Image
Complete Citation:
Allenby, David. “Festivals (Towards the Millennium Concert Series).” Musical Opinion 114/1363 (July 1991): 260-261.
Bibliography
Genres
Allenby, David
Year: 1991
Notes:
Regarding The Unanswered Question and Central Park in the Dark.
Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
Alwes, Chester L.
Year: 1985
Complete Citation:
Alwes, Chester L. “Formal Structure as a Guide to Rehearsal Strategy in Psalm 90 by Charles E. Ives.” Choral Journal 25/8 (April 1985): 21-25.Source: Journal
IV. Individual Studies by Genre
D. Choral Works
D. Choral Works
ap Sion, Pwyll
Year: 2015
Complete Citation:
ap Sion, Pwyll. “American Mavericks.” Gramophone, Vol. 92 (2015): 110-111.Source: Magazine (recording/festival review?)
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
Avery T. Sharp and James Michael Floyd
Complete Citation:
Sharp, Avery T. and James Michael Floyd. “Charles Ives (1874-1954).” In Choral music: a research and information guide. New York, NY: Routledge, 2002.Source: Chapter in Book
IV. Individual Studies by Genre
D. Choral Works
D. Choral Works
Balshaw, Paul A.
Year: 1975
Complete Citation:
Balshaw, Paul A. “Charles Ives: The Man and His Music: The Celestial Country: An Introduction.” The Choral Journal, vol. 15, no. 7 (1975): 16-20.Source: Journal
IV. Individual Studies by Genre
D. Choral Works
D. Choral Works
Beal, A. C.
Year: 2013
Complete Citation:
Beal, A.C. “Why We Sing”: David Mahler’s Communities.” Journal of the Society for American Music, Vol. 7, No. 1 (2013): 1-28.Source: Journal
IV. Individual Studies by Genre
D. Choral Works
D. Choral Works
Bemlef, J.
Year: 1974
Complete Citation:
Bemlef, J. “On Charles Ives and Wild Gardening.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchcock and Vivian Perlis, 232-238. Music in American Life. Urbana, Illinois: University of Illinois Press, 1977.Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Bernheimer, Martin
Year: 1966
Complete Citation:
Bernheimer, Martin. “Impressive Finale for Series.” Los Angeles Times, April 20, 1966, D14.Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
Boody, Charles G; Snell, Margaret
Year: 1971
Complete Citation:
Boody, Charles G; Snell, Margaret. “Minneapolis: The Charles Ives Festival, Spring 1970 - Reflections.” Current Musicology, no. 11 (January 1, 1971): 57.Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
Borroff, Edith
Year: 1988
Complete Citation:
Borroff, Edith. Review of ‘Internationale Symposium’: “International Symposium on American Music, 1988: Charles Ives and the American Music Tradition up to the Present.” Sonneck Society for American Music Bul-letin 14/2: 69-72.Source: Bulletin/Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
Bourdon, Buzz
Year: 2008
Complete Citation:
Bourdon, Buzz. “Dean of Canadian Film Composers Wrote More than 300 Movie Scores.” Globe & Mail, September 23, 2008, S10.Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
Brandt, Maarten
Year: 2002
Complete Citation:
Brandt, Maarten. “Klinkende Alchemie.” Mens en Melodie, Vol. 57, No. 5 (2002): 170-172.Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Brody, Charles G.
Year: 1970
Complete Citation:
Charles G. Bordy and Margaret Snell. "The Charles Ives Fest-ival, Spring 1970—Reflections." Current Musicology (May) 11: 57.Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
Brown, Marshall
Year: 1992
Complete Citation:
Brown, Marshall. “Origins of Modernism: Musical Structures and Narrative Forms.” In Music and Text: Critical Inquiries, edited by Steven Paul Scher, 75--92. Cambridge, UK: Cambridge University Press, 1992.Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Burkholder, J. Peter
Year: 1988
Complete Citation:
Burkholder, J. Peter. “Charles Ives the Avantgardist, Charles Ives the Traditionalist.” In Bericht über das Internationale Symposion “CharIes Ives und die amerikanische Musiktradition bis zur Gegenwart,” Köln 1988,” edited by Klaus W. Niemöller, 164, 37-52. Regensburg, Germany: Kölner Beiträge zur Musikforschung, 1990.Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Cameron, Catherine M.
Year: 1996
Complete Citation:
Cameron, Catherine M. Dialectics in the Arts: The Rise of American Experimentalism in American Music. Westport, CT: Praeger Publishers, 1996.Notes:
In a dis-cussion of Ives's life (p. 21-22) and works (p. 43-49), the author cites quo-tations from several other sources. Musical examples taken from <i>Three Places in New England</i>; Symphonies Nos. 1-4; <i>Concord Sonata</i>; and <i>Essays Before a Sonata. </i>
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Cathalena E., Burch
Year: 2009
Complete Citation:
Burch, Cathalena E. “Fest Celebrates ‘Ives/Copland and American Spirit.’” Arizona Daily Star, October 16, 2009.Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
Cazé, Antoine and Adam Marks
Year: 2008
Complete Citation:
Cazé, Antoine and Adam Marks. Les musiques savantes américaines: questions d’esthétique. Paris, France: Belin, 2008.Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Christiansen, Larry A.
Year: 1969
Complete Citation:
Christiansen, Larry A. “Charles E. Ives and the Sixty-Seventh Psalm.” Music: The AGO & RCCO Magazine III, February 1969, 20-21.Source: Magazine
IV. Individual Studies by Genre
D. Choral Works
D. Choral Works
Year: 1969
Complete Citation:
Christiansen, Larry A. “Charles E. Ives and the Sixty--Seventh Psalm.” Music/AGO-RCCO Magazine 3/2 (February 1969): 20-21.Source: Journal
IV. Individual Studies by Genre
D. Choral Works
D. Choral Works