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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Kavanaugh, Patrick

Year: 1995
Complete Citation:
Kavanaugh, Patrick. “Charles Ives.” In Spiritual moments with the great composers: daily devotions from the lives of favorite composers & hymn writers. Grand Rapids, MI: Zondervan, 1995.
Source: Chapter in Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Kirkpatrick, John

Year: 1960
Complete Citation:
Kirkpatrick, John. “The Religious Perspective of a Musician.” Lecture, Anabel Taylor Hall, Cornell University, November 30, 1960.
Source: Lecture
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Year: 1983
Complete Citation:
Kirkpatrick, John. 1983. “Commentary.” In Charles Ives, I Come to Thee: SATB with Organ, edited by John Kirkpatrick. New York, NY: Associated Music Publishers.
Source: Commentary to score
D. Choral Works

Koch, Gerhard R.

Year: 1975
Complete Citation:
Koch, Gerhard R. “‘Das himmlische Land’ von Ives.” Musica 29, no. 3 (1975): 230-233.
Source: Journal
IV. Individual Studies by Genre
D. Choral Works

Kramer, Lawrence

Year: 1995
Complete Citation:
Kramer, Lawrence. Cultural politics and musical form: the case of Charles Ives. In Classical music and postmodern knowledge. Berkeley, CA: University of California Press,1995.
Source: Chapter in Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Krejmer, Lorens

Year: 2006
Complete Citation:
Krejmer, Lorens. ““Au–delà d’une Musique Informelle”: Nostalgia, Obsolescence and the Avant-Garde.” Muzikologija, no. 6 (2006): 43-62.
Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Kumlien, Wendell C.

Year: 1974
Complete Citation:
Kumlien, Wendell C. “The Music for Chorus.” Music Educators Journal 61/2 (1974): 48-52.
Source: Journal
IV. Individual Studies by Genre
D. Choral Works

Lamb, Gordon H.

Year: 1974
Complete Citation:
Lamb, Gordon H. “Charles Ives 1874-1954.” Choral Journal 15/2 (October 1974): 12-13.
Source: Journal
IV. Individual Studies by Genre
D. Choral Works
Year: 1975
Complete Citation:
Lamb, Gordon H. “Charles Ives: The Man and His Music. Interview with Robert Shaw.” Choral Journal 15/8 (April 1975): 5-7.
Source: Journal
IV. Individual Studies by Genre
D. Choral Works
Year: 1975
Complete Citation:
Lamb, Gordon H. “Charles Ives: The Man and His Music Interview with Robert Shaw.” Choral Journal 15, no. 8 (April 1975).
Source: Journal
IV. Individual Studies by Genre
D. Choral Works

MacClendon, James W.

Year: 2002
Complete Citation:
MacClendon, James W. “Expanding the Theory: Charles Edward Ives—Theologian in Music.” In Biography as theology: how life stories can remake today's theology. Eugene, OR: Wipf and Stock Publishers, 2002.
Source: Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Magee, Gayle

Year: 2019
Complete Citation:
Magee, Gayle. “‘Every Man in New York’: Charles Ives and the First World War.” In Over Here, Over There: Transatlantic Conversations on the Music of World War I, edited by Gayle Sherwood Magee, et. al., 37-57. Urbana, IL: University of Illinois Press, 2019.
Source: Chapter in Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Marshall, Bryan

Year: 2003
Complete Citation:
Marshall, Bryan. “Charles Ives and the absent presences of life and work.” Ph.D. diss., Cardiff University, 2003.
Source: Ph.D. Dissertation
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Mauldin, Walt

Year: 1991
Complete Citation:
Mauldin, Walt. “The Influence of Gregg Smith on Twentieth-Century Choral Literature as a Composer and Conductor.” The Bulletin of Historical Research in Music Education 12/2 (1991): 83-99.
Source: Journal
IV. Individual Studies by Genre
D. Choral Works

Maus, Fred Everett

Year: 1991
Complete Citation:
Maus, Fred Everett. 1991. “Music as Narrative.” Indiana Theory Review 12: 1-34.
Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

McClendon, James W.

Year: 1994
Complete Citation:
McClendon, James W. “Charles Edward Ives: Theologian in Music.” In Theomusicology, edited by Jon Michael Spencer. Durham, NC: Duke University Press, 1994.
Source: Chapter in Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

McCray, James

Year: 1996
Complete Citation:
McCray, James. “Music for Voices and Organ: Psalm 14.” The Diapason, Vol. 87, No. 1 (1996): 8.
Source: Journal
IV. Individual Studies by Genre
D. Choral Works

Meelberg, Vincent

Year: 2006
Complete Citation:
Meelberg, Vincent. 2006. New Sounds, New Stories: Narrativity in Contemporary Music. Amsterdam, Netherlands: Leiden University Press, 2006.
Source: Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Mellers, Wilfrid

Year: 1950
Complete Citation:
Mellers, Wilfrid. “American Music and an Industrial Community.” In Music and Society, 191-203. New York: Roy Publishers, 1950.
Source: Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Year: 1975
Complete Citation:
Mellers, Wilfrid. “The Sound of Democracy.” The Times Literary Supplement (January 24, 1975): 81.
Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions