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Bibliography

Rutledge, John Alvin

Year: 1975
Complete Citation:
Rutledge, John Alvin. “A quartet for Charles Ives.” M.S. Thesis, Boston University, 1975.
Source: M.S. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Sabin, Robert

Year: 1963
Complete Citation:
Sabin, Robert. “20th-century Americans.” In Choral Music: 4 Symposium, edited by Arthur Jacobs. Baltimore, MD: Penguin Books, 1963.
Source: Chapter in Book
Reprints:

Sabin, Robert. “20th-century Americans.” In <i>Choral Music: 4 Symposium</i>, edited by Arthur Jacobs, 371-372. Baltimore, MD: Penguin Books, 1978.

IV. Individual Studies by Genre
D. Choral Works
Year: 1963
Complete Citation:
Sabin, Robert. “Twentieth-Century Americans.” In Choral Music: A Symposium, edited by Arthur Jacobs, pp. 371-372. Baltimore, MD: Penguin Books, 1963.
Source: Chapter in Book
Reprints:

Sabin, Robert. “Twentieth-Century Americans.” In <i>Choral Music: A Symposium</i>, edited by Arthur Jacobs, 371-372. Baltimore, MD: Penguin Books, 1978.

IV. Individual Studies by Genre
D. Choral Works

Sarette, Gregory L.

Year: 1977
Complete Citation:
Sarette, Gregory L. “Rhythm(ic?) Devices in Selected Works in Charles Ives.” M.A. Thesis, University of Wyoming, 1977.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Schermer, Richard

Year: 1980
Complete Citation:
Schermer, Richard. “The Aesthetics of Charles Ives in Relation to his ‘String Quartet No. 2’.” M.A. thesis, California State University, 1980.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Schuld, Diana Boe

Year: 1971
Complete Citation:
Schuld, Diana Boe. “The influence of transcendentalism upon the Music of Charles Ives.” M.A. Thesis, Hofstra University, 1971.
Source: M.A. Thesis
B. Theses

Senick, John Peter

Year: 1982
Complete Citation:
Senick, John Peter. “An analysis of selected songs of Charles Ives.” M.A. Thesis, Syracuse University, 1982.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Sharp, Mary Elizabeth

Year: 1979
Complete Citation:
Sharp, Mary Elizabeth. “A Survey of Musical Quotation from 1940-1975.” M.M. thesis, University of Louisville, 1979.
Notes:

References to Ives: in Part 1, “Introduction”: “The use of common material such as folk tunes, hymns, and patriotic songs will not be included since the music is not from the concert tradition. However, this creates a problem of inconsistency in some cases. Charles Ives quotes music from popular material together with concert pieces which have programmatic signifi-cance.”; in Part 5, “Early Twentieth-Century Practices in the Use of Quotation”: “The very same motive (Beethoven’s Symphony No. 5) is quoted by Ives in the Concord Sonata and is used as a cyclic device to depict fate and the character of Beethoven himself’; and in Parts 7-10, “Charles Ives' Use of Quotation.”

Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Shelton, Gregory Allard

Year: 1985
Complete Citation:
Shelton, Gregory Allard. An analysis of Charles Ives’s Three-page Sonata for Piano. M.A. Thesis, The American University, 1985.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Sherwood, Gayle

Year: 1994
Complete Citation:
Sherwood, Gayle. “Questions and Veracities: Reassessing the Chronology of Ives’s Choral Works.” Music Quarterly 78/3 (Fall 1994): 403-421.
Source: Journal
IV. Individual Studies by Genre
D. Choral Works
Year: 1996
Complete Citation:
Sherwood, Gayle. “Ives and the Choral Tradition.” In Charles Ives and His World Festival, edited by J. Peter Burkholder, 48-49. Annandale-on-Hudson, New York; Bard College, August 9-11, 16-18, 1996.
Source: [Chapter in] Festival Publication
IV. Individual Studies by Genre
D. Choral Works
Year: 1997
Complete Citation:
Sherwood, Gayle. “Redating Ives’s choral sources.” In Ives Studies, 77-101. Edited by Philip Lambert. Cambridge, United Kingdom: Cambridge University Press, 1997.
Source: Chapter in Book
IV. Individual Studies by Genre
D. Choral Works
Year: 1999
Complete Citation:
Sherwood, Gayle. “‘Buds the Infant Mind’: Charles Ives's The Celestial Country and American Protestant Choral Traditions.” 19th Century Music 23/2 (Fall 1999): 163-189.
Source: Journal
IV. Individual Studies by Genre
D. Choral Works
Year: 2003
Complete Citation:
Sherwood, Gayle. “Charles Ives and the American Choral Tradition.” Choral Journal 43.8 (March 2003): 27-32.
Source: Journal
IV. Individual Studies by Genre
D. Choral Works

Sherwood, Gayle D.

Year: 1994
Complete Citation:
Sherwood, Gayle D. “The choral works of Charles Ives: chronology, style, and reception.” The Musical Quarterly 78 (Fall 1994): 429-447.
Source: Journal
IV. Individual Studies by Genre
D. Choral Works

Shulman, Ivan

Year: 2008
Complete Citation:
Shulman, Ivan. “Symphony no. 2 by Charles Ives: An Historic Review and Consideration of Performance Practice.” M.M. thesis, California State University at Long Beach, 2008.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Sly, Caroline Ware

Year: 1970
Complete Citation:
Sly, Caroline Ware. “The language of Ives's solo songs.” M.A. thesis, Smith College, 1970.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Slonimsky, Nicholas

Year: 1975
Complete Citation:
Slonimsky, Nicholas. “Charles Ives As I Remember Him.” The Choral Journal 15, no. 5 (1975): 15-16.
Source: Journal
IV. Individual Studies by Genre
D. Choral Works

Slonimsky, Nicolas

Year: 1975
Complete Citation:
Slonimsky, Nicolas. “Charles Ives: The Man and His Music.” Choral Jour-nal 15/5 (January 1975): 15-16.
Source: Journal
IV. Individual Studies by Genre
D. Choral Works

Smith, Gregg

Year: 1974
Complete Citation:
Smith, Gregg. “Charles Ives: The Man and His Music; Charles Ives and His Music For Chorus.” Choral Journal 15/3 (November 1974): 17-20.
Source: Journal
IV. Individual Studies by Genre
D. Choral Works