolph. <i>Tonalidad, Atonalidad, Pantonalidad</i>. Translated to Spanish by Joaquín Homs. Madrid, Spain: Rialp, 1965.
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Rexroth, Dieter
Year: 1979
Complete Citation:
Rexroth, Dieter. “Ein amerikanischer Denkstil in der Concord-Sonate. Zu einem Aspekt des Transzendentalisten Charles E. Ives.” In Zwischen den Grenzen: Zum Aspekt des Nationalen in der Neuen Musik, 54-61. Frankfurter Studien, Vol. 3. Mainz, Germany: Schott, 1979.Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Reyes, James E.
Year: 1966
Complete Citation:
Reyes, James E. “Reviewed Work: They Are There! A War Song March, 1917 by Charles E. Ives.” Notes, vol. 20, no. 4 (Autumn 1963): 565-566.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
B. Reviews and Announcements of Published Editions
Ribakove, Seymour L.
Year: 1962
Complete Citation:
Ribakove, Seymour L.. “A Prophet without Honor.” Keyboard Jr. 20/7 (April 1962): 1, 4.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Ring, Gordon
Year: 1991
Complete Citation:
Gordon, Ring. “Variations on ‘America'—A Comparison of Three Versions.” Paper presented at Contemporary Music Festival: The Life and Works of Charles Ives. Longwood College, Department of Music, Farmville, Virginia, October 24-25, 1991.Source: Conference paper
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
A. Editing Practices
Roggenkamp, P.
Year: 1986
Complete Citation:
Roggenkamp, P. “Der Fluegel: gestreichelt, gezupft, geslagen: Studie fur ‘praepariertes’ Klavier—auch im paedagogischen Einsatz geeinget.” Neue Musikzeitung 135 (December 1986): 19.Notes:
Discusses the Concord Sonata.
Source: Magazine
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Rorem, Ned
Year: 1968
Complete Citation:
Rorem, Ned. Music and People, 14, 137, 141, 144. New York, NY: George Brazillerj, 1968.Notes:
([Ives’s]” Epilogue from Essays Before a Sonata {All} is a model of spirited English, depicting the creative process once and for all."), 161, 173 (compares Ezra Pound to "utterances' of Ives), 21.
Source: Book
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Rosenfeld, Paul
Year: 1931
Complete Citation:
Rosenfeld, Paul. “New American Music.” Scribner’s 89/6 (June 1931): 624--632.Notes:
Only one cursory mention that “Virgil Thomson, Charles F. <i>[sic] </i>Ives, and Adolph Weiss have each something personal to say.”
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
B. Reviews and Announcements of Published Editions