Image
Complete Citation:
Salzman, Eric. “Charles Ives: A Centennial Keepsake Album from Columbia.” Stereo Review 33/3, September 1974, 122-123.
Bibliography
Genres
Salzman, Eric
Year: 1974
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Samuel, Claude
Year: 2001
Complete Citation:
Samuel, Claude. “Charles Ives: “Three-Page Sonata. The Anti-Abolitionist Riots. Study no. 20. Varied Air and Variations. Scene Episode. Piano Sonata no. 2.”” Diapason: le magazine du disque et de la musique vivante (2001): 92.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 2010
Complete Citation:
Samuel, Claude. “22 Février 1951: Création de la Symphonie no2 de Ives.” Diapason: le magazine du disque et de la musique vivante (2010): 66.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Sandow, Greg
Year: 2000
Complete Citation:
Sandow, Greg. “Twenty-One Sides of Fischer-Dieskau.” Opera News, Vol. 65, No. 5 (2000): 56-57.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Sawer, David
Year: 1999
Complete Citation:
Sawer, David. “20th Century Masterworks: Charles Ives, “The Unanswered Question.”” BBC Music Magazine, Vol. 7, No. 9 (1999): 20.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Schonberg, Harold
Year: 1956
Complete Citation:
Schonberg, Harold. “Records: Ives: The Four Violin Sonatas Played by Druian Makes it Sing Conducts Janacek.” The New York Times, July 15, 1956, 72.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Schonberg, Harold C.
Year: 1954
Complete Citation:
Schonberg, Harold C. “Records American: Ives’ Second Symphony is Strong Native Work.” The New York Times, June 27, 1954, X8.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 1956
Complete Citation:
Schonberg, Harold C. “Records: Ives. The Four Violin Sonatas Played by Drurian.” The New York Times, July 15, 1956, sec. 2, 8.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Schwarz, K. Robert
Year: 1991
Complete Citation:
Schwarz, K. Robert. “Recitals & Collections -- George Crumb’s Black Angels, Charles Ives’ They Are There!, Shostakovich’s Quartet No. 8 in C minor and Tallis’ Spem in Alium performed by the Kronos Quartet.” Musical America, Vol. 111, No. 2 (1991): 92.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Schwarz, Robert K.
Year: 1985
Complete Citation:
Schwarz, Robert K. “Reviews: Symphony No.3; Orchestral Set No. 2.” High Fidelity/Musical America 35, no. 8 (August 1985): 62.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Schweitzer, Vivien
Year: 2009
Complete Citation:
Schweitzer, Vivien. “The Light that is Felt: Songs of Charles Ives.” The New York Times, January 18, 2009, AR25.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Scott, Fred
Year: 1974
Complete Citation:
Scott, Fred. “Ives’ Sonatas.” The Washington Post, October 21, 1974, B9.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Serebrier, José
Year: 1974
Complete Citation:
Serebrier, José. “Ives the Most Difficult Ever.” Music Journal 32. no. 7 (September 1974): 14-15.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 1975
Complete Citation:
Serebrier, José. “Charles Ives—A Composer For All Directions.” Stereo Review 35, no. 1 (July 1975): 48-51.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 1975
Complete Citation:
Serebrier, José. “Charles Ives.” Stereo Review (1975): 48.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 1975
Complete Citation:
Serebrier, José. “Ives for Orchestra.” The Instrumentalist 29 (February 1975): 40-41.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Serebrier, José and John Kirkpatrick
Year: 1974
Complete Citation:
Serebrier, José, and John Kirkpatrick. “Charles Ives’ Fourth.” Symphony News 25, no. 5 (1974), 11-12.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Sherwood, Gayle
Year: 1994
Complete Citation:
Sherwood, Gayle. “Questions and Veracities: Reassessing the Chronology of Ives’s Choral Works.” Music Quarterly 78/3 (Fall 1994): 403-421.Source: Journal
IV. Individual Studies by Genre
D. Choral Works
D. Choral Works
Year: 1996
Complete Citation:
Sherwood, Gayle. “Ives and the Choral Tradition.” In Charles Ives and His World Festival, edited by J. Peter Burkholder, 48-49. Annandale-on-Hudson, New York; Bard College, August 9-11, 16-18, 1996.Source: [Chapter in] Festival Publication
IV. Individual Studies by Genre
D. Choral Works
D. Choral Works
Year: 1997
Complete Citation:
Sherwood, Gayle. “Redating Ives’s choral sources.” In Ives Studies, 77-101. Edited by Philip Lambert. Cambridge, United Kingdom: Cambridge University Press, 1997.Source: Chapter in Book
IV. Individual Studies by Genre
D. Choral Works
D. Choral Works