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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Alexander, Charles C.

Year: 1980
Complete Citation:
Alexander, Charles C. Here the Country Lies: Nationalism and the Arts in Twentieth-Century America. Bloomington, IN: Indiana University Press, 1980.
Notes:

Many references to Ives.

Source: Book
VI. Topical Studies
L. Ives and America

Alexander, Michael John

Year: 1986
Complete Citation:
Alexander, Michael John. “Bad Resolutions or Good? Ives’s Piano ‘Take-Offs.’” Tempo, New Series 158 (1986): 8-14.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1989
Complete Citation:
Alexander, Michael J. The Evolving Keyboard Style of Charles Ives. Outstanding Dissertations in Music From British Universities. New York, NY: Garland, 1989.
IV. Individual Studies by Genre
C. Keyboard Works

Alwes, Chester L.

Year: 1985
Complete Citation:
Alwes, Chester L. “Formal Structure as a Guide to Rehearsal Strategy in Psalm 90 by Charles E. Ives.” Choral Journal 25/8 (April 1985): 21-25.
Source: Journal
IV. Individual Studies by Genre
D. Choral Works

Anderson, David E.

Year: 1974
Complete Citation:
Anderson, David E. “Ives Heritage: ‘Vision of a Vanished America in Music.’” Los Angeles Times, December 14, 1974, A9.
Source: Newspaper
VI. Topical Studies
L. Ives and America

Arlton, Dean Luther

Complete Citation:
Arlton, Dean Luther. “American piano sonatas of the twentieth century: selective analyses and annotated index.” Thesis, Columbia University, 1968.
IV. Individual Studies by Genre
C. Keyboard Works

Asmodo, Joe

Year: 1991
Complete Citation:
Asmodo, Joe. “Charles Ives: Komponist als Zweitberuf oder National- held mit Hindernissen.” AbraHadAbra: Das Magazin des Neuen Aons 4/8 (August 1991): 52-54.
Source: Magazine
VI. Topical Studies
L. Ives and America

Avery T. Sharp and James Michael Floyd

Complete Citation:
Sharp, Avery T. and James Michael Floyd. “Charles Ives (1874-1954).” In Choral music: a research and information guide. New York, NY: Routledge, 2002.
Source: Chapter in Book
IV. Individual Studies by Genre
D. Choral Works

Babcock, Michael J.

Year: 1974-1975
Complete Citation:
Babcock, Michael J. “Ives’ ‘Thoreau’: A Point of Order.” American Society of University Composers (Proceedings) IX/X (1974/75): 91-102.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Babko, Jeff

Year: 2014
Complete Citation:
Babko, Jeff. “5 Ways to Play Like Bruce Hornsby.” Keyboard, Vol. 40, No. 10 (2014): 30-32.
Source: Magazine
IV. Individual Studies by Genre
C. Keyboard Works

Bae, Myo Jeong

Complete Citation:
Bae, Myo Jeong. “Charles Ives 음악의 미국주의적 측면에 관한 연구.” 한국예술연구, no. 6 (2012): 67-97.
Source: Journal
VI. Topical Studies
L. Ives and America

Balshaw, Paul A.

Year: 1975
Complete Citation:
Balshaw, Paul A. “Charles Ives: The Man and His Music: The Celestial Country: An Introduction.” The Choral Journal, vol. 15, no. 7 (1975): 16-20.
Source: Journal
IV. Individual Studies by Genre
D. Choral Works

Bardi, Aloma

Year: 2004
Complete Citation:
Bardi, Aloma. “Transformazione e identita nella Concord Sonata.” Musica 160 (October 2004): 36--38.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Baron, Carol Kitzes

Year: 1987
Complete Citation:
Baron, Carol Kitzes. “Ives on His Own Terms: An Explanation, a Theory of Pitch Organization, and a New Critical Edition for the Three Page Sonata.” Ph.D. diss., City University of New York, 1987.
Source: Ph.D. Dissertation
IV. Individual Studies by Genre
C. Keyboard Works

Bärtschi, Werner

Year: 1986
Complete Citation:
Bärtschi, Werner. “‘Concord, Massachusetts, 1840-1860’: Ives’ zweite Klaviersonate.” Neue Zürcher Zeitung 207/112 (May 17-18, 1986): 89-102.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Bäßler, Hans

Year: 1992
Complete Citation:
Bäßler, Hans. “Die manipulierte Hymne: Didaktische anmerkung zu Charles Ives Variations on ’America.’” Deutsche Tonkünstler-Zeitung 24/5 (September-October 1992): 47-52.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Bauer, Marion

Year: 1931
Complete Citation:
Bauer, Marion. “La Musique Americaine.” La Revue Musicale 12/117--118 (July--August 1931): 178-190.
Source: Journal
VI. Topical Studies
L. Ives and America

Beal, A. C.

Year: 2013
Complete Citation:
Beal, A.C. “Why We Sing”: David Mahler’s Communities.” Journal of the Society for American Music, Vol. 7, No. 1 (2013): 1-28.
Source: Journal
IV. Individual Studies by Genre
D. Choral Works

Bellamann, Henry

Year: 1934
Complete Citation:
Bellamann, Henry. “How Sad is American Music?” Commonwealth 20. October 26, 1934: 606.
Source: Magazine
VI. Topical Studies
L. Ives and America

Belt, Byron

Year: 1974
Complete Citation:
Belt, Byron. “America’s Music Pioneer.” The Atlanta Constitution, August 2, 1974, 20A.
Source: Newspaper
VI. Topical Studies
L. Ives and America