Image
Complete Citation:
Sherwood, Gayle. “‘Buds the Infant Mind’: Charles Ives's The Celestial Country and American Protestant Choral Traditions.” 19th Century Music 23/2 (Fall 1999): 163-189.
Bibliography
Genres
Sherwood, Gayle
Year: 1999
Source: Journal
IV. Individual Studies by Genre
D. Choral Works
D. Choral Works
Year: 2003
Complete Citation:
Sherwood, Gayle. “Charles Ives and the American Choral Tradition.” Choral Journal 43.8 (March 2003): 27-32.Source: Journal
IV. Individual Studies by Genre
D. Choral Works
D. Choral Works
Sherwood, Gayle D.
Year: 1994
Complete Citation:
Sherwood, Gayle D. “The choral works of Charles Ives: chronology, style, and reception.” The Musical Quarterly 78 (Fall 1994): 429-447.Source: Journal
IV. Individual Studies by Genre
D. Choral Works
D. Choral Works
Shirley, Wayne
Year: 1967
Complete Citation:
Shirley, Wayne. “Ives’s ‘Holidays': A Glorious ‘Fourth,’ and No Anticli-max.” High Fidelity/Musical America 17/9, September 1967, 79-80.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 1968
Complete Citation:
Shirley, Wayne. “The Challenge of Ives Brings a New Round of Chal-lengers.” High Fidelity/Musical America 18/6, June 1968, 80-81.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Shore, Jay
Year: 1971
Complete Citation:
Shore, Jay. “Record: Calcium Light Night.” The Rolling Stone 84 (June 10, 1971): 46.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Simon, Eric
Year: 1968
Complete Citation:
Simon, Eric. “Der späte Ruhm des seltsamen Charles Ives” [The Be-lated Fame to the Singular Charles Ives]. HiFi--Stereophonie (January 1968) 7/1: 58-59.Notes:
The uniqueness of the composer’s style is emphasized; Ives is compared to Silvestre Revueltas and Leos Janacek.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Simon, Jeff
Year: 2016
Complete Citation:
Simon, Jeff. “Listening Post: New Jazz Trio to Hallwalls, All-Ives Disc from Seattle.” TCA Regional News, January 28, 2016.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Slonimsky, Nicholas
Year: 1975
Complete Citation:
Slonimsky, Nicholas. “Charles Ives As I Remember Him.” The Choral Journal 15, no. 5 (1975): 15-16.Source: Journal
IV. Individual Studies by Genre
D. Choral Works
D. Choral Works
Slonimsky, Nicolas
Year: 1975
Complete Citation:
Slonimsky, Nicolas. “Charles Ives: The Man and His Music.” Choral Jour-nal 15/5 (January 1975): 15-16.Source: Journal
IV. Individual Studies by Genre
D. Choral Works
D. Choral Works
Smith, Delos
Year: 1966
Complete Citation:
Smith, Delos. “Both Ives, Mahler Works Recorded.” The Austin Statesman, February 9, 1966, 34. Feb 9.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Smith, Gregg
Year: 1974
Complete Citation:
Smith, Gregg. “Charles Ives: The Man and His Music; Charles Ives and His Music For Chorus.” Choral Journal 15/3 (November 1974): 17-20.Source: Journal
IV. Individual Studies by Genre
D. Choral Works
D. Choral Works
Year: 1974
Complete Citation:
Smith, Gregg. “Charles Ives and His Music for Chorus.” The Choral Journal, vol. 15, no. 3 (1974): 17-20.Source: Journal
IV. Individual Studies by Genre
D. Choral Works
D. Choral Works
Smith, Ken
Year: 2004
Complete Citation:
Ken Smith. “The Principal of Chaos.” Gramophone 82/981 (July 2004): 38--41.Notes:
A rather comprehensive review of recordings of the symphonies [D078. D079, D083, D085, D097, D098, D116, D156, D157, D217, D306, D333, D351, D365, D383, D440, D446, D448, D457, D467, D560, D583] to determine preferred ones. Includes a drawing by Neale Osborne.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Smith, Steve
Year: 2002
Complete Citation:
Smith, Steve. “The Classical Score: American Maverick.” Billboard: The International Newsweekly of Music, Video and Home Entertainment, Vol. 114, No. 6 (2002): 18.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Smith, Steve; Holden, Stephen; Schweitzer, Vivien
Year: 2009
Complete Citation:
Smith, Steve, Stephen Holden, and Vivien Schweitzer. “Recordings.” 21st Century Music, Vol. 16, No. 3 (2009): 12.Source: Journal (recording review or list)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Sperry, Ethan, and Jameson Marvin
Complete Citation:
Sperry, Ethan, and Jameson Marvin. “Male Choirs: Repertoire for Male Chorus Performed by the Harvard Glee Club From 1978-2010, Part II.” The Choral Journal, vol. 53, no. 4 (November 2012): 65-71.Source: Journal
IV. Individual Studies by Genre
D. Choral Works
D. Choral Works
Steane, John
Year: 2005
Complete Citation:
Steane, John. “Reviews: Vocal - Ives: “A Song - For Anything.”” Gramophone, Vol. 83: 77.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Steinberg, Michael
Year: 1965
Complete Citation:
Steinberg, Michael. “Zukofsky and Kalish Play Ives Sonatas.” The Boston Globe, May 25, 1965, 33.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 1965
Complete Citation:
Steinberg, Michael. “Zukofsky and Kalish Play Ives Sonatas.” The Boston Globe, May 25, 1965: 33.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews