Chmaj, Betty E.
Year: 1989
Complete Citation:
Chmaj, Betty E. "Charles Ives and the Concord Sonata.” In Poetry and the fine arts: papers from the poetry sessions of the European Association for American Studies Biennial Conference, Rome 1984, edited by Hagenbüchle, Roland and Jacqueline Saunier-Ollier.Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works
Clarke, Andrew
Year: 2004
Complete Citation:
Clarke, Andrew. “CLASSICAL: NEW RELEASES: Final Edition.” The Independent (London, England), May 22, 2004.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Clarke, Colin
Year: 2009
Complete Citation:
Clarke, Colin. “Classical Recordings: Nielsen - Suite, “Luciferian”; McDonald - “Meditation before a Sonata: Dew Cloth, Dream Drapery”; Ives - Piano Sonata No. 1.” International Musician, Vol. 107, No. 7 (2009): 219-220.Source: Journal (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Clarke, Henry Leland, and Kurt Stone
Year: 1964
Complete Citation:
Clarke, Henry Leland, and Kurt Stone. “Reviews of Records.” Musical Quarterly 50/1 (January 1964): 114-118.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Clark, Philip
Year: 2010
Complete Citation:
Clark, Philip. “Soundbites: That Strain Again - Where Have We Heard This Before?: Classical Music Will Eat Itself.” Gramophone, Vol. 87 (2010): 28-29.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2011
Complete Citation:
Clark, Philip. “From Beethoven, the Future.” Gramophone, Vol. 89 (2011): 36-41, 43.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2012
Complete Citation:
Clark, Philip. “The “Gramophone Collection”: An Unanswerable Question?” Gramophone, Vol. 90 (2012): 92-95, 97.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2013
Complete Citation:
Clark, Philip. “CD Review: Ives.” Gramophone, Vol. 90 (2013): 103.Source: Magazine (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2015
Complete Citation:
Clark, Philip. “Instrumental Reviews: “Concord” - Ives: Piano Sonata No. 2, “Concord, Mass. 1840-60”; Webern: Piano Variations, Op. 27; Berg: Piano Sonata Op. 1.” Gramophone, Vol. 93 (2015): 63-64.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2016
Complete Citation:
Clark, Philip. “CD Review: Ives Con Slugarocko Violin Sonatas 1-4.” Gramophone, Vol. 94 (2016): 64-65.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2016
Complete Citation:
Clark, Philip. “Orchestral Reviews: Ives - Symphonies - No. 3, “The Camp Meeting”; No. 4; “Central Park in the Dark”; “The Unanswered Question.” Gramophone, Vol. 93 (2016): 59.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2016
Complete Citation:
Clark, Philip. “CD Review: Ives Piano Sonata 2, Concord Mass.” Gramophone, Vol. 93 (2016): 63, 65.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Clark, Sondra Rae
Complete Citation:
Clark, Sondra Rae. “Ives and the Assistant Soloist.” Clavier 13/7 (1974): 17-20, 30.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1966
Complete Citation:
Clark, Sondra Rae. “The Transcendental Philosophy of Charles E. Ives as Expressed in ‘The Second Sonata for Pianoforte, “Concord, Mass., 1840-1860,”’” Master’s Thesis, San Jose State College, 1966.Notes: Unpublished Master’s Thesis
Source: Master’s Thesis
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1974
Complete Citation:
Clark, Sondra Rae. “The Element of Choice in Ives’s ‘Concord Sonata.’” Musical Quarterly 60/2 (April 1974): 167-186.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1974
Complete Citation:
Clark, Sondra Rae. “The Elements of Choice in Ives’s Concord Sonata.” The Musical Quarterly 60 (1974): 167-186.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Cleary, David
Year: 2005
Complete Citation:
Cleary, David. “Concert Reviews: Just Intonations.” 21st Century Music, Vol. 12, No. 4 (2005): 6.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Clements, Andrew
Year: 1994
Complete Citation:
Clements, Andrew. “Arts: Proms: Short, Sharp Shock Copland Disappoints but Ives Thrills in Tilson-Thomas’s Varied LSO Programme.” The Guardian, July 19, 1994.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1996
Complete Citation:
Clements, Andrew. “Review: Ear-Opener from a Fertile Mind Charles Ives: The Unanswered Question, Barbican Centre/Radio 3.” The Guardian, January 22, 1996.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2000
Complete Citation:
Clements, Andrew. “Music: Keynotes.” The Guardian, July 28, 2000, 20.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
