Image
Complete Citation:
Rathert, Wolfgang. “Mahler und Ives. Gibt es eine ‘geheime Zeitgenossenschaft’?” Nue Zeitschrift für Musik 151/10 (1990): 7-12.
Bibliography
Genres
Rathert, Wolfgang
Year: 1990
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Reed, Alice S.
Year: 2005
Complete Citation:
Reed, Alice S. Charles Edward Ives and his Piano sonata no. 2 "Concord, Mass. 1840-1860.” Victoria, BC: Trafford Publishing, 2005.Source: Book
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Reti, Rudolph
Year: 1958
Complete Citation:
Reti, Rudolph. Tonality, Atonality, Pantonality: A Study of Some Trends in Twentieth Century Music, 43, 63-65, 89, 149-151. New York, NY: Macmillan, 1958.Notes:
Discusses Con-cord Sonata and Symphony No. 4.
Source: Book
Reprints:
Reti, Rudolph. <i>Tonality in Modern Music</i>, 61, 82-84, 107, 171, 173. New York, NY: Collier Books, 1962. * Reti, Rudolph. <i>Tonalidad, Atonalidad, Pantonalidad</i>. Translated to Spanish by Joaquín Homs. Madrid, Spain: Rialp, 1965.
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Rexroth, Dieter
Year: 1979
Complete Citation:
Rexroth, Dieter. “Ein amerikanischer Denkstil in der Concord-Sonate. Zu einem Aspekt des Transzendentalisten Charles E. Ives.” In Zwischen den Grenzen: Zum Aspekt des Nationalen in der Neuen Musik, 54-61. Frankfurter Studien, Vol. 3. Mainz, Germany: Schott, 1979.Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Ribakove, Seymour L.
Year: 1962
Complete Citation:
Ribakove, Seymour L.. “A Prophet without Honor.” Keyboard Jr. 20/7 (April 1962): 1, 4.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Roggenkamp, P.
Year: 1986
Complete Citation:
Roggenkamp, P. “Der Fluegel: gestreichelt, gezupft, geslagen: Studie fur ‘praepariertes’ Klavier—auch im paedagogischen Einsatz geeinget.” Neue Musikzeitung 135 (December 1986): 19.Notes:
Discusses the Concord Sonata.
Source: Magazine
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Rorem, Ned
Year: 1968
Complete Citation:
Rorem, Ned. Music and People, 14, 137, 141, 144. New York, NY: George Brazillerj, 1968.Notes:
([Ives’s]” Epilogue from Essays Before a Sonata {All} is a model of spirited English, depicting the creative process once and for all."), 161, 173 (compares Ezra Pound to "utterances' of Ives), 21.
Source: Book
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Rosenfeld, Paul
Year: 1939
Complete Citation:
Rosenfeld, Paul. “Ives’ Concord Sonata.” Modern Music, Vol. 16, No. 2 (January-February 1939): 109-112.Source: Journal
Reprints:
Rosenfeld, Paul. “Ives’ Concord Sonata.” In <i>Charles Ives and his World, </i>edited by J. Peter Burkholder, 314-316. Princeton, NJ: Princeton University Press, 1996.
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Rostkowski, David
Year: 1987
Complete Citation:
Rostkowski, David. “America’s Greatest Composer: The Piano Works of Charles Ives.” In Piano music. VII: Muzyka fortepianowa. VII, edited by Janusz Krassowski. Prace specjalne Vol. 42. Gdansk, Poland: Akademia Muzyczna im. St. Moniuszki, 1987, 119-42.Source: Chapter in Book, Journal
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Round, Michael
Year: 2009
Complete Citation:
Round, Michael. “Making Waves: Three Fazes in New England.” Classical Piano, Vol. 17, No. 4 (2009): 36-37, 39, 41.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Rummenhöller, Peter
Year: 2000
Complete Citation:
Rummenhöller, Peter. “Seismograf Der Moderne: Das Klavier Im Zwanzigsten Jahrhundert.” Neue Zeitschrift Für Musik 161/1 (2000): 12-17.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Scholz, Gottfried
Year: 1994
Complete Citation:
Scholz, Gottfried, ed. “Charles Ives Three Improvisations for Piano.” In Pluralismus analytischer Methoden. Publikation des Institut fur Musikanalytik, Wien, 3. Frankfurt am Main, Germany/New York, NY: Peter Lang, 1996.Notes:
Symposium held on November 1 at the Institut fur Musikanalytik, Wien. Session IV.
Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Year: 1996
Complete Citation:
Scholz, Gottfried. “IV. Session: Charles Ives, Three improvisations for piano / Claudia Maurer Zenck, Siegfried Mauser, Marie-Agnes Dittrich, Peter Revers.” In Pluralismus analytischer Methoden. Frankfurt am Main, Germany: P. Lang, 1996.Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Schönlau, Stephan
Year: 2012
Complete Citation:
Schönlau, Stephan. Kompositionstechnik in den Studies für Klavier von Charles Ives. Hamburg, Germany: Diplomica Verlag, 2012.Source: Book
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Schubert, Giselher
Year: 1980
Complete Citation:
Schubert, Giselher. “Die Concord-Sonate von Charles Ives. Anmerkungen zu Werkstruktur und Interpretation.” In Aspekte der musikalischen Interpretation, Festschrift S. Saroff zum 80. Geburtstag, edited by Hermann Danuser and Christoph Keller, 121-138. Hamburg, Germany: Karl Kieter Wagner, 1980.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Year: 1980
Complete Citation:
Schubert, Giselher. “Die Concord-Sonata von Charles Ives. Anmerkungen zur Werkstruktur und Interpretation.” In Aspekte der musikalischen Interpretation. Sara Savoff zum 70. Geburtstag, Festschrift edited by Hermann Danuser and Christoph Keller, 121-138. Hamburg, Germany: Verlag der Musikalienhandlung Karl Dieter Wagner, 1980.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Year: 1986
Complete Citation:
Schubert, Giselher. “Le sonate Concord de Charles Ives.” Translated to French by Carlo Russi. Contrechamps 7 (1986): 110-128.Source: Journal<br>
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Year: 2004
Complete Citation:
Schubert, Giselher. “Die 1. Klaviersonate von Charles Ives.” Musik-Konzepte 123 (2004): 51-72.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Year: 2004
Complete Citation:
Schubert, Giseller. “Die 1. Klaviersonate von Charles Ives.” Musik-Konzepte 123: Charles Ives (January 2004): 51-71.Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Schulz, Dieter
Year: 2004
Complete Citation:
Schulz, Dieter. “Concord und der amerikanische Transzendentalismus in Ives Ästhetik.” Muzik-Konzepte 123 (2004): 109-121.Source: Journal
VI. Topical Studies
C. Keyboard Works
C. Keyboard Works