Image
Complete Citation:
Rasmussen, Jane E. “Charles Ives’s Music for the Piano.” Student Musicologists at Minnesota 6 (1975-1976): 201-217.
Bibliography
Genres
Rasmussen, Jane E.
Year: 1975-1976
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Rathert, Wolfgang
Year: 1990
Complete Citation:
Rathert, Wolfgang. “Mahler und Ives. Gibt es eine ‘geheime Zeitgenossenschaft’?” Nue Zeitschrift für Musik 151/10 (1990): 7-12.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Reed, Alice S.
Year: 2005
Complete Citation:
Reed, Alice S. Charles Edward Ives and his Piano sonata no. 2 "Concord, Mass. 1840-1860.” Victoria, BC: Trafford Publishing, 2005.Source: Book
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Reti, Rudolph
Year: 1958
Complete Citation:
Reti, Rudolph. Tonality, Atonality, Pantonality: A Study of Some Trends in Twentieth Century Music, 43, 63-65, 89, 149-151. New York, NY: Macmillan, 1958.Notes:
Discusses Con-cord Sonata and Symphony No. 4.
Source: Book
Reprints:
Reti, Rudolph. <i>Tonality in Modern Music</i>, 61, 82-84, 107, 171, 173. New York, NY: Collier Books, 1962. * Reti, Rudolph. <i>Tonalidad, Atonalidad, Pantonalidad</i>. Translated to Spanish by Joaquín Homs. Madrid, Spain: Rialp, 1965.
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Revell, Donald
Year: 2002
Complete Citation:
Revell, Donald. “Arcady: ives.” Arcady: Poems, 44. Middleton, CT: Wesley-an University Press, 2002.Notes:
Also notice the last line of his poem im- mediately prior on page 43: "Key to the music of Ives is confluence." The summary on the back cover states that this collection of poems "draw its influence from Charles Ives and Henry David Thoreau."
Source: Poem
XIII. Ives in Literature
A. Poetry
A. Poetry
Year: 2016
Complete Citation:
Revell, Donald. “Charles Ives at the Spinet.” The Massachusetts Review, vol. 57 no. 4, (2016): 708-708.Source: Journal
XIII. Ives in Literature
A. Poetry
A. Poetry
Rexroth, Dieter
Year: 1979
Complete Citation:
Rexroth, Dieter. “Ein amerikanischer Denkstil in der Concord-Sonate. Zu einem Aspekt des Transzendentalisten Charles E. Ives.” In Zwischen den Grenzen: Zum Aspekt des Nationalen in der Neuen Musik, 54-61. Frankfurter Studien, Vol. 3. Mainz, Germany: Schott, 1979.Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Ribakove, Seymour L.
Year: 1962
Complete Citation:
Ribakove, Seymour L.. “A Prophet without Honor.” Keyboard Jr. 20/7 (April 1962): 1, 4.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Roggenkamp, P.
Year: 1986
Complete Citation:
Roggenkamp, P. “Der Fluegel: gestreichelt, gezupft, geslagen: Studie fur ‘praepariertes’ Klavier—auch im paedagogischen Einsatz geeinget.” Neue Musikzeitung 135 (December 1986): 19.Notes:
Discusses the Concord Sonata.
Source: Magazine
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Rorem, Ned
Year: 1968
Complete Citation:
Rorem, Ned. Music and People, 14, 137, 141, 144. New York, NY: George Brazillerj, 1968.Notes:
([Ives’s]” Epilogue from Essays Before a Sonata {All} is a model of spirited English, depicting the creative process once and for all."), 161, 173 (compares Ezra Pound to "utterances' of Ives), 21.
Source: Book
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Rosenfeld, Paul
Year: 1939
Complete Citation:
Rosenfeld, Paul. “Ives’ Concord Sonata.” Modern Music, Vol. 16, No. 2 (January-February 1939): 109-112.Source: Journal
Reprints:
Rosenfeld, Paul. “Ives’ Concord Sonata.” In <i>Charles Ives and his World, </i>edited by J. Peter Burkholder, 314-316. Princeton, NJ: Princeton University Press, 1996.
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Rostkowski, David
Year: 1987
Complete Citation:
Rostkowski, David. “America’s Greatest Composer: The Piano Works of Charles Ives.” In Piano music. VII: Muzyka fortepianowa. VII, edited by Janusz Krassowski. Prace specjalne Vol. 42. Gdansk, Poland: Akademia Muzyczna im. St. Moniuszki, 1987, 119-42.Source: Chapter in Book, Journal
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Round, Michael
Year: 2009
Complete Citation:
Round, Michael. “Making Waves: Three Fazes in New England.” Classical Piano, Vol. 17, No. 4 (2009): 36-37, 39, 41.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Rukeyser, Muriel
Year: 1939
Complete Citation:
Muriel Rukeyser. "Ives." A Turning Wind. New York: Viking Press, 1939: 115--120. Reprints: Muriel Rukeyser. The Collected Poems of Muriel Rukeyser. New York: McGraw--Hill Book Company, 1978: 199--203. A Turning Wind (1939): "Lives, 'Ives.'"Source: Poem
Reprints:
Muriel Rukeyser. The Collected Poems of Muriel Rukeyser. New York: McGraw--Hill Book Company, 1978: 199--203. A Turning Wind (1939): "Lives, 'Ives.'" Muriel Rukeyser. Selected Poems. New York: New Directions, 1951: 62--63: "from Ives.” Untune the Sky; Poems of Music and Dance, compiled by Helen Plotz. New York: Thomas Y. Crowell Company, 1957: "This is Charles Ives" (an excerpt from "Ives"). Muriel Rukeyser. Waterlily. Fire, Poems 1935--1962. New York: Macmillan Company, 1962: 68--71. A Muriel Rukeyser Reader, edited by Jan Heller Levi; introduction by Adrienne Rich. New York: W. W. Norton, 1995: 65--66: "from Charles Ives.”
XIII. Ives in Literature
A. Poetry
A. Poetry
Year: 1939
Complete Citation:
Rukeyser, Muriel. “Ives.” In A Turning Wind, 115-120. New York, New York: Viking Press, 1939.Source: Poem
XIII. Ives in Literature
A. Poetry
A. Poetry
Rummenhöller, Peter
Year: 2000
Complete Citation:
Rummenhöller, Peter. “Seismograf Der Moderne: Das Klavier Im Zwanzigsten Jahrhundert.” Neue Zeitschrift Für Musik 161/1 (2000): 12-17.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Schevill, James Erwin
Year: 1996
Complete Citation:
Schevill, James Erwin. “Hats and Ears for Charles Ives.” In The Complete American Fantasies. Athens, OH: Swallow Press/Ohio University Press, 1996: 17--19.Source: Poem in Book
Reprints:
Schevill, James Erwin. “Hats and Ears for Charles Ives.” In <i>New and Selected Poems</i>, 103-105. Athens, OH: Swallow Press/Ohio University Press, 2000.
XIII. Ives in Literature
A. Poetry
A. Poetry
Scholz, Gottfried
Year: 1994
Complete Citation:
Scholz, Gottfried, ed. “Charles Ives Three Improvisations for Piano.” In Pluralismus analytischer Methoden. Publikation des Institut fur Musikanalytik, Wien, 3. Frankfurt am Main, Germany/New York, NY: Peter Lang, 1996.Notes:
Symposium held on November 1 at the Institut fur Musikanalytik, Wien. Session IV.
Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Year: 1996
Complete Citation:
Scholz, Gottfried. “IV. Session: Charles Ives, Three improvisations for piano / Claudia Maurer Zenck, Siegfried Mauser, Marie-Agnes Dittrich, Peter Revers.” In Pluralismus analytischer Methoden. Frankfurt am Main, Germany: P. Lang, 1996.Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Schönlau, Stephan
Year: 2012
Complete Citation:
Schönlau, Stephan. Kompositionstechnik in den Studies für Klavier von Charles Ives. Hamburg, Germany: Diplomica Verlag, 2012.Source: Book
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works