Alexander, Michael John
Year: 1986
Complete Citation:
Alexander, Michael John. “Bad Resolutions or Good? Ives’s Piano ‘Take-Offs.’” Tempo, New Series 158 (1986): 8-14.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1989
Complete Citation:
Alexander, Michael J. The Evolving Keyboard Style of Charles Ives. Outstanding Dissertations in Music From British Universities. New York, NY: Garland, 1989.IV. Individual Studies by Genre
C. Keyboard Works
Andraschke, Peter
Year: 2008
Complete Citation:
Andraschke, Peter. “Aufbruch in die Zukunft: Charles Ives und seine Lieder.” In Multikulturelle und internationale Konzepte in der Neuen Musik. Vienna, Austria: Böhlau Verlag, 2008.Source: Chapter in Book
IV. Individual Studies by Genre
E. Songs
Archibald, Bruce
Year: 1966
Complete Citation:
Archibald, Bruce. “Reviewed Works: The Orchestra Song by William Schuman; Variations on “America” (Charles Ives, for organ, 1891; William Schuman, for orch., 1963) by Charles Ives.” Notes, vol. 23, no. 1 (September 1966): 157.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Argento, Dominick
Year: 1975-1976
Complete Citation:
Argento, Dominick. “A Digest Analysis of Ives’ ‘On the Antipodes.’” Student Musicologists at Minnesota Vol. 6 (1975-1976): 192-200.Source: Journal
IV. Individual Studies by Genre
E. Songs
Arlton, Dean Luther
Complete Citation:
Arlton, Dean Luther. “American piano sonatas of the twentieth century: selective analyses and annotated index.” Thesis, Columbia University, 1968.IV. Individual Studies by Genre
C. Keyboard Works
Babcock, Michael J.
Year: 1974-1975
Complete Citation:
Babcock, Michael J. “Ives’ ‘Thoreau’: A Point of Order.” American Society of University Composers (Proceedings) IX/X (1974/75): 91-102.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Babko, Jeff
Year: 2014
Complete Citation:
Babko, Jeff. “5 Ways to Play Like Bruce Hornsby.” Keyboard, Vol. 40, No. 10 (2014): 30-32.Source: Magazine
IV. Individual Studies by Genre
C. Keyboard Works
Bales, Richard
Year: 1948
Complete Citation:
Bales, Richard. “Charles Ives: Third Symphony. [Review of Symphony No. 3 by Charles Ives.]” Notes 5/3 (June 1948): 413.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Bardi, Aloma
Year: 2004
Complete Citation:
Bardi, Aloma. “Transformazione e identita nella Concord Sonata.” Musica 160 (October 2004): 36--38.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Barnick, Jens
Year: 2004
Complete Citation:
Barnick, Jens. “Charles Ives: Durch das Leben mit 114 Liedern.” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 35-72. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.Source: Chapter in Book
IV. Individual Studies by Genre
E. Songs
Baron, Carol K.
Year: 1992
Complete Citation:
Baron, Carol K. “Review of Symphony No. 3 (The Camp Meeting) by Charles Ives.” Notes 48/4 (June 1992): 1436-1438.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Baron, Carol Kitzes
Year: 1987
Complete Citation:
Baron, Carol Kitzes. “Ives on His Own Terms: An Explanation, a Theory of Pitch Organization, and a New Critical Edition for the Three Page Sonata.” Ph.D. diss., City University of New York, 1987.Source: Ph.D. Dissertation
IV. Individual Studies by Genre
C. Keyboard Works
Bärtschi, Werner
Year: 1986
Complete Citation:
Bärtschi, Werner. “‘Concord, Massachusetts, 1840-1860’: Ives’ zweite Klaviersonate.” Neue Zürcher Zeitung 207/112 (May 17-18, 1986): 89-102.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Bäßler, Hans
Year: 1992
Complete Citation:
Bäßler, Hans. “Die manipulierte Hymne: Didaktische anmerkung zu Charles Ives Variations on ’America.’” Deutsche Tonkünstler-Zeitung 24/5 (September-October 1992): 47-52.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Bellamann, Henry
Year: 1921
Complete Citation:
Bellamann, Henry. “Reviews: ‘Concord, Mass., 1840-1860’ (A Piano Sonata by Charles E. Ives.).” Double Dealer 2 (October 1921): 166-169.Source: Journal
Reprints: Reprinted in <i>Charles Ives and His World</i>, 280-284.
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Berg, Gregory
Year: 2019
Complete Citation:
Berg, Gregory. “Charles Ives: A Portrait in Song. Bradley Robinson, Baritone; Stacy Rodgers, Piano.” Journal of Singing, vol. 75, no. 3 (2019): 379.Source: Journal
IV. Individual Studies by Genre
E. Songs
Berger, Arthur V.
Year: 1934
Complete Citation:
Berger, Arthur V. “The Songs of Charles Ives.” Musical Mercury 1 (October-November, 1934): 97-98.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1949
Complete Citation:
Berger, Arthur V. “The Musical Scene: Ives is Prominent on Current Lists of Publishers After Long Neglect.” New York Herald Tribune, 1949, C5.Source: Newspaper
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Binder, Daniel A.
Year: 2005
Complete Citation:
Binder, Daniel A. “The Social, Political, and Religious Views of Charles Ives as Found in His Songs.” Paper presented at the College Music Society's Great Lake Chapter Meeting. Western Kentucky University, Bowling Green, Kentucky, April 1, 2005.Notes: Assisted by Lawrence T. Sisk and Donald Zent.
Source: Conference paper
IV. Individual Studies by Genre
E. Songs