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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Schonberg, Harold C.

Year: 1974
Complete Citation:
Schonberg, Harold C. “Natural American, Natural Rebel, Natural Avant- Gardist.” New York Times Magazine, April 21, 1974, 12-14, 71-73, 78, 82-83.
Source: Newspaper
VI. Topical Studies
L. Ives and America

Schubert, Giselher

Year: 1982
Complete Citation:
Schubert, Giselher. “Über einen amerikanischen Komponisten.” In Grenzgänge. Programmbuch der “Frankurter Feste” 1982. Frankfurt, Germany: 1982.
Source: Program Book for Festival
VI. Topical Studies
L. Ives and America

Seaton, Douglass

Year: 1991
Complete Citation:
Seaton, Douglass. “An American Original: Charles Ives.” In Ideas and styles in the Western musical tradition. Mountain View, CA: Mayfield Publishing Company, 1991.
Source: Chapter in Book
VI. Topical Studies
L. Ives and America

Selch, Frederick R.

Year: 1989
Complete Citation:
Selch, Frederick R. “An American Sampler: The American Composers of the 20th Century, Part I: The Native New England School and the Beginnings of an American Style.” Ovation 10/1 (February 1989): 8-19.
Notes:

In this very brief description of music in America at the turn of the cen-tury and shortly thereafter, Ives is emphasized.

Source: Journal
VI. Topical Studies
L. Ives and America

Sessions, Roger

Year: 1956
Complete Citation:
Sessions, Roger. Reflections on the Music Life in the United States. New York, NY: Merlin Press, 1956.
Source: Book
VI. Topical Studies
L. Ives and America

Sherwood, Gayle

Year: 1994
Complete Citation:
Sherwood, Gayle. “Questions and Veracities: Reassessing the Chronology of Ives’s Choral Works.” Music Quarterly 78/3 (Fall 1994): 403-421.
Source: Journal
IV. Individual Studies by Genre
D. Choral Works
Year: 1996
Complete Citation:
Sherwood, Gayle. “Ives and the Choral Tradition.” In Charles Ives and His World Festival, edited by J. Peter Burkholder, 48-49. Annandale-on-Hudson, New York; Bard College, August 9-11, 16-18, 1996.
Source: [Chapter in] Festival Publication
IV. Individual Studies by Genre
D. Choral Works
Year: 1997
Complete Citation:
Sherwood, Gayle. “Redating Ives’s choral sources.” In Ives Studies, 77-101. Edited by Philip Lambert. Cambridge, United Kingdom: Cambridge University Press, 1997.
Source: Chapter in Book
IV. Individual Studies by Genre
D. Choral Works
Year: 1999
Complete Citation:
Sherwood, Gayle. “‘Buds the Infant Mind’: Charles Ives's The Celestial Country and American Protestant Choral Traditions.” 19th Century Music 23/2 (Fall 1999): 163-189.
Source: Journal
IV. Individual Studies by Genre
D. Choral Works
Year: 2003
Complete Citation:
Sherwood, Gayle. “Charles Ives and the American Choral Tradition.” Choral Journal 43.8 (March 2003): 27-32.
Source: Journal
IV. Individual Studies by Genre
D. Choral Works

Sherwood, Gayle D.

Year: 1994
Complete Citation:
Sherwood, Gayle D. “The choral works of Charles Ives: chronology, style, and reception.” The Musical Quarterly 78 (Fall 1994): 429-447.
Source: Journal
IV. Individual Studies by Genre
D. Choral Works

Siegmeister, Elie

Year: 1976
Complete Citation:
Siegmeister, Elie. “Charles Ives: American Expressionist and Populist.” In South Florida's Historic Ives Festival, 1974-1976, 39-43. Coral Gables, FL: University of Miami, 1976.
Source: Chapter in Book
VI. Topical Studies
L. Ives and America

Slominsky, Nicholas

Year: 1955
Complete Citation:
Nicolas Slonimsky. “Charles Ives—America’s Musical Prophet.” Musical America 74/4 (February 15, 1954): 18-19.
Source: Journal
Reprints:

Slominsky, Nicholas. “Charles Ives—America’s Musical Prophet.” <i>Pan Pipes </i>47: 20 (January 1955).

VI. Topical Studies
L. Ives and America

Slonimsky, Nicholas

Year: 1975
Complete Citation:
Slonimsky, Nicholas. “Charles Ives As I Remember Him.” The Choral Journal 15, no. 5 (1975): 15-16.
Source: Journal
IV. Individual Studies by Genre
D. Choral Works

Slonimsky, Nicolas

Year: 1952
Complete Citation:
Slonimsky, Nicolas. “Sur la musique Americaine.” In L'Oeuvre du XXe siecle, 29. Paris, France: Congress for Cultural Freedom, 1952.
Source: Journal/Conference?
VI. Topical Studies
L. Ives and America
Year: 1975
Complete Citation:
Slonimsky, Nicolas. “Charles Ives: The Man and His Music.” Choral Jour-nal 15/5 (January 1975): 15-16.
Source: Journal
IV. Individual Studies by Genre
D. Choral Works

Smith, Gregg

Year: 1974
Complete Citation:
Smith, Gregg. “Charles Ives and His Music for Chorus.” The Choral Journal, vol. 15, no. 3 (1974): 17-20.
Source: Journal
IV. Individual Studies by Genre
D. Choral Works
Year: 1974
Complete Citation:
Smith, Gregg. “Charles Ives: The Man and His Music; Charles Ives and His Music For Chorus.” Choral Journal 15/3 (November 1974): 17-20.
Source: Journal
IV. Individual Studies by Genre
D. Choral Works

Sperry, Ethan, and Jameson Marvin

Complete Citation:
Sperry, Ethan, and Jameson Marvin. “Male Choirs: Repertoire for Male Chorus Performed by the Harvard Glee Club From 1978-2010, Part II.” The Choral Journal, vol. 53, no. 4 (November 2012): 65-71.
Source: Journal
IV. Individual Studies by Genre
D. Choral Works

Stoddard, Hope

Year: 1951
Complete Citation:
Stoddard, Hope. “Music in Connecticut.” International Musician (March 1951).
Source: Journal
VI. Topical Studies
L. Ives and America