Helms, Hans G.
Year: 1974
Complete Citation:
Helms, Hans G. 1974. “Some Reflections on Charles E. Ives.” In Charles Ives Centennial Festival Conference, edited by H. Wiley Hitchcock, 56--59. New York, NY: G. Schirmer, Inc., and Associated Music Publishers, 1974.Source: Chapter in Book
V. General Music Studies
A. Short Biographies and Profiles
Year: 1974
Complete Citation:
Helms, Hans G., “Some Reflections on Charles E. Ives.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchcock and Vivian Perlis, 246-248. Music in American Life. Urbana, Illinois: University of Illinois Press, 1977.Source: Chapter in Book
V. General Music Studies
A. Short Biographies and Profiles
Year: 1977
Complete Citation:
Helms, Hans G., “Some Reflections on Charles E. Ives.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchock and Vivan Perlis, 246-248. Urbana, IL: University of Illinois Press, 1977.Source: Chapter in Book
V. General Music Studies
A. Short Biographies and Profiles
Helms, Hans G., Stefan Fricke and Achim Huber
Year: 2016
Complete Citation:
Helms, Hans G., Stefan Fricke and Achim Huber. Konstruktionen: Texte zur Musik und Kunst, 1954-2010. Büdingen, Germany: Pfau, 2016.Source: Book
V. General Music Studies
C. Other
Henahan, Donal
Year: 1987
Complete Citation:
Henahan, Donal. 1987. “Is an Icon Becoming a Has--Been?” New York Times, April 5.Source: Newspaper
V. General Music Studies
S. Reception Studies and Related Scholarship
Henck, Herbert
Year: 1980
Complete Citation:
Henck, Herbert. ““Waltz-Rondo” und andere Klavierstücke von Charles Ives.” Neuland - Ansätze zur Musik der Gegenwart 1 (1980): 44-46.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1980
Complete Citation:
Henk, Herbert. “Randbemerkung. Zu Ives’ ‘Gesamtem Klavierwerk.’” In Neuland: Ansatze zur Musik der Gegenwart, 43. Vol. 1. Cologne, Germany: Neuland Musikverlag Herbert Henck, 1980.Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1982
Complete Citation:
Henck, Herbert. “Versehen - Versehren. 2. Lanze. Zur Neuausgabe von Charles E. Ives’ Erster Klaviersonate.” Neuland - Ansätze zur Musik der Gegenwart 2 (1982): 206-207.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1983
Complete Citation:
Henck, Herbert. “Aus zweiter Hand: Charles E. Ives’ “Study No. 20.”” In Neuland: Ansätze zur Musik der Gegenwart: Jahrbuch. Band 3. Cologne, Germany: Neuland Musikverlag, 1983.Source: Chapter in Book
Reprints: Henck, Herbert. "Aus zweiter Hand: Charles E. Ives' 'Study No. 20.' Review of Study No. 20 by Charles Ives.]"Neuland 3 (1982-83): 242.
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1988
Complete Citation:
Henck, Herbert. “Charles Ives Piano Sonata No. 2: ‘Concord, Mass., 1840-1960’.” In Charles Ives und die amerikanische Musik. International Symposium, February 24-27, 1988. Cologne, Germany.Source: Festival Booklet
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1992
Complete Citation:
Henck, Herbert. “Klavierwerke von Charles Ives: Werkkommentare.” In Experimentelle Pianistik: Improvisation, Interpreta-tion, Komposition: Schriften zur Klaviermusik (1982 bis 1992), 167-183. Mainz, Germany: Schott, 1992.Notes: Contents: Einfuhrung (167-168), Biographisches (168-169), Piano Sonata No. 1 (170-172), Piano Sonata No. 2: "Concord, Mass., 1840- 1860" (172-177), Ausgewählte Klavierstucke (177-183).
Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works
Year: 2004
Complete Citation:
Henck, Herbert. “‘Do whatever seems natural or best to you’: Noten- text und Interpretation von Charles Ives’ Concord Sonata.” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 116-122. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works
Herrmann, Bernard
Year: 1932
Complete Citation:
Herrmann, Bernard. “Charles Ives.” Trend: Quarterly of the Seven Arts 1/3 (September- November 1932): 99-101.Source: Journal
V. General Music Studies
A. Short Biographies and Profiles
Hertz, David Michael
Year: 1996
Complete Citation:
Hertz, David Michael. “European Influences: Ives and the Piano.” In Charles Ives and His World Festival, edited by J. Peter Burkholder, 43-46. Annandale-on-Hudson, New York; Bard College, August 9-11, 16-18, 1996.Source: [Chapter in] Festival Publication
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1997
Complete Citation:
Hertz, David Michael. “Ives's Concord Sonata and the Texture of Music.” In Charles Ives and His World, edited by J. Peter Burkholder, 75-117. Princeton, NJ: Princeton University Press, 1996.Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works
Highet, Gilbert
Year: 1957
Complete Citation:
Highet, Gilbert. Talent and Geniuses: The Pleasures of Appreciation. New York, New York: Oxford University Press, 1957.Source: Book
V. General Music Studies
C. Other
Hinson, Maurice
Year: 1974-1975
Complete Citation:
Hinson, Maurice. “The Solo Piano Music of Charles Ives.” Piano Quarterly 88 (Winter 1974-1975): 32-35.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1983
Complete Citation:
Hinson, Maurice. Music for More Than One Piano: An Annotated Guide, 96-91. Bloomington, IN: Indiana University Press, 1983.Notes: Discusses Three Quarter-Tone Pieces for two pianos and Calcium Light Night.
Source: Book
IV. Individual Studies by Genre
C. Keyboard Works
Hinson, Maurice and Wesley Roberts
Year: 2014
Complete Citation:
Hinson, Maurice and Wesley Roberts. “I.” In Guide to the Pianist's Repertoire, Fourth Edition, 4th ed., 528-537. Bloomington, IN: Indiana University Press, 2014.Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works
Hitchcock, H. Wiley
Year: 1975
Complete Citation:
Hitchcock, H. Wiley. “Sources for the Study of American Music.” American Studies International 14/2 (1975): 3-9.Source: Journal
V. General Music Studies
C. Other
