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Bibliography

Repertoire & Standards National Committee Chairs

Year: 2003
Complete Citation:
Repertoire & Standards National Committee Chairs. “Selected American Choral Repertoire.” The Choral Journal, vol. 43, no. 8 (2003): 49-54.
Source: Journal
IV. Individual Studies by Genre
D. Choral Works

Repertoire & Standards National Committee, and Barbara Tagg

Year: 2003
Complete Citation:
Repertoire & Standards National Committee and Barbara Tagg. “Resources: Books, Articles, Organizations and Web Sites Related to American Choral Music.” The Choral Journal 43/8 (2003): 57-71.
Source: Journal
IV. Individual Studies by Genre
D. Choral Works

Rexroth, Dieter

Year: 1979
Complete Citation:
Rexroth, Dieter. Zwischen den Grenzen: Zum Aspekt des Nationalen in der Neuen Musik. Mainz, Germany: Schott, 1979.
Source: Book
VI. Topical Studies
L. Ives and America

Riesman, David

Year: 1950
Complete Citation:
Riesman, David. The Lonely Crowd: A Study of the Changing American Character, 287-288, 324-325. New Haven, CT: Yale University Press, 1950.
Source: Book
VI. Topical Studies
L. Ives and America

Riggs, Krista

Year: 2006
Complete Citation:
Riggs, Krista. “Articles: The Twentieth Century American Oboe Concerto: Something Old, New, Borrowed, and Blue.” The Double Reed, Vol. 29, No. 1 (2006): 59-74.
Source: Journal
VI. Topical Studies
L. Ives and America

Robinson, Suzanne

Year: 2011
Complete Citation:
Robinson, Suzanne. “Percy Grainger and Henry Cowell: Concurrences Between Two ‘Hyper-Moderns.’” The Musical Quarterly 94/3 (2011): 278-324.
Source: Journal
IV. Individual Studies by Genre
D. Choral Works

Rosenfeld, Paul

Year: 1939
Complete Citation:
Rosenfeld, Paul. “The Advent of American Music.” Kenyon Review (Winter/Spring 1939).
Source: Journal
VI. Topical Studies
L. Ives and America
Year: 1939
Complete Citation:
Rosenfeld, Paul. “The Advance of American Music.” Kenyon Review 1 (Spring 1939): 185-193.
Source: Journal
VI. Topical Studies
L. Ives and America
Year: 1940
Complete Citation:
Rosenfeld, Paul. “‘Americanism’ in American Music.” Modern Music 17/4 (May-June 1940): 226-232.
Notes:

“Others, saturated with folklore—Ives, for example—seemed to have sought for a music confirmative to folklore and for a national or regional expressivity.”

Source: Journal
VI. Topical Studies
L. Ives and America
Year: 1948
Complete Citation:
Rosenfeld, Paul. “Spokesman for an American Tradition.” Paul Rosenfeld, Voyager in the Arts, edited by Jerome Melquist and Lucie Weise, 165-166. New York, NY: Creative Age Press.
Source: Chapter in Book
VI. Topical Studies
L. Ives and America

Rossiter, Frank R.

Year: 1981
Complete Citation:
Rossiter, Frank R. “The ‘Genteel Tradition’ in American Music.” Journal of American Culture 4 (1981): 107-115.
Source: Journal
VI. Topical Studies
L. Ives and America

Rufener, Rudolf

Year: 1969
Complete Citation:
Rufener, Rudolf. “Charles Ives, ein amerikanischer Komponist.” Du- Kulturelle Monatsschrift 29 (November 1969): 360, 364, 366.
Source: Journal
VI. Topical Studies
L. Ives and America

Ryan, Norris

Year: 1949
Complete Citation:
Ryan, Norris. “A Connecticut Yankee.” News [La Crosse, WI]. May 5, 1949.
Source: Newspaper
VI. Topical Studies
L. Ives and America

Saal, Hubert

Year: 1974
Complete Citation:
Saal, Hubert. “Connecticut Yankee.” Newsweek 84, November 4, 1974: 71.
Source: Magazine
VI. Topical Studies
L. Ives and America

Sabin, Robert

Year: 1963
Complete Citation:
Sabin, Robert. “20th-century Americans.” In Choral Music: 4 Symposium, edited by Arthur Jacobs. Baltimore, MD: Penguin Books, 1963.
Source: Chapter in Book
Reprints:

Sabin, Robert. “20th-century Americans.” In <i>Choral Music: 4 Symposium</i>, edited by Arthur Jacobs, 371-372. Baltimore, MD: Penguin Books, 1978.

IV. Individual Studies by Genre
D. Choral Works
Year: 1963
Complete Citation:
Sabin, Robert. “Twentieth-Century Americans.” In Choral Music: A Symposium, edited by Arthur Jacobs, pp. 371-372. Baltimore, MD: Penguin Books, 1963.
Source: Chapter in Book
Reprints:

Sabin, Robert. “Twentieth-Century Americans.” In <i>Choral Music: A Symposium</i>, edited by Arthur Jacobs, 371-372. Baltimore, MD: Penguin Books, 1978.

IV. Individual Studies by Genre
D. Choral Works

Scherer, Barrymore Laurence

Year: 2007
Complete Citation:
Scherer, Barrymore Laurence. “New England Icono-clast: Charles Ives.” In A History of American Classical Music, 66-69. Naperville, IL: Sourcebooks, 2007.
Source: Chapter in Book
VI. Topical Studies
L. Ives and America
Year: 2007
Complete Citation:
Scherer, Barrymore Laurence. “New England Iconoclast: Charles Ives.” In A history of American classical music. Naxos Books, 2012.
Source: Book
VI. Topical Studies
L. Ives and America

Schonberg, Harold C.

Year: 1958
Complete Citation:
Schonberg, Harold C. “America’s Great Composer.” Esquire (December 1958).
Source: Magazine
VI. Topical Studies
L. Ives and America
Year: 1961
Complete Citation:
Schonberg, Harold C. “Stubborn Yankee: Ives Iconoclasm and His Individuality Are Always American in Accent.” The New York Times, March 5, 1961, sec. 2, 9.
Source: Newspaper
VI. Topical Studies
L. Ives and America