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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Marks, Adam

Year: 2008
Complete Citation:
Marks, Adam. “American Piano Music. Program Notes.” Revue Française D'études Américaines, no. 117 (2008): 126-127.
Source: Magazine
IV. Individual Studies by Genre
C. Keyboard Works
Year: 2008
Complete Citation:
Marks, Adam. “American Piano Music. Program Notes.” Revue Française D'études Américaines, no. 117 (2008): 126-127.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Masse, Thomas Gilmore

Year: 1997
Complete Citation:
Masse, Thomas Gilmore. “Revisions, Chronology and Redating of the Largo of Charles Ives.” Clarinet 24/3 (1997): 36--41.
Notes:

Regarding the Largo for violin, clarinet, and piano.

Source: Journal
VI. Topical Studies
C. Chronology

Masselos, William

Year: 1954
Complete Citation:
Masselos, William. “Preface.” In Charles E. Ives, Sonata no. 1 for Piano, edited by Paul C. Echols with additional corrections by John A. Buchanan and Jerry E. Bramblett. New York, NY: Peer International, 1954, 1979.
Source: Preface to Score
IV. Individual Studies by Genre
C. Keyboard Works

Masterson, David Joseph

Year: 2001
Complete Citation:
Masterson, David Joseph. “An Analytic of Experimental Time in Charles Ives's Concord Sonata.” D.M.A. research project, University of Illinois, 2001.
Source: D.M.A. Research Project
IV. Individual Studies by Genre
C. Keyboard Works

Maynard, Solomon

Year: 1987
Complete Citation:
Maynard, Solomon. “Charles Ives: Some Questions of Veracity.” Journal of the American Musicological Society Vol. 40, No. 3 (Fall 1987): 443-470.
Notes:

Presented at Indiana University (October, 1987) and Brooklyn College (October, 1987).

Source: Journal
VI. Topical Studies
C. Chronology

McCrae, Elizabeth

Year: 1974
Complete Citation:
McCrae, Elizabeth. “The Piano Music.” Music Educators Journal 61/2 (1974): 53-57.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Meyer, Felix

Year: 1991
Complete Citation:
Source: Book
Reprints:

Meyer, Felix. <i>The art of speaking extravagantly: eine vergleichende Studie der ‘Concord Sonata’ und der ‘Essays before a Sonata’ von Charles Ives</i>. Publikationen Der Schweizerischen Musikforschenden Gesellschaft, vol. 34. Bern, Switzerland: Haupt, 1991.

IV. Individual Studies by Genre
C. Keyboard Works

Mikhashoff, Yvar

Complete Citation:
Mikhashoff, Yvar. A thematic survey of the first movement (Emerson) of the Sonata no. 2, “Concord, Mass. 1840-1860” of Charles Ives. Unpublished manuscript. Yvar Mikhashoff Papers. Mss. 10, Folder 6. Music Library, University at Buffalo. 198?.
IV. Individual Studies by Genre
C. Keyboard Works

Nicholas, Jeremy

Year: 2012
Complete Citation:
Nicholas, Jeremy. “Music of My Life: Marc-André Hamelin.” International Piano (2012): 88.
Source: Magazine
IV. Individual Studies by Genre
C. Keyboard Works

Nishiyama, Keiko

Year: 1991
Complete Citation:
Nishiyama, Keiko. “Die Bedeutung der Zitate in Charles Ives’ zweiter Klaviersonate (Concord, Mass., 1840-60).” Diss., Hochschule für Musik und Theater, Hamburg, 1991.
Source: Dissertation
IV. Individual Studies by Genre
C. Keyboard Works

Osborne, William

Year: 1990
Complete Citation:
Osborne, William. “Charles Ives the Organist.” The American Organist (July 1990): 58-64.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Pappastavrou, George

Year: 1974
Complete Citation:
Pappastavrou, George. “Ives's Quarter-Tone Pieces.” Clavier 13/7, 1974, 31-32.
Source: Magazine
IV. Individual Studies by Genre
C. Keyboard Works

Parthun, Paul

Year: 1975-76
Complete Citation:
Parthun, Paul. “Concord, Charles Ives, and Henry Bellaman.” Student Musicologists at Minnesota 6 (1975-76): 66-86.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Perlis, Vivian

Year: 1996
Complete Citation:
Perlis, Vivian. “Ives Spirit Moves Brits.” Piano & Keyboard (1996): 12-14.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Porter, Cecelia

Year: 1998
Complete Citation:
Porter, Cecelia. “Classical Music: Organist Gregory D’Agostino.” The Washington Post (1998): C4.
Source: Newspaper
IV. Individual Studies by Genre
C. Keyboard Works

Porter, David H.

Complete Citation:
Porter, David H. “From Plato to piano strings: An ‘Outward Bound’ for the mind.” The Chronicle of Higher Education 42, no. 28 (March 22, 1996): A52.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Rasmussen, Jane E.

Year: 1975-1976
Complete Citation:
Rasmussen, Jane E. “Charles Ives’s Music for the Piano.” Student Musicologists at Minnesota 6 (1975-1976): 201-217.
IV. Individual Studies by Genre
C. Keyboard Works

Rathert, Wolfgang

Year: 1990
Complete Citation:
Rathert, Wolfgang. “Mahler und Ives. Gibt es eine ‘geheime Zeitgenossenschaft’?” Nue Zeitschrift für Musik 151/10 (1990): 7-12.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Reed, Alice S.

Year: 2005
Complete Citation:
Reed, Alice S. Charles Edward Ives and his Piano sonata no. 2 "Concord, Mass. 1840-1860.” Victoria, BC: Trafford Publishing, 2005.
Source: Book
IV. Individual Studies by Genre
C. Keyboard Works